The Gallery is open from Monday to Friday 11:15 am- 1 pm and 3:15 pm-7pm.

Saturday afternoons by appointment 

NEW EXHIBITION: JAPAN-JAPONISM TO DICOVER FROM DECEMBER 2

THE GALLERY WILL BE OPEN FROM 3:30 PM TO 7 PM ON SATURDAYS 6, 13, AND 20 AND SUNDAYS 7, 14, AND 21 DECEMBER


Latest.

ANONYME

ANONYME - CHAT TENANT UNE GRENOUILLE

CHAT TENANT UNE GRENOUILLE

Sosaku-Hanga print. Nishiki-e, oban. Small handling crease at the right outside corner.Ca.1940..

450.00 €


SHODO KAWARAZAKI (1889-1973)

SHODO KAWARAZAKI (1889-1973)  - JUIN : SHAKUYAKU

JUIN : SHAKUYAKU

From a suite: Floral calendar of JapanCa. 1970Unsodo EditorNishiki-eShin hangaKachoeBeautiful colorsThe shakuyaku is a flower related to the peony. Although it thrives in China today, it originated in Northeast Asia. It was imported from China to Japan. Originally, it was cultivated as a medicinal plant. In spring, it develops a pretty bud and blooms around June...

380.00 €


YAMAOKA SHINPEI ( ACTIF CA.1930-1960 )

YAMAOKA SHINPEI ( ACTIF CA.1930-1960 ) - POUPEES KYO WARABE MASABI

POUPEES KYO WARABE MASABI

Ca.1930Sosaku hangaNishiki-eNice proof...

350.00 €


SAENREDAM JAN ( 1565 – 1607 )

SAENREDAM JAN ( 1565 – 1607 )  - MARS PRESIDANT A LA GUERRE ET AUX SOLDATS

MARS PRESIDANT A LA GUERRE ET AUX SOLDATS

After Hendrick GoltziusFrom the series: Seven Planets( Hollstein : 50 à 56; New Hollstein : ( d'après Goltzius) 657–662 )Beautiful print, watermarked.H: 52N.H: 659"The Seven Planets series is part of the iconographic tradition of planetary gods and their offspring. Alongside ancient pagan stellar beliefs, elements of classical mythology and divine iconography were transmitted throughout the Middle Ages in astrological manuscripts, calendars, and more generally in literature. As early as the 6th century BC, planets bore the names of ancient deities. According to astrology, children born under the influence of a planet and a constellation were characterized by specific qualities, activities, or professions."From the late 15th century onward, particularly in the works of Marten van Heemskerck and Maarten de Vos, it was common practice in print series to depict the deity in question in a chariot on its celestial orbit, while the children of the planets went about their business on Earth.Goltzius's fundamental iconographic innovation was to place the gods as statues on pedestals within a landscape surrounded by children of the planets dressed in the fashion of the time (see Ilja M. Veldman, "Antike Götter als Planeten und ihr Einfluss auf die Erdbewohner," in: catalogue Hendrick Goltzius – Mythos, Macht und Menschlichkeit, Petersberg/Dessau 2017, p. 142 ff.).Goltzius also established a new hierarchy in the order of the planets, which—according to the knowledge of the time—began with the planet farthest from Earth, as well as in the characterization of planetary offspring.Above these terrestrial scenes, which feature Latin verses by the Haarlem humanist Cornelius Schonaeus, the constellations and planetary symbols unfold across the sky. Goltzius's planetary images possess an imposing presence, thanks to the invention of earthly statues of the gods and the spatial composition that places the observer on the same visual level as the planetary offspring. Saenredam's brilliant technique lends them superb harmony and elegance."Nicolaas Teeuwisse, Berlin"..

450.00 €



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