MASAO IDO ( 1945-2016 )
SHOKEI, PETIT CHEMIN
A very fine impression with vibrant colors, signed, numbered, and dated from the series: Ikaruga no Sato (Ikaruga Village in Nara).Minor marginal foxing, remnants of paper from an old mount on the reverse.Sosaku-hangaNishiki-e1981Ido Masao used the "Ido Green" technique, emphasizing light and shadow.In 1961, he studied under Yoshida Koho, a traditional craftsman (dyer), and began engraving in 1972.In 1973, he was selected by the Japan Print Association and received the Nichido-print Grand Prize and the Sangikai New Talent Award.In 1983, he participated in the Kyoto Hyakkei Woodblock Prints Exhibition with Tokuriki Tomikichiro and Clifton Calf.In 1990, he had an "Ido Masao" exhibition in Chicago and participated in the Graz Art Association exhibition in Austria.In 2004 several of his works were added to the Collection of the Los Angeles County Museum of Art and in 2006 to that of the Library of Congress in Washington...
400.00 €
FLEUR DE LOTUS
From the series: Kyoto Seasonal Flower CalendarSigned and numbered printCirca 2000Sosaku HangaNishiki-eMasao Ido was a renowned contemporary printmaker, renowned for his serene and timeless depictions of Japanese landscapes, particularly Kyoto. Born in northeastern China and later settled in Japan, he studied under Yoshida Koho and mastered the traditional technique of woodblock printing.His works combine traditional aesthetics with a modern sensibility, characterized by rich textures, harmonious colors, and an ability to convey serenity and depth...
390.00 €
HORYU-JI, TEMPLE D'HORYU
A very fine and fresh impression, signed, numbered, and dated, from the series: Ikaruga no Sato (Ikaruga Village in Nara).Some ink stains from printing in the margins.Sosaku-hangaNishiki-e1981Ido Masao used the "Ido Green" technique, emphasizing light and shadow.In 1961, he studied under Yoshida Koho, a traditional craftsman (dyer), and began engraving in 1972.In 1973, he was selected by the Japan Print Association and received the Nichido-print Grand Prize and the Sangikai New Talent Award.In 1983, he participated in the Kyoto Hyakkei Woodblock Prints Exhibition with Tokuriki Tomikichiro and Clifton Calf.In 1990, he had an "Ido Masao" exhibition in Chicago and participated in the Graz Art Association exhibition in Austria.In 2004 several of his works were added to the Collection of the Los Angeles County Museum of Art and in 2006 to that of the Library of Congress in Washington...
400.00 €
TEMPLE KAJU-JI
From the sequel: One Hundred Famous Views of KyotoTwo small marks from an old mount in the upper border, tiny trace in the lower margin.1950Sosaku HangaNishiki-eMasao Ido was a renowned contemporary printmaker, renowned for his serene and timeless depictions of Japanese landscapes, particularly Kyoto. Born in northeastern China and later settled in Japan, he studied under Yoshida Koho and mastered the traditional technique of woodblock printing.His works combine traditional aesthetics with a modern sensibility, characterized by rich textures, harmonious colors, and an ability to convey serenity and depth...
300.00 €
CERISIER EN FLEURS DEVANT LA PORTE D'ISHIKAWAMON, CHATEAU DE KANAZAWA
From the series: "Ten Views of Kanazawa."1975Very fine impression, a few tiny foxing spots visible on the verso.Signed, dated, and numbered 197/200Masao Ido was born in 1945 in Beipiao, northeast China. After his family returned to his hometown of Kyoto in 1960, he began his artistic career under Koho Yoshida, studying color, before turning to contemporary prints in 1972. Under the tutelage of Shigechika Ohtsubo, Masao Ido perfected his mastery of woodblock printing. He has exhibited his works internationally. His contemporary woodblock prints are included in numerous permanent collections, including the Los Angeles County Museum of Art...
480.00 €
ADASHINO NENBUTSU-JI A SAGANO
From the series: One Hundred Famous Views of KyotoTwo small marks from an old mount in the top margin, and a tiny pinch of the paper in the top and bottom borders.The print depicts Adashino Nenbutsu-ji in Sagano, one of the ten scenic spots in the area.Under the moonlight, the temple grounds are illuminated by countless candles during the Manto-e Bon festival, when people gather to pay homage to the departed.The artist wrote about this print: "Halfway up the gentle slope that continues from Giō-ji Temple to Torii-moto, a stone staircase on the left leads to several small stone statues of Jizō that welcome visitors.Passing a path surrounded by trees, one arrives at a small hall, in front of which are lined up countless stone Buddhas.Every year, during the Bon Festival Manto-e, many people come to light candles.I wanted to express the atmosphere where the soft candlelight and the pale moonlight delicately illuminate the stone Buddhas.Sometimes, the flames flickering in the wind seem to convey the feelings of forgotten souls."Sosaku HangaNishiki-eMasao Ido was a renowned contemporary printmaker, renowned for his serene and timeless depictions of Japanese landscapes, particularly Kyoto. Born in northeastern China and later settled in Japan, he studied under Koho Nishikawa and Yoshida Koho and mastered the traditional technique of woodblock printing.His works combine traditional aesthetics with modern sensibilities, characterized by rich textures, harmonious colors, and an ability to convey serenity and depth...
300.00 €
