• LA PORTE SAINT DENIS SORTANT DE PARIS

Optical view in period colors.

Some foxing, mostly marginal.
























LA PORTE SAINT DENIS SORTANT DE PARIS

  • 100.00 €



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Certificate of Authenticity

All our prints and engravings are guaranteed to be of the period and some have an official nominative certificate.

Art Gallery in Paris

11 Passage Verdeau, Paris 9th. Recognized expertise of Japanese and European Masters.

Conservation Museum Quality

Flat packaging, acid-free folders with neutral pH and reinforced protection.

Shipping within the European Union

Careful delivery within 24/48 hours with ad valorem insurance and real-time tracking.

Frequently Asked Questions from Collectors & Print Lovers

Answers on the authenticity, conservation and acquisition of Japanese prints and Master engravings.

How can we guarantee the authenticity and period print of an original print?

En résumé : An original print is verified by its period print, the nature of its laid or Japanese paper, the presence of censor/publisher stamps and the fineness of the engraved lines.

At the Maillard-Fouilleul Gallery, each work undergoes a rigorous expert examination: conformity of printing marks (kento), freshness of plant and mineral colors, integrity of margins and watermarks.

What is the difference between an Ukiyo-e print and a Shin-Hanga print?

En résumé : Ukiyo-e (17th–19th century) illustrates the classic “floating world” of Edo, while Shin-Hanga (20th century) renews woodcut with Western perspectives and light effects.

Ukiyo-e brings together illustrious masters like Hokusai, Hiroshige, Utamaro and Sharaku. The Shin-Hanga (“new prints”) movement, launched by publisher Watanabe Shozaburo in the years 1915-1960 with Hasui Kawase and Hiroshi Yoshida, retains traditional four-handed craftsmanship while infusing spectacular atmospheric realism.

How to properly preserve and frame a Japanese print or old engraving?

En résumé : Store prints away from UV rays and excessive humidity. Use only acid-free (neutral pH) mats and museum-quality UV-protected glass.

Traditional mineral and plant pigments are very sensitive to direct light. We recommend reversible assembly with Japanese hinges and starch glue, avoiding any synthetic adhesive. Never glue a print in full. For wallet storage, choose neutral polyester pouches (Melinex/Mylar) and permanent blotting paper.

How are the prints packaged and secured during delivery?

En résumé : The prints are protected in a neutral acid-free pouch, packaged strictly flat between two plates of rigid reinforced non-deformable cardboard with ad valorem insurance.

We never roll up old prints in order to preserve the paper fibers. Packages are shipped within 24 to 48 hours via Colissimo Expert with delivery against signature or express carrier (DHL / FedEx) with tracking number. Collection by hand from our Parisian gallery (11 Passage Verdeau) is also available on request.

Can you have your prints and lithographs appraised or sold at the gallery?

En résumé : Yes, we examine your works for cash purchase, consignment sale or preliminary free estimate on photographs.

We are constantly looking for Japanese prints (Ukiyo-e, Shin-Hanga, Sosaku-Hanga), as well as engravings by European masters (Rembrandt, Dürer, Callot) and lithographs from the 19th century (Daumier, Gavarni). You can send us photos by email to maillard.estampes@orange.fr or come and meet us directly at Passage Verdeau in Paris.

Maillard-Fouilleul Gallery · Specialist in old prints & engravings · Ref. bibliographic: Bartsch, Delteil, Riccar Art Museum, Watanabe · Last update: 09/2026.