First set of: Twelve Months, or the different occupations of men during the year.
Suite of twelve prints in oval shapes.

Beautiful proofs with margins presented together on an old montage.
Some tiny foxing in the outer edges.

Below is the description as given by Robert-Dumesnil:

 185. January.
(1) Interior of a dining room where a husband and wife are seen, people of distinction seated at the table, served by a maître d'hôtel and a cupbearer. This room adjoins a kitchen where a woman holds a frying pan on the fire.
Aquarius and its celestial sign can be seen at the top of the room, towards the back.
186. February.
(2) To the left of the print we see a seated old man warming himself at a fireplace where a woman is approaching, spinning with a spindle, having a chaplain hanging from her belt; a servant follows her bringing wood. Pisces and their sign are seen in the middle of the top. Externally we can see, at the back of the right, a lumberjack who is felling wood.
187. March.
(3) A man and a woman are busy pruning the vine. In the middle of the top appears Aries and its astronomical sign.
188. April.
(4) In the middle of the front of this piece we see a shepherd sitting talking with a shepherdess who is weaving flowers and a young girl who is picking them; beyond a herd is scattered. In the middle of the top appears the Taurus and its astronomical sign.
189. May.
(5) In the middle of the front of this piece we see a young girl sitting facing front who sings to the accompaniment of the cittern.
She is between two other young people, one of whom is holding a bouquet in one hand and a crown of flowers in the other.
Gemini appears in the middle of the top as well as their celestial sign.
190. June.
(6) On the front of this print we are busy shearing the flock, an operation carried out by a young woman assisted by two shepherds who bring or bring her two sheep. In the middle of the top is Cancer and its astronomical sign.
191. July.
(7) The right of this piece shows two men busy mowing. Leo is seen in the middle of the top accompanied by its astronomical sign.

192. August
(8) Four men take care of the harvest work on the front of this piece; three saw the wheat and another tied it into sheaves. In the middle of the top we see the Virgin and her astronomical sign.
195. September.
(9) Plowing and sowing the land. In the foreground we notice a farmer who, walking to the right, sows a field. To the right of the background we notice another one driving his plow on a patch of earth. In the middle of the top appears Scorpio (*) and its astronomical sign.

(*) It is very inappropriate that Scorpio appears in this month and that in October that of Libra appears; there is obviously a transposition of the constellations(...)
196. October.
(10) The harvest. The grapes are brought and crushed into a vat in the middle of the front, and the wine is drawn off; three men take care of it. The surplus from the operation is done at the bottom. In the middle of the top we see Libra and its astronomical sign.
195. November.
(11) The gland. A swineherd is busy removing acorns from the oaks which adorn the left of this section, under which we see a herd of pigs. Sagittarius can be seen in the middle of the top with its astronomical sign.
196. December.
(12) On the front of the print a butcher has just slaughtered a pig, whose blood is poured into a frying pan by a woman. In the background, on the left, several other animals of the same species have gone up in flames. Capricorn and its star sign are seen in the middle of the top.


Robert-Dumesnil : 185 - 196


LES DOUZE MOIS DE L'ANNEE

  • 2,800.00 €



”instagram_icon”

Guarantee of Authenticity

All our prints and engravings are guaranteed to be original.

Art Gallery in Paris

11 Passage Verdeau, Paris 9th. Recognized expertise in ancient and modern prints, Japanese and European. Member of SLAM (Syndicat de la Librairie Ancienne et Moderne) and ILAB (International League of Antiquarian Booksellers)

Conservation Museum Quality

Flat packaging, acid-free folders with neutral pH and reinforced protection.

Shipping within the European Union

Careful delivery within 24/48 hours with ad valorem insurance and real-time tracking.

Frequently Asked Questions from Collectors & Print Lovers

Answers on the authenticity, conservation and acquisition of Japanese prints and Master engravings.

How are the prints packaged and secured during delivery?

En résumé : The prints are protected in a neutral acid-free pouch, packaged strictly flat between two plates of rigid reinforced non-deformable cardboard with ad valorem insurance.

Prints are preferably shipped flat to preserve the fiber of the paper. Packages are shipped within 24 to 48 hours via Colissimo Expert with delivery against signature or express carrier (DHL / FedEx) with tracking number. Collection by hand from our Parisian gallery (11 Passage Verdeau) is also available during opening hours or on request.

How can we guarantee the authenticity and period print of an original print?

En résumé : An original print is verified by its edition, determined largely by the nature of its paper and the quality of its printing.

At the Maillard-Fouilleul Gallery, each work undergoes an in-depth examination, mention in the dedicated catalogs or directories, quality of the print and printing, possible presence of a watermark and its identification as well as any signature, sending or collector's mark, state of conservation of the print, integrity of the margins.

What is the difference between an Ukiyo-e print and a Shin-Hanga print?

En résumé : Ukiyo-e (17th–19th century) illustrates the classic “floating world” of Edo, while Shin-Hanga (20th century) renews woodcut with Western perspectives and light effects.

Ukiyo-e brings together illustrious masters like Hokusai, Hiroshige, Utamaro and Sharaku. The favorite subjects are actors, kabuki, courtesans or Bijin and landscapes, nature and its seasons being at the heart of art and the art of living in Japan. The Shin-Hanga (“new prints”) movement, launched by the publisher Watanabe Shozaburo in the years 1915-1960 with Hasui Kawase and Hiroshi Yoshida, preserves the traditional technique on wood with the intervention of a designer, an engraver and a printer, while infusing a spectacular atmospheric realism. To this we must add Sosaku-Hanga ("creative prints"), the creative process of which is in the hands of the artist alone and whose palette and graphic expression are freer.

How to properly preserve and frame a Japanese print or old engraving?

En résumé : Store prints away from UV rays and excessive humidity. Use only acid-free (neutral pH) mats and museum-quality anti-UV glass.

Inks like paper are very sensitive to direct light and humidity. We recommend reversible assembly with neutral pH or Japanese starch-based hinges, avoiding any synthetic adhesive. Never glue a print in full. For storage in drawing board, choose neutral polyester pouches (Melinex/Mylar) and permanent blotting paper.

Can you have your European and Japanese prints appraised or sold at the gallery?

En résumé : Yes, we examine your works for cash purchase, or valuation notice on photographs.

We are constantly looking for Japanese prints (Ukiyo-e, Shin-Hanga, Sosaku-Hanga), as well as engravings by ancient or modern European masters: Dürer, Callot, Bosse, Nanteuil, Boucher, Delacroix, Gericault, Goya, Rodin, Redon, Miro, Chagall, Buffet, Delaunay, Vasarely. You can send us photos by email to maillard.estampes@orange.fr or come and meet us directly at Passage Verdeau in Paris.

Galerie Maillard-Fouilleul · Specialist in ancient and modern prints · Ref. bibliographic: Hollstein, Bartsch, Le Blanc, I.F.F, Delteil, Last update: 09/2026.