CROQUIS DE MODE DE L'ATELIER GUY LAROCHE
ANONYMEWhen Guy Laroche launched his Haute Couture House in 1957, he had one goal in mind: freeing women's bodies from the New Look and offering them a "refined and discreet" elegance. He made himself known with his subversive cuts with surprising details. Her creations mark their era: pieces such as the coat dress or the shirt dress become an integral part of modern feminine wardrobes. The shops become meeting places for actresses such as Jane Fonda, Faye Dunaway or Mireille Darc.Sheet bearing the stamp: Atelier Guy Laroche Ca.1960..
DESSIN DE MODE DE LA MAISON LANVIN, MODELE 17 : CACTUS
ANONYMEOriginal drawing in ink and felt with sample of fabrics bearing the stamp: Jeanne Lanvin SA Rest of adhesive on the outer edgesThis drawing dates from the 1960s / 1962 period of the famous Antonio Cánovas del Castillo de Rey, known as Antonio Castillo (1908 -1984) who from 1950 to 1963 was in charge of the creation of the Lanvin house, the brand even becoming Lanvin - Castillo...
CROQUIS DE MODE DE L'ATELIER GUY LAROCHE
ANONYMEWhen Guy Laroche launched his Haute Couture House in 1957, he had one goal in mind: freeing women's bodies from the New Look and offering them a "refined and discreet" elegance. He made himself known with his subversive cuts with surprising details. Her creations mark their era: pieces such as the coat dress or the shirt dress become an integral part of modern feminine wardrobes. The shops become meeting places for actresses such as Jane Fonda, Faye Dunaway or Mireille Darc.Sheet bearing the stamp: Atelier Guy Laroche Ca.1960..
DESSIN DE MODE DE LA MAISON LANVIN, MODELE 54 : MILLET
ANONYMEOriginal drawing in ink and felt bearing the stamp: Jeanne Lanvin SARest of adhesive on the outer edgesThis drawing dates from the 1960s / 1962 period of the famous Antonio Cánovas del Castillo de Rey, known as Antonio Castillo (1908 -1984) who from 1950 to 1963 was in charge of the creation of the Lanvin house, the brand even becoming Lanvin - Castillo...
DESSIN DE MODE DE LA MAISON LANVIN, MODELE 64 : PAPYRUS
ANONYMEOriginal drawing in ink and felt with sample of fabrics bearing the stamp: Jeanne Lanvin SA Rest of adhesive on the outer edgesThis drawing dates from the 1960s / 1962 period of the famous Antonio Cánovas del Castillo de Rey, known as Antonio Castillo (1908 -1984) who from 1950 to 1963 was in charge of the creation of the Lanvin house, the brand even becoming Lanvin - Castillo...
ENLUMINURE
ANONYMEIllumination leaflet on vellum from a 15th century Book of Hours.Small hole visible in the bottom foliage..
DESSIN DE MODE DE LA MAISON LANVIN, MODELE 39 : GENIEVRE
ANONYMEOriginal drawing in ink and felt bearing the stamp: Jeanne Lanvin SA Rest of adhesive on the outer edgesThis drawing dates from the 1960s / 1962 period of the famous Antonio Cánovas del Castillo de Rey, known as Antonio Castillo (1908 -1984) who from 1950 to 1963 was in charge of the creation of the Lanvin house, the brand even becoming Lanvin - Castillo...
DESSIN DE MODE DE LA MAISON LANVIN, MODELE 97 : VANILLE
ANONYMEOriginal drawing in ink and felt with sample of fabrics bearing the stamp: Jeanne Lanvin SA Rest of adhesive on the outer edgesThis drawing dates from the 1960s / 1962 period of the famous Antonio Cánovas del Castillo de Rey, known as Antonio Castillo (1908 -1984) who from 1950 to 1963 was in charge of the creation of the Lanvin house, the brand even becoming Lanvin - Castillo...
CHAT ASSIS
POILLERAT GILBERT (1902-1988)Beautiful drawing of the famous decorator and master-ironmonger..
LIONNE ATTAQUANT UN BUFFLE
LANÇON AUGUSTE-ANDRE (1836-1887)Study on bluish paper slightly yellowed leaf on the outer borders.Wears the seal of Lançon...
LA REVEUSE
JEANNIOT PIERRE-GEORGES ( 1848-1934 )Signature on the right. Oblique fold to the left...
LES LIAISONS DANGEREUSES
JEANNIOT PIERRE-GEORGES ( 1848-1934 )Original drawing signed and annotated by Jeanniot: "Madame de Tourvel begs Valmont -Croquis- (unpublished)" Lead pencil executed for the 1918 edition of Choderlos de Laclos: Dangerous Liaisons..
DANS LES ROSEAUX
JEANNIOT PIERRE-GEORGES ( 1848-1934 )Drawing probably made for a screen project. Oblique fold and tiny pinhole in the left margin...
FEUILLET ENLUMINE FIN XV SIECLE
ANONYME XVèVery beautiful page from books of hours from the end of the 15th century on vellum in a good state of preservation. Formerly mounted between two glasses...
CANIVET FIN XVIII SUR VEAU VELIN
ANONYME XVIIIèPretty framed canivet from the end of the 18th century, on vellum calf with a watercolor scene representing the crucifixion. Several folds and colors passed in places. At sight: 195 x 130 Frame: 260 x 195..
OISEAU SUR UNE BRANCHE
ANONYME XIXèWatercolor with a handwritten numbering at the top left.XIXth...
PLAN D'ARCHITECTURE, PLACE D'ARMES RENTRANTE DE BASTION
ANONYME XIXèSection and projection of a bastionWatercolor, late 19th century..
OISEAU SUR UNE BRANCHE
ANONYME XIXèWatercolor with a handwritten numbering at the top left.XIXth.Two small traces at the bottom...
BRETON
PIERRE GUSTAVE ( 1875-1939 )Pencils and markers on strong Bristol paper.Signed lower left...
DEUX TIGRES SE DÉSALTÉRANT
COLLOT ANDRÉ (1897-1976)Oil mounted on its original chassis, signed lower right. Some tiny gaps in the paint on the surface...
TIGRE AU POINT D'EAU
COLLOT ANDRÉ (1897-1976)Oil mounted on its original chassis, signed lower right. Some tiny gaps in the paint on the surface...
DEUX CROQUIS DE CHATS
NAM JACQUES (1881-1974)Two studies of cat heads stuck on a strong cardboard, one of which with rednesses.Graphite mine, on each the monogram or the stamp of the signature.180X190 and 190X263.Bristol size: 400X30..
DEUX CHATS
NAM JACQUES (1881-1974)Sheet of cats study of this artist who exhibited with Steinlen and made famous for his felines of which Colette liked to say: "There are no cats more cats than the cats of Nam". Beautiful sheet some weaknesses in the upper margin . Signed in black felt..
ETUDE DE DEUX CHATS
NAM JACQUES (1881-1974)Study with tiling.Graphite mine bearing the signature stamp.Some soft folds in the upper left and lower right border..
MARCHE A CONCARNEAU
LE FORESTIER RENE ( 1903-1972 )Watercolor with sketches of heads in margins and on the back, in pencil, two boats and three sketched heads. Signed and annotated: Concarneau..
PROJET DE ROBE POUR MISTINGUETT BLOUSE ROUMAINE
DESSES JEAN (1904-1970)Drawing signed lower right. Bears on the back the stamp of the Mistinguett sale at M.Binoche of June 20, 1994.Jean Dessès, born Jean Dimitre Virginie, is a fashion designer, born to Greek parents in Alexandria, Egypt on August 6, 1904 and died in Athens on August 2, 1970. He owned in Paris, from 1937 to 1968, one of the most important fashion houses. Its models are characterized by generous square, dart, point and sweetheart necklines that extend deep into the back, giant details such as collars, lapels or wide necklines...
PROJET DE ROBE POUR MISTINGUETT ROBE NOIRE A COL ET REVERS BLANC
DESSES JEAN (1904-1970)Drawing signed lower right. Bears on the back the stamp of the Mistinguett sale at M.Binoche of June 20, 1994.Jean Dessès, born Jean Dimitre Virginie, is a fashion designer, born to Greek parents in Alexandria, Egypt on August 6, 1904 and died in Athens on August 2, 1970. He owned in Paris, from 1937 to 1968, one of the most important fashion houses. Its models are characterized by generous square, dart, point and sweetheart necklines that extend deep into the back, giant details such as collars, lapels or wide necklines...
PROJET DE ROBE POUR MISTINGUETT ROBE LONGUE BLANCHE ET CEINTURE ROSE
DESSES JEAN (1904-1970)Drawing signed lower right. Bears on the back the stamp of the Mistinguett sale at M.Binoche of June 20, 1994.Jean Dessès, born Jean Dimitre Virginie, is a fashion designer, born to Greek parents in Alexandria, Egypt on August 6, 1904 and died in Athens on August 2, 1970. He owned in Paris, from 1937 to 1968, one of the most important fashion houses. Its models are characterized by generous square, dart, point and sweetheart necklines that extend deep into the back, giant details such as collars, lapels or wide necklines...