HOKKEI TOTOYA (1780–1850)

MENG ZONG ( MÔ SÔ )

MENG ZONG ( MÔ SÔ )

Geisha with a box of bamboo shootsSurimono from a suite of 24: Paragons of Filial PietyShikishiban, Nishiki-e,ca.1890Beautiful fresh color print..

250.00 €


RAMASSEURS DE COQUILLAGES, KAIZUKUSHI

RAMASSEURS DE COQUILLAGES, KAIZUKUSHI

Some scattered foxing.SurimonoNishiki-eShikishibanCa.1890..

230.00 €


ENTREE DU TORII D'ENOSHIMA

ENTREE DU TORII D'ENOSHIMA

Surimono Shikishiban, Nishiki-e,ca.1890 Nice print with few heightened gold, Mount Fuji sketched by the use of embossing.A couple is represented here in front of the gate (torii) leading to the Shinto shrine on the promontory of Enoshima. The bag on the man's back and the woman's outfit wearing the ageb'shi (headdress protecting her elaborate bun), suggests that they are travelers from the neighboring city of Edo.The geometric pattern of the woman's kimono (yagasuri) is a kind of ikat weave reproducing the distinctive design of the arrow feather (ya). This model initially worn by women of the warrior class and then adopted by the servants of the Court of the Shoguns spread in the 19th century among the women of the city of the merchant class...

230.00 €


SERPENT ET MELONS DU CHOMON-JÛ

SERPENT ET MELONS DU CHOMON-JÛ

From the set: Washo Kurabe (a comparison of Japanese books) Creation of Hokkei, falsely signed and attributed to Hokusai. ca.1890, Shikishiban, Nishiki-e Printing with embossing, some tiny foxing..

230.00 €


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