LE PORT D'OLERON, VU EN FACE DE L'ENTREE
Engraved by Yves Le Gouaz (1742-1816 ) Plate from the set : les Ports de France "Réduit de la Collection des Ports de France dessinés pour le Roi en 1776 , Par le Seigneur Ozanne Ingénieur de la Marine Pensionnaire de Sa Majesté .A Paris chez Le Gouaz Graveur rue St Hyacinthe la 1ère Porte cochère à gauche par la Place Michel"...
L'HEUREUSE MERE
SERGENT-MARCEAU ANTOINE-LOUIS-FRANÇOIS (1751-1847)D'après augustin de Saint-AubinGravée en collaboration avec Jean-Baptiste Gautier .Impressions couleurs au pointillé.Le Blanc : 413..
L'INSTITUTION DE L 'EUCHARISTIE
FRAGONARD JEAN-HONORE (1732-1806)Print after Sebastiano Ricci State before the number (12) mentioned by Wildenstein..
LE PORT ST.GEORGES DANS L'ISLE DE LA GRENADE, VUE DU COTE DE L'EST
OZANNE NICOLAS ( D'APRES ) (1728-1811)Engraved by Jeanne-Françoise OZANNE (1734 - 1795) From the set La collection des vues des rades de France et des Ports des ColoniesReference : Auffret pp. 79-82, Vichot, chapter Considérations sur la collection des gravures des ports de France.Beautiful print cut slightly inside the copper...
VUE DU PORTAIL DE SAINT GERVAIS
GUYOT LAURENT (1756 - 1808)Print after the drawings by Testard ( Francois Martin ), edited A Paris : chez les Campion freres, [entre 1787 et 1792]from the set Vues pittoresques des principaux édifices de Paris.Beautiful print cut at the copper , tiny scattered foxing...
VUE DU PORTAIL DE SAINT EUSTACHE
GUYOT LAURENT (1756 - 1808)Print after the drawings by Testard ( Francois Martin ), edited A Paris : chez les Campion freres, [entre 1787 et 1792]from the set Vues pittoresques des principaux édifices de Paris.Beautiful print cut at the copper , tiny scattered foxing...
PETITS MEDAILLONS EN QUATRE FEUILLES
ANONYME XVIIIèSmall medallions probably for projects of boxes or buttons.Variable dimensions: 33 X 135, 30 X 78, 30 X 85 and 30 X 53..
LE SANS TORT LA FAYETTE QUITTE L'HOTEL DE VILLE POUR VERSAILLES
ANONYME XVIIIèOr : "Départ du général parisien pour la fameuse nuit du 5 au 6 octobre : - mes amis menez moi je vous prie couchez a Versailles" .Ca.1791-1792.Pretty copper cut aquatint.Zoomorphic caricature mocking the delay of La Fayette, represented here as a centaur, during the days of October 5 and 6, 1789. This episode earned him the nickname of "General Morpheus" attributed by Rivarol.In the context of the revolution, during the days of October 5 and 6, 1789, a crowd, composed mainly of women, went from Paris to Versailles, to demand bread from Louis XVI as well as the replacement of his bodyguards. majesty by the National Guard, then commanded by La Fayette. In addition, the Constituent Assembly demanded that same day the ratification of the decrees relating to the constitution and the declaration of rights. At the end of these days, she ended up asking for the king to come to Paris, but on this point, Louis XVI left the night to reflect, but on October 6, he was awakened by a more vindictive crowd. Now in charge of the security of the castle, La Fayette, arrived too late at Versailles, and was unable to prevent its murderous invasion but nevertheless saved the royal family who were taken to Paris.The Constituent Assembly will be called there a few days later, on October 19...
LA SURPRISE
AUDRAN BENOIT LE JEUNE ( 1698-1772 )Nice test, light uniform dustiness, scattered rednesses, short tear in the bottom marginEtching, 1731Dacier et Vuaflart : 31 State II/II..
IIIME LIVRE D'ETUDE D'ANIMAUX
DEMARTEAU GILLES (1729?-1776)After J.B HuetScattered freckles, small tear in the left margin repaired...
SOLDAT ASSIS VU DE DOS
DEMARTEAU GILLES (1729?-1776)Leymarie: 131 The so-called "drawing-style" engraving, by the eminently artistic character with which it reproduced the most graceful master compositions of the late eighteenth century, played an important role at that time. Several artists have contended, or rather have been attributed to various artists, the honor of this discovery, or at least of its perfection; we will nevertheless mention François and Bonnet as having pretended to be precursors in this genre. The first seems to have made only unsuccessful attempts; for Bonnet, he only came after the reception of Demarteau at the Academy, and moreover seems to have especially sought the reproduction of color drawings. Demarteau is therefore today considered incontestably as the inventor of this process. (in: THE WORK OF GILLES STARTER WOOL ENGRAVING THE KING PREFACE DESCRIPTIVE CATALOG OF A BIOGRAPHICAL NOTE BY L. LEYMARIE PARIS GEORGES RAPILLY LIBRARY OF THE NATIONAL SCHOOL OF FINE ARTS 53 BIS, QUAI OF GRANDS-AUGUSTINS, 53 BIS 1896)..
LE TOUCHER
LE PRINCE JEAN-BAPTISTE ( 1734-1781 )1775.Copper cut proof at the bottom, uniform foxing...
VUE DE LA PORTE SAINT ANTOINE
JANINET JEAN-FRANCOIS (1752-1814)Print after the drawings by Durand, Jean-Nicolas-Louis ( 1760 -1834 ), edited byEsnauts et Rapilly from the set Vues pittoresques des principaux édifices de Paris. (IFF 183)..
LE MARTYRE DE SAINT PIERRE DE VERONE
SAINT-NON JEAN-CLAUDE RICHARD DE ( 1727 - 1791 )After Fragonard, from the set : Recueil de Griffonis, de Vues, Paysages, fragments antiques et sujets historiques [...] Short bottom margin...
LA DEPOSITION
PACINI SANTE ( 1735-1800 )After Sanzio Raffaello (1483-1520).A few small freckles.Le Blanc: 1..
ARA ANTICA SOPRA LA QUALE SI FACEVANO ANTICAMENTE I SAGRIFIZI CON ALTRE RUINE ALL INTORNO
PIRANESI GIOVANNI-BATTISTA (1720-1778)Print from the set "Prima parte di architetture i prospettive inventate" "Opere Varie" edition of Bouchard with numbers on the bottom right and a legend, proof between 1750 and 1760..
CARCERI IV, LA GRANDE GALERIE
PIRANESI GIOVANNI-BATTISTA (1720-1778)Last state with the addition of the numbering in Roman numerals IV and that in Arabic numerals 352. Nineteenth edition. Robinson: 3, VI / VI Focillon: 27, III / III..
VEDUTA DEL PALAZZO STOPANI
PIRANESI GIOVANNI-BATTISTA (1720-1778)Today Palazzo Vidoni-Caffarelli1776Vedute di RomaEngraved between 1748 and 1778.State I/III before the numbers1st Parisian Edition1800-1807Hind: 128Focillon: 842..
ILS SONT HEUREUX
LEGRAND AUGUSTIN-CLAUDE-SIMON (1765-1856)After Lagrenée.Small wetting at the bottom, short margins redone or reinforced in places...
SAINT PAUL ACCOMPAGNE DE DEUX SAINTES
LESUEUR NICOLAS (1690-1764)Le Blanc : 13Dust, slight halo in the left margin, small tear in the right margin..
PAIRE D'ESTAMPES : LE COURONNEMENT DE LA ROSIERE ET LE PRIX DE L'AGRICULTURE
BENAZECH CHARLES (1767-1794)Pair of color printed prints.Proofs cut to the limit of copper.Le Blanc: 1 and 2..
PORTRAIT
BENAZECH CHARLES (1767-1794)After Greuze.Very nice color printing in mezzotint .Cut to the limit of copper...
PENDANT : DEMENAGEMENT D'UN PEINTRE ET ENLEVEMENT DE POLICE
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Edme Jeaurat.Le Blanc : 179 and 180..
SPAHIS
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747...
LE CHEF DES EUNUQUES NOIRS
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747.P.Jean-Richard : 884..
CAPIGI BACHI
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747.P.Jean-Richard : 890..
CHIAOU BACHI
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747.P.Jean-Richard : 889..
VEDUTA DEGL'AQUDOTTI DELL'ACQUA CLAUDIA, E DI S.STEFANO ROTONDO
MONTAGU DOMENICO ( ACTIF CA. 1750 )After Jean BARBAULT (1718 - 1762)Scattered freckles..
VESTIGES DES AQUEDUCS DE NERON ET TEMPLE DE FAUNE AUJOURD'HUI ST.ETIENNE LE ROND
MONTAGU DOMENICO ( ACTIF CA. 1750 )After Jean BARBAULT (1718 - 1762)Scattered freckles..
VEDUTA DI PIAZZA DI PIETRA
MONTAGU DOMENICO ( ACTIF CA. 1750 )After Jean BARBAULT (1718 - 1762)Scattered freckles..
LE PASSAGE DU GUE
BOISSIEU JEAN-JACQUES DE ( 1736 - 1810 )Scattered freckles, brown spot on the left..
VEDUTA DEL TEMPIO DI FAUSTINA
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DEL TEMPIO DI VESTA
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779.Small marginal tear..
VEDUTA DELLA FACCIATA DEL PALAZZO BORGHESE
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DELLA PIAZZA DI MONTE CITORIO
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DELL' ARCO DI COSTANTINO MAGNO
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779.Small stain in the upper margin...
VEDUTA DELLA PIAZZA DI COLONNA TRAJANA
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DELLA PORTA S.GIOVANNI
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
PORTRAIT DE REMBRANDT D'APRES LUI-MEME
HERTEL JOHANN GEORG ( 1719-1768 )Proof cut to the limit or just below the copper.Le Blanc : 6Scattered freckles, soft fold in the upper right corner...
L'IMPROMPTU DE VERSAILLES
CARS LAURENT ( 1699/1702-1771 )Next: Figures of Boucher for Molière (P.J. Richard: 402 to 452)1734P.J. Richard: 413Slight uniform yellowing...
LE BOURGEOIS GENTIL-HOMME
CARS LAURENT ( 1699/1702-1771 )Next: Figures of Boucher for Molière (P.J. Richard: 402 to 452)1734P.J. Richard: 443Slight uniform yellowing...
FEMME DU LEVANT
RAVENET SIMON FRANCOIS (1706-1774 )After to Boucher.P.J. Richard: 1528Small scattered foxing, short margins...
LA PAIX DU MENAGE
MOREAU JEAN-MICHEL ( 1741-1814 )After Jean-Baptiste Greuze.Short margins, flexible handling fold.Bocher: 175..
LE TROUPEAU DE BUFFLES
MANGLARD ADRIEN ( 1696-1760 )Nice proof with good margins.State I / II R. Dumesnil: 21..
PAYSAGE AUX DEUX BERGERS
MANGLARD ADRIEN ( 1696-1760 )Nice proof with good margins.State I / IIR. Dumesnil: 31..
LE VAISSEAU EN RADE
MANGLARD ADRIEN ( 1696-1760 )Nice proof with good margins.State I / II ?R. Dumesnil: 39..
VEDUTA DEL VESUVIO DI NAPOLI
MANGLARD ADRIEN ( 1696-1760 )Robert-Dumesnil : 41753Tiny lack in the sky..
LE PORT DE MER AUX DEUX TOURS
MANGLARD ADRIEN ( 1696-1760 )Robert-Dumesnil: 10 1753 Intermediate state between I and II / II Margin fillet, middle fold..
JEUNE HOMME CARESSANT LA JOUE D'UNE JEUNE FEMME
CATTINI GIOVANNI (1715-c.1800)From a drawing by Piazetta.Short margins, some rust spots in the borders...
CORPS DE GARDE DES OFFICIERS HOLLANDOIS
TANJE PIERRE ( 1706-1760/61? )Print engraved in collaboration with Jan Punt (1711-1779) after Troost.1754.Le Blanc: 14..
LES QUATRE ELEMENTS
DUGOURC JEAN-DEMOSTHENE ( 1749-1825 )From the set : Arabesques invented and engraved by J. D. Dugourc Paris, Chereau, 1782Jean-Démosthène Dugourc (1749-1825) became famous in the designs for theater costumes and in 1780 became a designer for the Cabinet of Monsieur. He worked for the greatest bronzers of the time: Gouthière, Godon and Thomire as well as for the king of Spain under the Empire and competed with Percier and Fontaine. He was also designer of the Menus Plaisirs from 1817 to 1823.This rare suite, originally composed of six plates, the only one engraved by Dugourc himself, was intended to decorate the panels of one of the rooms of the Hotel de la Vaupalière rue du Faubourg Saint Honoré, called "Dugourc antechamber "Beautiful prints with large margins, a few folds of printing with Water and Earth, a small stain in the right margin of Air.Guilmard, p. 260, n ° 95 - Berlin Kat., 492-- Döry 1960, 180 (3 pl.) - Jervis 1984, pp. 161..
LE CALANDRIER (SIC) DES VIEILLARDS
LARMESSIN NICOLAS DE ( 1684-1755 )Print from the set : Estampes nouvelles pour les contes de la Fontaine.After Boucher.P.Jean Richard : 1250..
MADAME MARIE HENRIETTE DE FRANCE OU LE FEU
NEGGES JOHANN-SIMON ( CA.1726-1792 )From the following: Four elements embodied by the daughters of Louis XV after painted works by NattierAnne-Henriette de France (or Henriette Anne) (1727-1752), daughter of King Louis XV of France and the born queen Marie Leszczynska is the twin sister of Elisabeth (1727-1759) the wife of the infant Philippe from Spain.Le Blanc : 1..
MADAME ADELAIDE DE FRANCE OU L'AIR
NEGGES JOHANN-SIMON ( CA.1726-1792 )From the following: Four elements embodied by the daughters of Louis XV after painted works by NattierMarie Adélaïde de France (1732-1800), known as “Madame Adélaïde”, then from 1752, “Madame”, was the fourth daughter and sixth child of Louis XV and Marie Leszczyńska.Proof cut at the outer limit of copper in the bottom margin.Le Blanc : Not described..
COLLECTION DE DIVERS SUJETS DE VASES, TOMBEAUX, RUINES ET FONTAINES
LE GEAY JEAN-LAURENT (1716-1786)From the set : Collection de divers sujets de vases, tombeaux, ruines et fontaines… Paris, Mondhare, 1770.Jean-Laurent Le Geay (1716-1786) stayed in Rome between 1737 and 1742, where he participated with Piranèse in the realization of vedute for the abbot Venuti. Guilmard, p. 238, n° 55 ; Katalog Berlin, 4182Proof formerly doubled, cut to the limit of copper on three sides and to the limit of the subject on the right edge...
COLLECTION DE DIVERS SUJETS DE VASES, TOMBEAUX, RUINES ET FONTAINES
LE GEAY JEAN-LAURENT (1716-1786)From the set : Collection de divers sujets de vases, tombeaux, ruines et fontaines… Paris, Mondhare, 1770.Jean-Laurent Le Geay (1716-1786) stayed in Rome between 1737 and 1742, where he participated with Piranèse in the realization of vedute for the abbot Venuti. Guilmard, p. 238, n° 55 ; Katalog Berlin, 4182Formerly doubled proof, cut to the limit of copper...
NICOLAS DE LAUNAY GRAVEUR DU ROI
HUOT FRANCOIS ( ACTIF SECONDE MOITIE DU XVIII )After Augustin de Saint-AubinSome foxing, traces of old adhesive on the cornersLe Blanc : 3..
SUITE COMPLETE DE QUATRE PLANCHES : LES SAISONS
WACHSMUTH JEREMIAS (1711-1771)Edited on laid paper by Johann Georg Hertel (1700? -1775) in Augsburg. Der Frühling - Le Printems (sic) Der Sommer - L'Este (sic) Der Herbst - L'Automne Der Winter - L'Hiver Beautiful prints two small holes of worm galleries repaired on each of them, handling folds in the upper right angles, spot in the top margin in Spring...
TETE DE FEMME GRANDEUR DE NATURE
GILLBERG JACOB ( 1724-1793 )After Jean-Baptiste Marie PIERRE (1713 / 14-1789) Herold: 42a Beautiful print, short margins, a skin crack in the right border in the hatch lines at the bottom..
VEUE DE LA GRANDE FASADE DU LOUVRE (SIC)
FER NICOLAS DE ( 1646-1720 )Beautiful print edited by Nicolas de Fer. 1705. Some mostly marginal rednesses...
VEDUTA DELLA BASILICA DI S.CROCE
FREICENET ( ACTIF A ROME CA.1760 )Proof of the Bouchard et Gravier print, 1763 From the following: Collection of various ancient monuments scattered in several parts of Italy drawn by the late Monsieur Barbault ... Inventory of the French collection, 18th century engravers / National Library, Department of prints . Tome IX, Ferrand (François) -Gaucher (CE) / by Edmond Pognon, ... and Yves Bruand, ... - Bibliothèque nationale (Paris), 1962, article FREICENET, n. 22-24 Famous series made from drawings by Jean Barbault (1718-1762)..
LA BLANCHISSEUSE
COCHIN CHARLES NICOLAS ( 1688 - 1754 )From a painting by Chardin of 1733. 1739 Bocher: A.6, state III to the address of Basan not described by Bocher IFF: 257.III Framed proof, some foxing, small brown spot in the bottom margin.Copper: 280x305View with margins: 290x335 Frame: 360x400..
ETUDE DE FIGURE CASQUEE
VIEN JOSEPH-MARIE ( 1716 - 1809 )Beautiful proof in the style of a pencil, edited by Veuve Chereau from a drawing by JM Vien. At all untrimmed margins. Some folds, pinhole in the bottom margin, small epidermis in the right margin, watermark slightly visible on the front on the cheek of the figure...
1ERE FEUILLE DE FLEURS EN 4 PLANCHES
ROUBILLAC ( 1739 - ? )Beautiful color printing on the marking after a drawing by Carle. In Paris at Mondhare and Jean, rue St Jean de Beauvais Between 1793 and 1799 Mondhare, Louis-Joseph (1734-1799) was an engraver, publisher, dealer in prints and maps. Active in Paris from 1759, he joined forces with his son-in-law Pierre Jean (1754-1829) from June 1784. He can be found at various addresses: - Rue Saint-Jacques (, in the Hôtel de Saumur, near Saint -Séverin) [1759-May 1780]. - Rue Saint-Jean-de-Beauvais (, near that of Noyers; n ° 4) [May 1780-1792]. - Rue Jean-de-Beauvais, n ° 4 [1793] Good margins, four short tears in the borders not reaching the subject, upper left corner broken, light dusting mainly in the margins...
LE MAITRE GALAND ( SIC )
BERTHET LOUIS ( ACTIF CA.1775-1808 )After Claude-louis DesraisGood proof with short margins..
L'ISLE ROYALLE ( SIC ) ( VERSAILLES )
RIGAUD JACQUES ( 1680-1754 )Edited by Rigaud From the continuation: Selected collection of the most beautiful views of the Palaces, castles and Royal Houses of Paris and the surroundings (between 1729-1752) Very good proof, slightly cropped margins, some very short tears and flexible handling folds, a few scattered rednesses...
VUE DU PARTERRE DU CHATEAU DE RAMBOUILLET
RIGAUD JACQUES ( 1680-1754 )Edited by Rigaud From the continuation: Selected collection of the most beautiful views of the Palaces, castles and Royal Houses of Paris and the surroundings (between 1729-1752) Very good proof with all untrimmed margins, some very light scattered mostly marginal foxing...
VUE DU CANAL DU CHATEAU DE RAMBOUILLET PRISE DU BALCON DU ROY
RIGAUD JACQUES ( 1680-1754 )Edited by Rigaud From the continuation: Selected collection of the most beautiful views of the Palaces, castles and Royal Houses of Paris and the surroundings (between 1729-1752) Very good proof with all untrimmed margins, some very light scattered mostly marginal foxing...
VUE DE LA FONTAINE DES INNOCENS (SIC)
LE CAMPION FILS JOSEPH-ALEXANDRE ( 17..-18.. )Print after the drawings by Sergent, edited A Paris : chez les Campion freres, [entre 1787 et 1792]from the set Vues pittoresques des principaux édifices de Paris.Beautiful print cut at the copper...
PAIRE D'ESTAMPES : THE SUMP ET THE BALANCE
BONNET LOUIS MARIN (1736 - 1793)Pair of prints color printing.Published in London, at Tobe & Mrs Vivares Widow.1787.Proofs cut at the limit or just below the square line.Herold: 9642 and 9632..
TULIPE, ROSE JAUNE, FLEUR DES CHAMPS
BONNET LOUIS MARIN (1736 - 1793)Very nice color print at all margins not deburred..
OEILLET PANACHE, FLEUR DES CHAMPS
BONNET LOUIS MARIN (1736 - 1793)Very nice color impression with all margins untrimmed, light dusting, some foxing, fold in the lower right corner...
ROSE, JASMIN D' ESPAGNE
BONNET LOUIS MARIN (1736 - 1793)Very nice test in very fresh colors, at all margins, slight scattered redness, small tear and stain in the upper left margin..
