LEPAPE GEORGES (1887-1971) - ANTINEA, MANTEAU DU SOIR, DE PAUL POIRET

ANTINEA, MANTEAU DU SOIR, DE PAUL POIRET

LEPAPE GEORGES (1887-1971)

Proof for : La Gazette du Bon Ton1920Beautiful stencil with silver highlights on the coat and hairstyle.Slight yellowing of the outer edges and the upper right corner. Paper weakened in the outer corners (corresponding to an old assembly), defect essentially visible on the back...

LEPAPE GEORGES (1887-1971) - TANGER OU LES CHARMES DE L'EXIL, ROBE D'APRES-MIDI ET CAPE DE PAUL POIRET

TANGER OU LES CHARMES DE L'EXIL, ROBE D'APRES-MIDI ET CAPE DE PAUL POIRET

LEPAPE GEORGES (1887-1971)

Proof for : La Gazette du Bon Ton1920Two light halos in the upper right corner...

LEPAPE GEORGES (1887-1971) - FIANCAILLES

FIANCAILLES

LEPAPE GEORGES (1887-1971)

Proof for : La Gazette du Bon Ton1922..

LEPAPE GEORGES (1887-1971) - LE FUTUR PÈRE

LE FUTUR PÈRE

LEPAPE GEORGES (1887-1971)

Proof published in : la Gazette du Bon Ton1914..

LEPAPE GEORGES (1887-1971) - LES CHEVAUX DE BOIS, ROBE D'APRES-MIDI ET ROBE D'ENFANT, DE JEANNE LANVIN

LES CHEVAUX DE BOIS, ROBE D'APRES-MIDI ET ROBE D'ENFANT, DE JEANNE LANVIN

LEPAPE GEORGES (1887-1971)

Proof for : La Gazette du Bon Ton1924Fold in the upper left corner..

LEPAPE GEORGES (1887-1971) - L'EVENTAIL D'OR

L'EVENTAIL D'OR

LEPAPE GEORGES (1887-1971)

Proof for : La Gazette du Bon Ton1920Fold in the upper left corner, slight dusting of the outer borders.Beautiful stencil with gold highlights on the fan, the hairstyle and the jewelry...

GREVEDON HENRI (1776-1860)  - SAR MADAME MARIE D ORLEANS, DUCHESSE ALEXANDRE DE WURTEMBERG

SAR MADAME MARIE D ORLEANS, DUCHESSE ALEXANDRE DE WURTEMBERG

GREVEDON HENRI (1776-1860)

Lithograph on China applied, printed by Lemercier after Winterhalter..

BRISSAUD PIERRE (1885-1964) - LES COULOIRS DE L'OPERA

LES COULOIRS DE L'OPERA

BRISSAUD PIERRE (1885-1964)

Very nice proof signed twice, annotated: "Etat-Pierre Brissaud 06" with a dedication from the artist.Handling creases in the margins.1903..

COLIN PAUL EMILE (1867-1949)  - LES RAMASSEURS DE POMMES DE TERRE
COLIN PAUL EMILE (1867-1949)  - SANS TITRE

SANS TITRE

COLIN PAUL EMILE (1867-1949)

Proof signed and numbered 9/30..

BORREL FRANÇOIS-MARIUS (1866-1937) - PORTSMOUTH

PORTSMOUTH

BORREL FRANÇOIS-MARIUS (1866-1937)

Very beautiful etching, large spots in large margins, signed and numbered 17/30Bears the stamp of Charles Hessèle (1856-1931), dealer in paintings and prints, publisher, Paris. (Lugt: 554)..

ROUART ERNEST  (1874 - 1942)  - FEMME NUE COUCHEE

FEMME NUE COUCHEE

ROUART ERNEST (1874 - 1942)

Very nice proof at all margins, signed and numbered 17 on a total print run of 25 proofsSome points of freckles...

ROUART ERNEST  (1874 - 1942)  - FEMME NUE AU CHIEN

FEMME NUE AU CHIEN

ROUART ERNEST (1874 - 1942)

Proof with all untrimmed margins, signed and numbered 25/50.Small brown stain, two tiny black ink stains in the right margin...

CASTRO, CAMPILLO, AUDA et RODRIGUEZ ( COLLECTIF) - TRAJES MEXICANOS

TRAJES MEXICANOS

CASTRO, CAMPILLO, AUDA et RODRIGUEZ ( COLLECTIF)

Mexico y sus Alrededores Vistas, Trajes y Monumentos, lithograph from a suite of 37 plates of views, costumes and monuments, executed by Decaen settlements between 1855-1856..

SABATIER LEON JEAN-BAPTISTE (CA.1827-1887) - LE DUCOUEDIC ARRIVANT AU MOUILLAGE A BRAOUA

LE DUCOUEDIC ARRIVANT AU MOUILLAGE A BRAOUA

SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)

Beautiful lithography with large margins from the set  Travel on the eastern coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..

SABATIER LEON JEAN-BAPTISTE (CA.1827-1887) - LE DUCOUEDIC

LE DUCOUEDIC

SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)

velBeautiful print, wide margins from the setTr to the East Coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..

GUILLAUMIN ARMAND (1841-1927) - LES MOULINS A VENT SUR LE CANAL EN HOLLANDE

LES MOULINS A VENT SUR LE CANAL EN HOLLANDE

GUILLAUMIN ARMAND (1841-1927)

Beautiful etching on vellum, light foxing scattered..

DORE GUSTAVE (1832-1883) - LOUPS

LOUPS

DORE GUSTAVE (1832-1883)

Wolves or Ball of the Opera From the: Menagerie parisienne Henri Béraldi: 67Tiny foxing in the outer edges at the bottom..

DORE GUSTAVE (1832-1883) - CHOUETTES
HECHT JOSEPH (1891-1951) - L'EUROPE

L'EUROPE

HECHT JOSEPH (1891-1951)

Print for Atlas, poem by André Suarès. 1928. Perfect proof numbered 57 and signed at all margins of a 120-proof print..

HECHT JOSEPH (1891-1951) - CERFS INDOCHINOIS

CERFS INDOCHINOIS

HECHT JOSEPH (1891-1951)

One of four prints on china paper.Print signed and numbered 1/4.Several print folds visible mainly in the outer borders, small lack in the lower left corner, some tiny foxing in the margins and at the copper limit.Tonneau-Ryckelynck et Plumart : 370..

BARBIER GEORGES ( 1882-1932  ) - L'EAU

L'EAU

BARBIER GEORGES ( 1882-1932 )

Stencil for: La Guirlande 1919..

BARBIER GEORGES ( 1882-1932  ) - ARAIGNEE DU SOIR... ESPOIR, ROBE DU SOIR DE WORTH

ARAIGNEE DU SOIR... ESPOIR, ROBE DU SOIR DE WORTH

BARBIER GEORGES ( 1882-1932 )

Stencil for: La Gazette du Bon Ton 1922 Very nice stencil with silver highlights on the dress..

BARBIER GEORGES ( 1882-1932  ) - LA SAISON DES PRUNES MIRABELLES, ROBE D'APRES-MIDI DE REDFERN

LA SAISON DES PRUNES MIRABELLES, ROBE D'APRES-MIDI DE REDFERN

BARBIER GEORGES ( 1882-1932 )

Stencil for: La Gazette du Bon Ton 1914Slight yellowing of the lower border, tiny marginal depression in the paper...

BARBIER GEORGES ( 1882-1932  ) - MADEMOISELLE SOREL EN GRAND HABIT

MADEMOISELLE SOREL EN GRAND HABIT

BARBIER GEORGES ( 1882-1932 )

Stencil for: Happiness of the day or fashionable graces.1924Very fine full-margined proof, with very fresh colours, slight marginal dusting...

BARBIER GEORGES ( 1882-1932  ) - LAISSEZ-MOI SEULE

LAISSEZ-MOI SEULE

BARBIER GEORGES ( 1882-1932 )

Stencil published in : Les Feuillets d'Art.1919..

YOSHITOSHI TSUKIOKA (1839 - 1892) - SARUGAKU

SARUGAKU

YOSHITOSHI TSUKIOKA (1839 - 1892)

Plate 92 from: A hundred aspects of the moon (Tsuki hyaku sugata), edited by Akiyama Buemon.Dated Meiji 24, 1891Nishiki-e505 x 420 mm with the frame..

BARYE ANTOINE-LOUIS ( 1796-1875 ) - ETUDE DE TIGRE

ETUDE DE TIGRE

BARYE ANTOINE-LOUIS ( 1796-1875 )

State I / III with the letter and the address of Delaunois Proof from : l' Artiste, 1832..

BEJOT EUGENE ( 1867-1931 ) - LE IV EME ARRONDISSEMENT : LA RUE BRISE-MICHE

LE IV EME ARRONDISSEMENT : LA RUE BRISE-MICHE

BEJOT EUGENE ( 1867-1931 )

From the following : The districts of Paris, 1903..

LEPERE LOUIS-AUGUSTE  (1849-1918) - SANS TITRE
LEPERE LOUIS-AUGUSTE  (1849-1918) - EMBARCADERE SUR LA GARONNE, BORDEAUX
LEPERE LOUIS-AUGUSTE  (1849-1918) - SANS TITRE
LEPERE LOUIS-AUGUSTE  (1849-1918) - LE BAIN DES NYMPHES

LE BAIN DES NYMPHES

LEPERE LOUIS-AUGUSTE (1849-1918)

Wood initially executed to illustrate one of the poems of: Trophées de Heredia but which was not published and appeared in two magazines.1896Lotz-Brissonneau : 253..

LEPERE LOUIS-AUGUSTE  (1849-1918) - BUCOLIQUE MODERNE

BUCOLIQUE MODERNE

LEPERE LOUIS-AUGUSTE (1849-1918)

Proof on Japan.1901Lotz-Brissonneau: 271..

CHADWICK FRANCIS BROOKS (1850-1942) - VOILIERS AU PORT

VOILIERS AU PORT

CHADWICK FRANCIS BROOKS (1850-1942)

Proof signed, bearing the red stamp of the artist...

BERTON ARMAND ( 1854-1927 )   - VENGE-NOUS : CARTE VOEUX ANNEE 1916

VENGE-NOUS : CARTE VOEUX ANNEE 1916

BERTON ARMAND ( 1854-1927 )

Greeting card signed and annotated by the artist. Edges untrimmed small freckle in the lower margin...

LANÇON AUGUSTE-ANDRE (1836-1887) - SINGE

SINGE

LANÇON AUGUSTE-ANDRE (1836-1887)

Etching on strong white vellum..

LANÇON AUGUSTE-ANDRE (1836-1887) - LEOPARD ET SA PROIE
LANÇON AUGUSTE-ANDRE (1836-1887) - DROMADAIRE

DROMADAIRE

LANÇON AUGUSTE-ANDRE (1836-1887)

Etching on strong white vellum..

COLLIGNON EUGENE ( ACTIF DEBUT XXE ) - LES PIGEONS

LES PIGEONS

COLLIGNON EUGENE ( ACTIF DEBUT XXE )

Print, in the style of Japanese woodblock prints, signed and numbered 3/22. Ca.1930 The Inventory of the French Fund (p.119) quotes an E. Collignon author of a series of nine woodcuts. A few wavy folds in the left margin, two remains of paper glued in the upper corners...

PISSARRO PAUL-EMILE (1884-1972) - CHATEAU GAILLARD, LES ANDELYS, NORMANDIE
SIMON TAVIK FRANTISEK (1877-1942)  - JEUNE JAPONAISE

JEUNE JAPONAISE

SIMON TAVIK FRANTISEK (1877-1942)

Proof signed with the red seal of the artist..

ILLE  EDUARD (1823-1900) - VÖLLEREI OU LA GOURMANDISE

VÖLLEREI OU LA GOURMANDISE

ILLE EDUARD (1823-1900)

Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..

ILLE  EDUARD (1823-1900) - TRAGHEIT OU LA PARESSE

TRAGHEIT OU LA PARESSE

ILLE EDUARD (1823-1900)

Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861Proof with some weaknesses in the borders...

ILLE  EDUARD (1823-1900) - WOLLUST OU LA LUXURE

WOLLUST OU LA LUXURE

ILLE EDUARD (1823-1900)

Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..

ILLE  EDUARD (1823-1900) - HEID OU L'ENVIE

HEID OU L'ENVIE

ILLE EDUARD (1823-1900)

Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..

JEANNIOT PIERRE-GEORGES ( 1848-1934 ) - LES JOUEURS DE POLO

LES JOUEURS DE POLO

JEANNIOT PIERRE-GEORGES ( 1848-1934 )

Good proof with large margins, countersigned...

BENOIST GUILLAUME-PHILIPPE ( 1725-1770 ou 1800 ? ) - EGLISE DE LA MADELEINE

EGLISE DE LA MADELEINE

BENOIST GUILLAUME-PHILIPPE ( 1725-1770 ou 1800 ? )

LA MADELEINE CHURCH, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..

BENOIST GUILLAUME-PHILIPPE ( 1725-1770 ou 1800 ? ) - COLONNADE DU LOUVRE

COLONNADE DU LOUVRE

BENOIST GUILLAUME-PHILIPPE ( 1725-1770 ou 1800 ? )

Colonnade du Louvre from the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..

BENOIST GUILLAUME-PHILIPPE ( 1725-1770 ou 1800 ? ) - HOTEL DE VILLE, EGLISE ST GERVAIS ET PONT D'ARCOLE

HOTEL DE VILLE, EGLISE ST GERVAIS ET PONT D'ARCOLE

BENOIST GUILLAUME-PHILIPPE ( 1725-1770 ou 1800 ? )

Notre Dame de Paris, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861Some scattered foxing...

ABLETT  WILLIAM ( 1877-1936 ) - LE BILLET DOUX

LE BILLET DOUX

ABLETT WILLIAM ( 1877-1936 )

Beautiful and large print signed and annotated artist proof Etching with drypoint on wove paper..

TRUCHET ABEL (1857-1918 ) - JEUX D'ENFANTS AU JARDIN DU LUXEMBOURG

JEUX D'ENFANTS AU JARDIN DU LUXEMBOURG

TRUCHET ABEL (1857-1918 )

Large and beautiful lithograph edited by Verneau ca.1895, slight fold in the corner of the lower right margin..

HELLEU PAUL-CESAR (1859-1927)  - FEMME EN BUSTE DE PROFIL OU MADAME LETELLIER LISANT

FEMME EN BUSTE DE PROFIL OU MADAME LETELLIER LISANT

HELLEU PAUL-CESAR (1859-1927)

Superb drypoint with recovery in red pencil in the hair, ear, eyelashes, cheek and lips. Signature also taken up in red pencil. Montesquiou: XXV ca.1905 Very nice proof with its large margins, imperceptible scuff on the model's shoulder, tiny indentation of the paper in the right border. Marthe Fourton (1878-1954), who became Ms. Letellier through her marriage, was one of the artist's favorite models, sensitive to the beauty of the young woman, very aware of her strengths. The daughter of the artist relates, moreover, in: HELLEU AND ITS MODELS, that a drawing representing her, the naked bust, was reproduced, without her father's knowledge in a newspaper, with the sole title: "Portrait of Madame X ... ”. Meeting Paul Helleu, Mrs Letellier, dissatisfied, would have made him this reproach contrary to that which he could have feared: "When the subject is so beautiful, we indicate the name!"...

VALLOTTON FELIX  ( 1864 - 1925 ) - A IBSEN

A IBSEN

VALLOTTON FELIX ( 1864 - 1925 )

Edition stamped with the fv monogram and numbered 13 out of a total edition of 25 proofs. Dry stamp of the workshop lower right (Lugt 1956)Reference: Vallotton / Goerg n ° 136c 1894 Beautiful proof with all untrimmed margins, eight small spots of foxing on the left under the beard of the writer...

GAUCHEREL LEON ( 1816-1886 ) - LA JEUNE FILLE ET LA MORT

LA JEUNE FILLE ET LA MORT

GAUCHEREL LEON ( 1816-1886 )

Engraving executed for L'Art after Sarah Bernhardt ca. 1880...

JOYAU AMEDEE ( 1872-1913 ) - LA PETITE PLAGE ( YPORT )

LA PETITE PLAGE ( YPORT )

JOYAU AMEDEE ( 1872-1913 )

Beautiful wood color print bearing the artist's monogram in the plate.The print initially planned at 50 only counts, as was often the case with this artist, only 40 prints in total.Nice impression, uniform yellowing in the margins.State II/IIAtherton-Curtis: 42..

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 ) - SANS TITRE

SANS TITRE

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )

Woodcut bearing the artist's red stamp.Large margins proof with some foxing...

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 ) - LA BREBIS, LE TANDEM, PROGRAMME DU THEATRE DE L'OEUVRE

LA BREBIS, LE TANDEM, PROGRAMME DU THEATRE DE L'OEUVRE

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )

1895-1896Usual middle fold, small gaps in the lower corners and at the fold...

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 ) - LA LEÇON

LA LEÇON

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )

From the set : Obscure advice or forty years of experience1925..

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 ) - PRINCIPES

PRINCIPES

HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )

From the set : Obscure advice or forty years of experience1925..

SOMM HENRY  ( SOMMIER HENRI-CLEMENT DIT ) (1844-1907) - PROFILS D'ESPAGNOLS

PROFILS D'ESPAGNOLS

SOMM HENRY ( SOMMIER HENRI-CLEMENT DIT ) (1844-1907)

Etching and drypoint at all margins, the edges slightly wavy...

CHADWICK-LOWSTADT EMMA ( 1855-1932 ) - JEUNE FILLE AU CHAPEAU
CHADWICK-LOWSTADT EMMA ( 1855-1932 ) - FILLETTE AU CHAT

FILLETTE AU CHAT

CHADWICK-LOWSTADT EMMA ( 1855-1932 )

Very nice proof signed with all untrimmed margins.Cross crease in the right margin...

APPIAN ADOLPHE ( 1818-1898 ) - LE CHAMP DE BLE

LE CHAMP DE BLE

APPIAN ADOLPHE ( 1818-1898 )

State II/IV before the letter.Scattered foxing.Paul Prouté : 2..

BARON BALTHAZAR JEAN  (1788-1869)  - PAYSAGE

PAYSAGE

BARON BALTHAZAR JEAN (1788-1869)

Proof on applied Chinese paper.Freckles in the large margins...

BEAUFRERE ADOLPHE ( 1876-1960 ) - CARTE ADRESSE DE MAURICE LE GARREC OU LES PLOMARC'H
BELOT GABRIEL ( 1882-1962 ) - PORTRAIT DE BALZAC

PORTRAIT DE BALZAC

BELOT GABRIEL ( 1882-1962 )

Beautiful engraved wood signed with the portrait of Balzac in state proof with a dispatch, executed for : Le Curé de Tours edited by LE LIVRE, Paris, 1923. Proof with all untrimmed margins, some flexible handling folds..

BELOT GABRIEL ( 1882-1962 ) - NATIVITE

NATIVITE

BELOT GABRIEL ( 1882-1962 )

Beautiful engraved wood signed Slight stains in the margins...

BELOT GABRIEL ( 1882-1962 ) - LE REFUGE DANS LA TEMPETE

LE REFUGE DANS LA TEMPETE

BELOT GABRIEL ( 1882-1962 )

Very nice woodcut countersigned and numbered 23/40..

BELOT GABRIEL ( 1882-1962 ) - SUR LA SEINE, PARIS

SUR LA SEINE, PARIS

BELOT GABRIEL ( 1882-1962 )

Beautiful proof numbered 16/40 and countersigned...

BELOT GABRIEL ( 1882-1962 ) - LE BENEDICITE

LE BENEDICITE

BELOT GABRIEL ( 1882-1962 )

Beautiful engraved wood signed in state proof with a sending, Proof with all margins not deburred...

BERGERET PIERRE-NOLASQUE ( 1782-1863 ) - LA FUITE EN EGYPTE

LA FUITE EN EGYPTE

BERGERET PIERRE-NOLASQUE ( 1782-1863 )

Good proof with large marginsLe Blanc: 2..

BERTHELEMY PIERRE-EMILE ( 1818-1890 ) - MARINE

MARINE

BERTHELEMY PIERRE-EMILE ( 1818-1890 )

Proof with large margins on pearly Japanese paper..

BERNARD EMILE ( 1822-1885 ) - SANS TITRE

SANS TITRE

BERNARD EMILE ( 1822-1885 )

Proof for l'Odyssée, edited by Vollard.1930..

BONNARD PIERRE ( 1867-1947 ) - LA COMPLAINTE DE M.BENOIT

LA COMPLAINTE DE M.BENOIT

BONNARD PIERRE ( 1867-1947 )

Print for the cover for the: Repertoire des Pantins. 1898.Roger-Marx 49 -Bouvet 46 -Aitken 111..

BORREL MARIUS ( FRANCOIS-MARIE DIT )  (1866-1937)  - HAUT BUISSON

HAUT BUISSON

BORREL MARIUS ( FRANCOIS-MARIE DIT ) (1866-1937)

Countersigned and numbered proof 8/301904Stamp from the LEOPOLD CHARLES ROBERT HESSÈLE collection (Dresden1856-Avignon 1931), prints and paintings merchant, publisher, Paris. (Lugt: 554)..

BOUTET HENRI (1851-1919) - DARLING

DARLING

BOUTET HENRI (1851-1919)

Proof with large margins, soiling in the left border.Proof published in l'Art Moderne1882..

BOUTET HENRI (1851-1919) - PETIT ALMANACH HENRI BOUTET
BERNIER CAMILLE ( 1823-1902 ) - ETANG DE QUIMERC'H ( FINISTERE )

ETANG DE QUIMERC'H ( FINISTERE )

BERNIER CAMILLE ( 1823-1902 )

Proof published in la Gazette des Beaux-Arts..

CARRIERE EUGENE ( 1849-1906 ) - HOMMAGE A TOLSTOI
CARRIERE EUGENE ( 1849-1906 ) - NOUVEAU-NE AU BONNET

NOUVEAU-NE AU BONNET

CARRIERE EUGENE ( 1849-1906 )

China print applied.Freckles in the big margins.Delteil: 9..

CLAUS EMILE ( 1849-1924 ) - PAQUES
CHIFFLART FRANCOIS-NICOLAS (1825-1901)  - LE PASSE

LE PASSE

CHIFFLART FRANCOIS-NICOLAS (1825-1901)

Proof published in  : l'Art..

CHAHINE EDGAR ( 1874-1947 ) - PORTRAIT DE M.CORNELY

PORTRAIT DE M.CORNELY

CHAHINE EDGAR ( 1874-1947 )

Proof signed and bearing a legendTrace at the opening of an old master key, long oblique flexible fold.Tabanelli: 60..

CHAHINE EDGAR ( 1874-1947 ) - IMPRESSIONS D'ITALIE, ASSISE : LA CATHEDRALE SAN RUFINO
BRACQUEMOND FELIX  ( 1833-1914 ) - LE BOIS DE BOULOGNE

LE BOIS DE BOULOGNE

BRACQUEMOND FELIX ( 1833-1914 )

State V/V1857China print applied.Small trace near the letter.Bouillon : 20..

BRACQUEMOND FELIX  ( 1833-1914 ) - DERNIERE REFLEXION

DERNIERE REFLEXION

BRACQUEMOND FELIX ( 1833-1914 )

Portrait of Meyer-Heine, head enameller of the Sèvres factory.Nice proof on laid paper, plate from the Cadart album.1876State III / IIIBouillon : 80Freckle in the bottom margin..

BRACQUEMOND FELIX  ( 1833-1914 ) - PORTRAIT DE CHARLES KEENE ( GRAVANT )

PORTRAIT DE CHARLES KEENE ( GRAVANT )

BRACQUEMOND FELIX ( 1833-1914 )

Proof from :  l'Artiste, 1891Beraldi : 66..

BRANGWYN FRANK ( 1867-1956 ) - CONSTRUCTION DU NOUVEAU MUSEE DE SOUTH KENSINGTON
BILLE EDMOND ( 1878-1959 ) - LES PENITENTES OU PROCESSION EN VALAIS

LES PENITENTES OU PROCESSION EN VALAIS

BILLE EDMOND ( 1878-1959 )

Proof at all margins of the Swiss painter and stained glass artist...

BELTRAND JACQUES ( 1874-1977 ) - LE COMBAT DES CERFS
BELTRAND TONY ( 1847-1904 ) - LA FEMME DU TISSERAND SAINT JEAN DE MONT

LA FEMME DU TISSERAND SAINT JEAN DE MONT

BELTRAND TONY ( 1847-1904 )

Nice proof on Japan paper.Minor soiling, slight fold in the upper right corner...

BESNARD ALBERT ( 1845-1934 ) - LE TURBAN A L'AIGRETTE

LE TURBAN A L'AIGRETTE

BESNARD ALBERT ( 1845-1934 )

Proof with all marginsProof III/III for : Revue de l'Art ancien et moderne1910Delteil: 167..

BESNARD ALBERT ( 1845-1934 ) - L'APOTHEOSE

L'APOTHEOSE

BESNARD ALBERT ( 1845-1934 )

De la suite : La femme, plate XII.Proof signed and annotated: drawn at 100Delteil: 58..

BESNARD ALBERT ( 1845-1934 ) - FEMME BLONDE A SA TOILETTE

FEMME BLONDE A SA TOILETTE

BESNARD ALBERT ( 1845-1934 )

Proof with all untrimmed marginsDelteil: 166..

BEURDELEY JACQUES ( 1874-1954 ) - MUSEE CALVET A AVIGNON

MUSEE CALVET A AVIGNON

BEURDELEY JACQUES ( 1874-1954 )

Print signed and numbered from a total print run of 50 copies...

BLANCHE JACQUES-EMILE ( 1861-1942 ) - JEUNE FILLE

JEUNE FILLE

BLANCHE JACQUES-EMILE ( 1861-1942 )

Plate published in the review l'Epreuve.Numbered print on back of composter: 151Fold in the lower right corner.IFF: 8..

LABOUREUR JEAN-EMILE (1877-1943)  - LA MARCHANDE DE FLEURS DE PICCADILLY

LA MARCHANDE DE FLEURS DE PICCADILLY

LABOUREUR JEAN-EMILE (1877-1943)

Proof countersigned and numbered 22/47 from the 1929 print, with a copy to Paul Valery.State III / III with the monogram at the bottom left.Very nice proof with large margins, some flexible folds in the bottom margin.Sylvain Laboureur : 345..

CHARLET NICOLAS-TOUSSAINT ( 1792-1845 ) - LE FORCAT

LE FORCAT

CHARLET NICOLAS-TOUSSAINT ( 1792-1845 )

China print applied.Marginal freckles...

STEINLEN THÉOPHILE ALEXANDRE  (1859-1923) - PETIT CHAT

PETIT CHAT

STEINLEN THÉOPHILE ALEXANDRE (1859-1923)

Crauzat: 27 state not described. Very nice signed impression, tiny lack in the bottom margin...

STEINLEN THÉOPHILE ALEXANDRE  (1859-1923) - DEUX CHATS DORMANT SUR UN COUSSIN

DEUX CHATS DORMANT SUR UN COUSSIN

STEINLEN THÉOPHILE ALEXANDRE (1859-1923)

Very nice proof at all margins on laid watermarked shores..

CREBASSA PAUL-EDOUARD ( CA.1870-1912 ) - LES PARAPLUIES
CREBASSA PAUL-EDOUARD ( CA.1870-1912 ) - CROQUIS

CROQUIS

CREBASSA PAUL-EDOUARD ( CA.1870-1912 )

Print published in the review: l'EpreuveNumbered print with composter on the back.1895Light uniform dusting, a few flexible folds for handling...

CHEFFER HENRY ( 1880-1957 ) - SCENE DE MARCHE
CHIALIVA LUIGI (1842-1914) - LA GARDIENNE D'OIES
COLLOT ANDRÉ (1897-1976)  - LA PANTHERE NOIRE

LA PANTHERE NOIRE

COLLOT ANDRÉ (1897-1976)

Beautiful proof with good margins, small halo in the lower left corner, slight median fold visible on the back.ca.1940..

COLLOT ANDRÉ (1897-1976)  - L'AIGLE

L'AIGLE

COLLOT ANDRÉ (1897-1976)

Nice proof signed lower right.Short margins, cut to the copper limit in the bottom margin..

GOENEUTTE NORBERT (1854-1894 ) - FANTAISIE

FANTAISIE

GOENEUTTE NORBERT (1854-1894 )

Very nice proof with large margins printed by Cadart.Beraldi: 55I.F.F: 25..

HEIDBRINCK OSWALD ( 1858-1914 ) - SCENE DE RUE
HUET PAUL ( 1804-1869 ) - SOIREE D'ETE, LES BAIGNEUSES

SOIREE D'ETE, LES BAIGNEUSES

HUET PAUL ( 1804-1869 )

Proof published in the review of : L'Art Ancien et Moderne1867..

HUET PAUL ( 1804-1869 ) - SANS TITRE

SANS TITRE

HUET PAUL ( 1804-1869 )

Beraldi: 58Some weaknesses of the paper in the right margins...

HUET PAUL ( 1804-1869 ) - ROCHERS SUR LA ROUTE DE NICE

ROCHERS SUR LA ROUTE DE NICE

HUET PAUL ( 1804-1869 )

Beraldi: 76China print applied with its large margins...

BONINGTON RICHARD PARKES  (1802-1828 ) - VUE D'UNE RUE DES FAUBOURGS DE BESANCON

VUE D'UNE RUE DES FAUBOURGS DE BESANCON

BONINGTON RICHARD PARKES (1802-1828 )

Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with short margins.Bouvenne : 14..

NICHOLSON WILLIAM ( 1872 -1949 ) - LE JEU DU CRICKET

LE JEU DU CRICKET

NICHOLSON WILLIAM ( 1872 -1949 )

From : The Twelve Sports Almanac1898Proof published by the French Society of Art Editions, on the back, the month of July...

LALANNE MAXIME ( 1827-1886 ) - A ZAANDAM

A ZAANDAM

LALANNE MAXIME ( 1827-1886 )

Proof at all margins, slight uniform yellowing.1877...

COUSSENS ARMAND (1881-1935) - LE VACHER

LE VACHER

COUSSENS ARMAND (1881-1935)

Proof countersigned in blue pencil framed. Frame size: 390 x 580..

COUSSENS ARMAND (1881-1935) - LE BARBIER

LE BARBIER

COUSSENS ARMAND (1881-1935)

Proof signed and numbered out of a total edition of 100 copies.Trace at the opening of an old master key, short broken folds...

COUSSENS ARMAND (1881-1935) - DEUX GITANES

DEUX GITANES

COUSSENS ARMAND (1881-1935)

Signed and numbered in graphite...

LATENAY GASTON DE ( 1859-1945 ) - SANS TITRE

SANS TITRE

LATENAY GASTON DE ( 1859-1945 )

Test proof  annotated as such and countersigned...

JACQUE CHARLES EMILE ( 1813-1894 ) - CHAUMIERES BOURGUIGNONNES

CHAUMIERES BOURGUIGNONNES

JACQUE CHARLES EMILE ( 1813-1894 )

Proof with large margins on applied china. 1866Guiffrey: 212..

JACQUE CHARLES EMILE ( 1813-1894 ) - LE MATIN DU PREMIER JOUR DE L'AN
JACQUE CHARLES EMILE ( 1813-1894 ) - SANS TITRE

SANS TITRE

JACQUE CHARLES EMILE ( 1813-1894 )

China print applied, light uniform dusting...

LOBEL-RICHE ALMERY (1880 -1950) - COUPLE DE DANSEURS
LOBEL-RICHE ALMERY (1880 -1950) - COUPLE DE DANSEURS
LOBEL-RICHE ALMERY (1880 -1950) - GIGOLO ET GIGOLETTE
LOBEL-RICHE ALMERY (1880 -1950) - DEUX GIGOLETTES
LOBEL-RICHE ALMERY (1880 -1950) - NU
LUCE MAXIMILIEN ( 1858-1941 ) - FEMME SE COIFFANT

FEMME SE COIFFANT

LUCE MAXIMILIEN ( 1858-1941 )

Proof on applied china paper, signed.Ca.1894..

MAURIN CHARLES (1856-1914 ) - MIROIR

MIROIR

MAURIN CHARLES (1856-1914 )

Large margin proof countersigned and numbered 18.Stamp from the LEOPOLD CHARLES ROBERT HESSÈLE collection (Dresden1856-Avignon 1931), merchant of prints and paintings, publisher, established in Paris. Modern prints. Charles Hessèle, first established at 13 rue Laffitte, then at 52 on the same street, and finally 16 rue Balzac, specialized in modern prints by the most recent masters. (Lugt: 554)..

HERVIER ADOLPHE ( 1821-1879 ) - INTERIEUR DE FERME : FEMME EXAMINANT UN POTIRON

INTERIEUR DE FERME : FEMME EXAMINANT UN POTIRON

HERVIER ADOLPHE ( 1821-1879 )

Proof at all margins slight uniform yellowing.Beraldi: 11..

HERAIN FRANCOIS DE ( 1877-1962 ) - PORTRAIT

PORTRAIT

HERAIN FRANCOIS DE ( 1877-1962 )

Proof signed and numbered 10/250 bearing the red stamp of the A.P.G.1939Good margins on the upper left edge, slightly yellowed and cropped...

ROCHE PIERRE  (1855-1922) - MYRRHA, FILLE DU ROI DE CHYPRE CINYRAS ET MERE D'ADONIS

MYRRHA, FILLE DU ROI DE CHYPRE CINYRAS ET MERE D'ADONIS

ROCHE PIERRE (1855-1922)

Nice Proof"Pierre Roche is an active and pioneering figure in the revival of graphic arts at the end of the 19th century. Protean artist, sculptor, painter, ceramist, medalist and engraver, he experiments in the field of printmaking original processes which bring all together These functions. Decompartmentalizing the decorative arts, he perfected new techniques such as stamped watercolor, gypsography and gypsotype, or eglomized papers.""In 1892, Pierre Roche, fascinated by the qualities of Japanese paper, began by drawing his prints in relief on hollow plaster; then he colored with a brush each proof. He gave these monotypes the name of stamped watercolors. He then grew. the process a little further and then uses the plaster matrix in the manner of a wood: the plaster is engraved like a light bas-relief and at the same time inked. The moistened paper, compressed by hand, comes to look for on the reliefs of the plaster at the same time the ink and the modeled. We thus obtain an embossed print of a great softness in its grain and its colors. The colored iridescence evokes the ceramic. Obviously the fragility of the plaster prohibits important prints. To remedy to this, the artist replaces the plaster with copper or steel, giving birth to gypsotypies, all marked with the artist's monogram. " in: "Pierre Roche (1855-1922): the third dimension of prints" by Monique Moulène, Department of Prints and Photography...

ROCHE PIERRE  (1855-1922) - NESSOS ET DEJANIRE

NESSOS ET DEJANIRE

ROCHE PIERRE (1855-1922)

Beautiful gypsography of the inventor of the process. Marginal nets, old scotch tape in the top margin not reaching the subject, manipulation fold in the upper right corner..

KOLLWITZ KATHE ( 1867-1945 ) - NOT

NOT

KOLLWITZ KATHE ( 1867-1945 )

From the set : Ein Weber Aufstand( An uprising of weavers )1893–97Some small gaps in the left border.Knesebeck: 33 / A / III / C..

MARQUET ALBERT ( 1875-1947 ) - BATEAU DANS LE PORT DE MARSEILLE

BATEAU DANS LE PORT DE MARSEILLE

MARQUET ALBERT ( 1875-1947 )

From a series of prints for: Eloge de Albert Marquet by Leon Werth.1948..

LEGROS ALPHONSE (1837-1911) - LE PETIT HANGAR

LE PETIT HANGAR

LEGROS ALPHONSE (1837-1911)

Signed proof drawn on paper with large margins..

LEGROS ALPHONSE (1837-1911) - LA MORT ET LE BUCHERON

LA MORT ET LE BUCHERON

LEGROS ALPHONSE (1837-1911)

Proof edited in : L'ArtSome freckles in the big margins..

BOILLY LOUIS-LÉOPOLD ( 1761-1845 ) - LE PRINTEMS (SIC )

LE PRINTEMS (SIC )

BOILLY LOUIS-LÉOPOLD ( 1761-1845 )

Lithography edited by Aubert, in beautiful colors of the time..

MACLAUGHLAN DONALD SHAW  (1876-1938) - LA RUE GUSTAVE FLAUBERT
MACLAUGHLAN DONALD SHAW  (1876-1938) - LA RUE DU CHASSEUR A ROUEN
LEHEUTRE GUSTAVE ( 1861-1932 ) - LA RUE DU PETIT GARS A TOURS
LEHEUTRE GUSTAVE ( 1861-1932 ) - UNE RUE

UNE RUE

LEHEUTRE GUSTAVE ( 1861-1932 )

Signed and annotated proof: 1st state, 2 proofs, n ° 1..

LEON EDOUARD ( 1873-1968 ) - BARQUES

BARQUES

LEON EDOUARD ( 1873-1968 )

Proof signed and numbered 6/15..

NITTIS GIUSEPPE DE ( 1846-1884 ) - ROUTE DE CASTELLAMARE

ROUTE DE CASTELLAMARE

NITTIS GIUSEPPE DE ( 1846-1884 )

Proof published in : La gazette des Beaux-Arts..

RANFT RICHARD (1862-1931 ) - LA BALANCOIRE

LA BALANCOIRE

RANFT RICHARD (1862-1931 )

Good print with large margins, slight dusting in the bottom margin..

RANFT RICHARD (1862-1931 ) - PORTRAIT D'HOMME

PORTRAIT D'HOMME

RANFT RICHARD (1862-1931 )

Countersigned and annotated artist's proof. On the back is the stamp of the HENRI MARIE PETIET collection (1894-1980), publisher, bookseller and merchant of prints and drawings, Paris. (Lugt: 5031)1901Tiny scattered foxing...

STORM VAN'S GRAVENSANDE  CAREL NICOLAAS  (1841-1924) - AU PORT
TAQUOY MAURICE ( 1878-1952 ) - LE DEPART POUR LA CHASSE

LE DEPART POUR LA CHASSE

TAQUOY MAURICE ( 1878-1952 )

Countersigned proof dated 1904.Slight yellowing at the opening of an old matboard, small soiling in the right margin...

STREMEL MAX ARTHUR (1859-1928) - ETUDE DE FEMME

ETUDE DE FEMME

STREMEL MAX ARTHUR (1859-1928)

Countersigned lithograph dated 1888 by this painter draftsman and engraver who belonged to the secessionist movement in Berlin.Scattered freckles, several folds of manipulation...

RIVIERE HENRI  (1864-1951) - LE HAMEAU

LE HAMEAU

RIVIERE HENRI (1864-1951)

Pl. 15 of Aspects of Nature. 1899. Fields p. 76. Nice proof with good margins on ivory glossy wove paper. Small lack in the bottom margin, short tear and small brown spot in the right margin...

RIVIERE HENRI  (1864-1951) - LE BOIS, L'HIVER

LE BOIS, L'HIVER

RIVIERE HENRI (1864-1951)

Beautiful and large lithograph from the suite: Les Aspects de la nature (n ° 8). Proof on glossy vellum with good margins, bearing in the plate the red stamps of the artist and green of the publisher Eugène Verneau, as well as his dry stamp in the bottom margin, and countersigned in red pencil. 1898Trace of handling folds in the top margin, four short tears in the margins, one of which reaches 3 mm from the border line at the top right. Fields: p.76 n ° 9 Sueur Hermel: p.138, n ° 118..

RIVIERE HENRI  (1864-1951) - ARRIVEE DE BATEAUX A TREBOUL

ARRIVEE DE BATEAUX A TREBOUL

RIVIERE HENRI (1864-1951)

From the set: Le beau pays de BretagneLithograph on vellum, countersigned and numbered 39 in red pencilVery nice proofFields : 79Planche n° 9..

RIVIERE HENRI  (1864-1951) - LOGUIVY LE SOIR

LOGUIVY LE SOIR

RIVIERE HENRI (1864-1951)

Superb proof at all margins of the series: Le Beau Pays de Bretagne (plate n ° 7) Proof bearing the red stamp of the artist signed in the stone and countersigned and numbered in blue by the artist. 1904 References: Toudouze p.64; Fossier No. 57; Gamet p.28-29..

RIVIERE HENRI  (1864-1951) - LAVOIR A TREBOUL

LAVOIR A TREBOUL

RIVIERE HENRI (1864-1951)

From the set: Le beau pays de Bretagne, Plate n° 12Lithograph on vellum, countersigned and numbered 19 in blue pencilVery nice proofFields : 97..

RIVIERE HENRI  (1864-1951) - LE PALAIS DE L'INSTITUT ET NOTRE DAME

LE PALAIS DE L'INSTITUT ET NOTRE DAME

RIVIERE HENRI (1864-1951)

From the set : Paysages parisiens, printed by Eugene Verneau, 1900. Color printing. Very beautiful and fresh proof on glossy vellum. Fields p. 77, n° 3..

RIVIERE HENRI  (1864-1951) - LE VIEUX MOULIN A LOGUIVY

LE VIEUX MOULIN A LOGUIVY

RIVIERE HENRI (1864-1951)

From the set: Le beau pays de Bretagne, Plate n° 13Lithograph on vellum, countersigned and numbered 83 in blue pencilVery nice proofFields : 79..

ROBBE MANUEL (1872-1936) - AVRIL

AVRIL

ROBBE MANUEL (1872-1936)

Nice proof with all margins signed on laid paper. Some folds of ripples in the outer borders at the top and bottom...

ROBBE MANUEL (1872-1936) - LA LECTURE MEDITEE

LA LECTURE MEDITEE

ROBBE MANUEL (1872-1936)

Perfect and very clean print with all margins signed and numbered 1 out of a total print run of 40 copies...

VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 ) - EGLISE D'HEBUTERNE

EGLISE D'HEBUTERNE

VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 )

Proof countersigned with a dedication of the artist 1932 Ginestet and Pouillon: 363...

VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 ) - YVONNE BON ET MADELEINE DUCHAMP

YVONNE BON ET MADELEINE DUCHAMP

VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 )

Yvonne Bon, known as La Grande Yvonne was the sister of artist Jacques Bon and the wife of his brother Raymond Duchamp-Villon. She was one of her husband's favorite models but also posed for him as well as for Marcel Duchamp. Address card Sagot, Paris 1904 Ginestet and Pouillon: 112...

IBELS HENRI GABRIEL ( 1867-1936 ) - MEVISTO

MEVISTO

IBELS HENRI GABRIEL ( 1867-1936 )

Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..

SATTLER JOSEF KASPAR (1867-1931) - PAN

PAN

SATTLER JOSEF KASPAR (1867-1931)

Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..

FISCHER PAUL (1860-1934) - SOBORG

SOBORG

FISCHER PAUL (1860-1934)

Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..

OLIVA VIKTOR (1861-1928)  - TOPICUV SALON

TOPICUV SALON

OLIVA VIKTOR (1861-1928)

Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..

WISME OLIVIER BARON DE ( 1814-1887 ) - SAINT SYMPHORIEN

SAINT SYMPHORIEN

WISME OLIVIER BARON DE ( 1814-1887 )

Proof on chine applied, annotated: 2nd state drawn 8. All the board reworked and plucked. 1862...

MALO-RENAULT ( RENAULT DIT ) EMILE AUGUSTE (1870-1938) - JEUNE MODISTE

JEUNE MODISTE

MALO-RENAULT ( RENAULT DIT ) EMILE AUGUSTE (1870-1938)

Very beautiful color print with large margins, signed, bearing the dry stamp of the Circle of the Bookstore and the Print..

SEYMOUR HADEN FRANCIS ( 1818-1910 ) - EGHAM LOCK OU L'ECLUSE D'EGHAM

EGHAM LOCK OU L'ECLUSE D'EGHAM

SEYMOUR HADEN FRANCIS ( 1818-1910 )

Proof for : la Gazette des  Beaux-Arts.1864Schneiderman : 21..

SEYMOUR HADEN FRANCIS ( 1818-1910 ) - OLD CHELSEA OUT OF WHISTLER'S WINDOW

OLD CHELSEA OUT OF WHISTLER'S WINDOW

SEYMOUR HADEN FRANCIS ( 1818-1910 )

Proof for : la Gazette des  Beaux-Arts.1864Schneiderman : 48..

LE POITEVIN EUGENE ( 1806-1870 ) - DIABLERIES 2

DIABLERIES 2

LE POITEVIN EUGENE ( 1806-1870 )

"Quite different is Eugène Le Poitevin, the marine painter, who popularized a very different genre but whose impact was no less great. Proceeding directly from the Mephistopheles of Faust and the bizarre tendencies of the romantic school, the devils of this artist came to throw a picturesque note (...). The Devils, Little Devils, Devilish Oddities, More Devils; It was under these titles that the brown-covered albums of Le Poitevin spread everywhere that Bayalos soon imitated with his Devils and Michel Delaporte with his Diabolical-phantasmagorical Recreations. White devils and black devils followed by red devils and green devils. The devil slipped everywhere, committing a thousand incongruities (...) always having at his service an incalculable number of small imps running erroneously and through the leaves."Scattered redness, spots, tiny and short tear in the lower margin..

TISSOT JAMES ( JACQUES-JOSEPH DIT )  (1836-1902) - LE PETIT NEMROD

LE PETIT NEMROD

TISSOT JAMES ( JACQUES-JOSEPH DIT ) (1836-1902)

Superb test in the black way on China applied, large margins, soft folds of manipulation in the left margin..

BIAIS MAURICE (1872-1926) - LES JOCKEYS

LES JOCKEYS

BIAIS MAURICE (1872-1926)

Beautiful proof on vellum edited by Sagot, Paris. Ca.1910 Middle fold, registration marks, hole punches in the upper margin, folds lower margins..

RAJON PAUL (1842/43-1888) - PORTRAIT DE FELIX BRACQUEMOND

PORTRAIT DE FELIX BRACQUEMOND

RAJON PAUL (1842/43-1888)

Proof published in: L'ArtBeraldi: 147Large margins proof three tiny tears at the edge..

BOIZOT EMILE ( 1897-c.1932 ) - LE MIROIR

LE MIROIR

BOIZOT EMILE ( 1897-c.1932 )

Very beautiful and fresh proof with all margins not deburred, signed, bearing the dry stamp of the Society of the original woodcut..

BAUGNIET CHARLES ( 1814-1886 ) - PORTRAIT DE LOUIS GALLAIT

PORTRAIT DE LOUIS GALLAIT

BAUGNIET CHARLES ( 1814-1886 )

Louis Gallait was born in 1810 in Tournai and died in1887 in Schaerbeek Strongly influenced by Pierre Paul Rubens, José de Ribera, Bartolomé Esteban Murillo, Gallait created a school of historical painting, which was particularly attached to the truth of the local color and to the dramatic interest of the scenes, thus establishing his fame as a painter of history, portraits and genre not only in Belgium but also throughout Europe.ca.1838..

BAUGNIET CHARLES ( 1814-1886 ) - PORTRAIT DE J.BEAUME

PORTRAIT DE J.BEAUME

BAUGNIET CHARLES ( 1814-1886 )

Joseph Beaume, was born in Marseille in 1796 and died in Paris in 1885. He trained at the school of Gros, and started at the Salon of 1819. He established his notoriety in genre painting and history, sometimes performing scenes familiar to individuals, sometimes battles for the state as well as religious subjects for churches. 1839..

SONREL ELIZABETH ( 1874-1953 ) - LE PRINTEMPS
SONREL ELIZABETH ( 1874-1953 ) - L'AUTOMNE

L'AUTOMNE

SONREL ELIZABETH ( 1874-1953 )

Slight marginal dust, small stain in the upper border...

REDON ODILON (1840-1916) - FRONTISPICE

FRONTISPICE

REDON ODILON (1840-1916)

Frontispiece for F.Herold's book: Chevaleries sentimentales..

DELACROIX EUGÈNE (1798-1863) - FAUST ET MEPHISTOPHELES DANS LES MONTAGNES DU HARTZ

FAUST ET MEPHISTOPHELES DANS LES MONTAGNES DU HARTZ

DELACROIX EUGÈNE (1798-1863)

Large margins lithography, uniform foxing From the following: "Faust" by Goethe 1828 Delteil: 71, State IV / VII..

DELACROIX EUGÈNE (1798-1863) - MULETIERS DE TETUAN

MULETIERS DE TETUAN

DELACROIX EUGÈNE (1798-1863)

Pen lithography.Posthumous print made for the Gazette des Beaux-Arts, at the address of Bertauts.State III / IVDelteil, Strauber 96Usual middle fold on the tab, small fold in the upper right corner...

DELACROIX EUGÈNE (1798-1863) - LA REINE S'EFFORCE DE CONSOLER HAMLET

LA REINE S'EFFORCE DE CONSOLER HAMLET

DELACROIX EUGÈNE (1798-1863)

From the suite performed for Shakespeare's Hamlet. Nice test with big margins, freckle in the upper left part of the board...

CHERET JULES (1836-1932) - PASTILLES PONCELET

PASTILLES PONCELET

CHERET JULES (1836-1932)

Imprimerie Chaix, pretty poster at all marginsUnlined some folds...

ENGELS ROBERT ( 1866-1926 ) - LE PASSANT

LE PASSANT

ENGELS ROBERT ( 1866-1926 )

Lithograph for : L'Estampe Moderne 1898..

ROWLANDSON THOMAS ( 1756-1827 ) - HOW VAIN ARE ALL YOUR TRIUMPHS PAST

HOW VAIN ARE ALL YOUR TRIUMPHS PAST

ROWLANDSON THOMAS ( 1756-1827 )

The dance of death: the death blow.  1816.Rowlandson's "The English dance of death" was a cooperative venture. Apart from himself, who produced the drawings between 1814 and 1816, William Combe and Rudolph Ackermann were important participants in this production. William Combe wrote two volumes of verses which were intended to facilitate the understanding of the images. Nevertheless, the two lines of text that appear below the images are thought to have been composed by Rowlandson himself. Rudolph Ackermann, who had a print shop in the Strand, promoted and published the prints after Rowlandson's designs. Halo in the sky, a few points of foxing, cut at the edge of the copper, traces of an old adhesive in the top margin...

BRESDIN RODOLPHE (1822-1885) - LA CITÉ LOINTAINE

LA CITÉ LOINTAINE

BRESDIN RODOLPHE (1822-1885)

Large margin test on China applied slightly yellowed..

DOUDELET CHARLES ( 1861-1938 ) - LA CHATELAINE

LA CHATELAINE

DOUDELET CHARLES ( 1861-1938 )

Proof for : L'Estampe Moderne, bearing the dry stamp of the publication.1897Two short tears, in the top and bottom margin...

BENOIST FELIX ( 1818-1896 ) - JARDIN DES PLANTES. VU A VOL D'OISEAU

JARDIN DES PLANTES. VU A VOL D'OISEAU

BENOIST FELIX ( 1818-1896 )

From the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861.Tiny tear in the right margin, a few pinholes in the top border, small rednesses mainly visible on the back...

GERICAULT THEODORE (1791–1824) - CHEVAL CAUCHOIS

CHEVAL CAUCHOIS

GERICAULT THEODORE (1791–1824)

Light dusting, tiny tear in the top margin, fold in the lower right corner..

GERICAULT THEODORE (1791–1824) - CHEVAL DE MECKLEMBOURG

CHEVAL DE MECKLEMBOURG

GERICAULT THEODORE (1791–1824)

Lithography of the suite: Study of lithographed horses (Delteil: 46 to 57) State II / IV with the letter but before the number and the erasure of the name Engelmann. 1822 Delteil: 47..

GERICAULT THEODORE (1791–1824) - CHEVAUX D'AUVERGNE

CHEVAUX D'AUVERGNE

GERICAULT THEODORE (1791–1824)

From the following: Study of lithographed horses. Rare proof in perfect condition with the letter and before the stone break on the left. Delteil: 48..

GERICAULT THEODORE (1791–1824) - DEUX CHEVAUX GRIS POMMELE QUE L'ON PROMENE

DEUX CHEVAUX GRIS POMMELE QUE L'ON PROMENE

GERICAULT THEODORE (1791–1824)

Beautiful and large lithograph executed with two hands by Gericault and Cogniet.Variation of another piece by Gericault (cf. Delteil: 35).State II/II after removal of Villain's address at the bottom right.1822Delteil: 83Some scattered marginal foxing, two tiny tears in the upper border...

GERICAULT THEODORE (1791–1824) - CHEVEAUX (SIC ) DE FERME

CHEVEAUX (SIC ) DE FERME

GERICAULT THEODORE (1791–1824)

Lithograph of the suite: Five lithographs, four various subjects (Delteil: 73 to 77) State II / IV, rare, with the address of Mme Hulin but before the name of Engelmann was erased. 1823 Delteil: 73..

GERICAULT THEODORE (1791–1824) - MAZEPPA

MAZEPPA

GERICAULT THEODORE (1791–1824)

In collaboration with Lami. Lithograph from a set of six plates for the works of Byron, four of which are by Gericault and Lami. State II / III with the capital C. Delteil: 94 Proof on chine appliqué, scattered rednesses, short tear in the bottom margin, an oblique fold in the upper right margin and two oblique folds in the lower right corner...

LOEVY LADISLAS ( ACTIF ENTRE 1889 ET 1921 ) - SUITE DE SIX POINTES SECHES

SUITE DE SIX POINTES SECHES

LOEVY LADISLAS ( ACTIF ENTRE 1889 ET 1921 )

Complete suite of six plates in its original folder, plus the title page. Yellowed shirt, one corner missing, small tear at the bottom. Among the six engravings, one takes up the title page, proofs at all margins, yellowing on the borders. Shirt 325 x 225 Copper from 175 to 235 x 125 to 180 Sheets: 300 x 220..

VERNET HORACE ( 1789-1863 ) - RETOUR DE SYRIE

RETOUR DE SYRIE

VERNET HORACE ( 1789-1863 )

Proof printed by Delpech 1823 Some scattered brown spots, large margins...

KLINGER MAX (1857-1920) - ERINNERUNG

ERINNERUNG

KLINGER MAX (1857-1920)

Nice proof of the draw published in the publication Pan..

KLINGER MAX (1857-1920) - STUDIE ZUM PROMETHEUS

STUDIE ZUM PROMETHEUS

KLINGER MAX (1857-1920)

Rotogravure after a drawing by Klinger, executed for the magazine : Pan1896..

PISSARRO LUCIEN ( 1863-1944 ) - ROSES D'ANTAN

ROSES D'ANTAN

PISSARRO LUCIEN ( 1863-1944 )

Proof without the text accompanying the edition print that appeared in: L'Image 1896 Proof with all margins, small gaps in the upper corners, two brown spots in the large margins (remains of old adhesive? )..

LEGRAND LOUIS  (1863-1951) - MADAME X ET LES FILLES

MADAME X ET LES FILLES

LEGRAND LOUIS (1863-1951)

Slight yellowing at the opening of an old pass everywhere.Proof bearing the red stamp of the publisher.Watermark Pellet and Legrand...

LEGRAND LOUIS  (1863-1951) - PETITE MARCHEUSE

PETITE MARCHEUSE

LEGRAND LOUIS (1863-1951)

Very beautiful and fresh proof countersigned and numbered 82/100, three short tears in large margins..

LEGRAND LOUIS  (1863-1951) - 3 EME ACTE SCENE 8

3 EME ACTE SCENE 8

LEGRAND LOUIS (1863-1951)

Or : 4e Tableau de je ne sais quoi. From the set : Les Petites du Ballet. G. Pellet éd., Paris. 1893Very nice proof signed with large margin on wove paper...

LEGRAND LOUIS  (1863-1951) - LE JOUEUR DE BILLES
LEGRAND LOUIS  (1863-1951) - DEUX ELEVES DE MADAME S

DEUX ELEVES DE MADAME S

LEGRAND LOUIS (1863-1951)

From the set: The small class edited by Pellet in 1908.Proof with large margins on wove paper, signed and numbered out of a total print of 100...

LEGRAND LOUIS  (1863-1951) - A L OMBRE

A L OMBRE

LEGRAND LOUIS (1863-1951)

Proof with all margins not deburred bearing the red stamp of the artist and numbered 45/50..

COSWAY MARIA ( 1759/60-1838 ) - MATERNITE

MATERNITE

COSWAY MARIA ( 1759/60-1838 )

After Richard CoswayCa.1800Shorter margins on three sides, a point of freckle in the top margin, yellow ink line on the back slightly visible.Maria Cosway, born June 11, 1760 in Florence and died January 5, 1838 in Lodi, is an Italian-British painter and printmaker. She exhibited at the Royal Academy in London. In 1781, Maria Hadfield married Richard Cosway, a known miniaturist. Together, they work and bring together a famous art collection, La collezione Maria e Richard Cosway. In 1812, Maria Cosway founded a college for English girls in Florence; in 1830 it became the Istituto delle Dame inglesi. She then set up her institution in northern Italy, in Lodi...

DRIAN ( ETIENNE ADRIEN DESIRE  DIT ) ( 1885-1961 )  - AVENUE DU BOIS

AVENUE DU BOIS

DRIAN ( ETIENNE ADRIEN DESIRE DIT ) ( 1885-1961 )

Proof for : la Gazette du Bon Ton1915Lucien Vogel editor..

BOUTET DE MONVEL BERNARD ( 1881-1949 ) - LA REDINGOTE, OU LE RETOUR AUX TRADITIONS
HUGO VALENTINE ( 1887-1968 ) - LA JEUNE LOCRIENNE, CHAPEAU DE CAMILLE ROGER

LA JEUNE LOCRIENNE, CHAPEAU DE CAMILLE ROGER

HUGO VALENTINE ( 1887-1968 )

Proof for : La Gazette du Bon Ton1922Minimal dirt and light dusting of the outer edges...

DE FEURE GEORGES (1868 - 1943 ) - LE RETOUR

LE RETOUR

DE FEURE GEORGES (1868 - 1943 )

Original lithograph, executed by Georges de Feure for L'Estampe Moderne, series number 2 published in May 1897.Printing press Champenois for CH. Masson & H. Piazza.One of 50 deluxe proofs printed on Chine with large margins, artist's signature on the plate, publisher's stamp lower right.Slight trace in the left border mainly along the mark of the lithographic stone...

NINON MAX ( ACCORNERO DE TESTA VITTORIO DIT ) (1896-1982)  - LE GALANT

LE GALANT

NINON MAX ( ACCORNERO DE TESTA VITTORIO DIT ) (1896-1982)

Art deco stencil with silver highlights on the border.Large margin proof...

GOMIER ERNEST ( 1867- ? ) - HECTOR BERLIOZ
GOMIER ERNEST ( 1867- ? ) - RICHARD WAGNER
ISABEY EUGÈNE (1804-1886) - RUINES DU CHATEAU DE BOUZOLS PRES DU PUY EN VELAY

RUINES DU CHATEAU DE BOUZOLS PRES DU PUY EN VELAY

ISABEY EUGÈNE (1804-1886)

Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis..

ISABEY EUGÈNE (1804-1886) - DONJON DE POLIGNAC

DONJON DE POLIGNAC

ISABEY EUGÈNE (1804-1886)

Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 41..

ISABEY EUGÈNE (1804-1886) - CROQUIS PAR DIVERS ARTISTES

CROQUIS PAR DIVERS ARTISTES

ISABEY EUGÈNE (1804-1886)

Nice test, tiny point of rust essentially in the margins. From a series of: Sketches by various Artists..

ISABEY EUGÈNE (1804-1886) - VUE GENERALE DES RUINES DU CHATEAU ET DU VILLAGE DE SAINT NECTAIRE

VUE GENERALE DES RUINES DU CHATEAU ET DU VILLAGE DE SAINT NECTAIRE

ISABEY EUGÈNE (1804-1886)

Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 37..

HEDOUIN EDMOND ( 1820-1889 ) - LA MORT ET LE BUCHERON

LA MORT ET LE BUCHERON

HEDOUIN EDMOND ( 1820-1889 )

After MilletProof for : la Gazette des Beaux-arts1860..

ROUSSEL KER-XAVIER   ( ROUSSEL FRANCOIS XAVIER DIT ) (1867-1944) - NYMPHES AU BAIN

NYMPHES AU BAIN

ROUSSEL KER-XAVIER ( ROUSSEL FRANCOIS XAVIER DIT ) (1867-1944)

Red chalk print with wide margins.Proof signed in copper...

GAUTIER MARIE (1867-1960) - DEUX SOURIS

DEUX SOURIS

GAUTIER MARIE (1867-1960)

Etching and aquatint, signed and numbered from a small edition of 10 proofs and bearing the artist's red stamp.Marie Gautier, daughter of the painter Amand Gautier, follows the painting classes open to women led by Alfred Stevens. Admitted to the Beaux-arts de Paris, she attended the class of Puvis de Chavannes. Towards the end of the 1880s, she was a devotee of Japanese Art, the shop of merchant Siegfried Bing. His interest in Japonism becomes manifest through the production of drawings and color etchings...

FANTIN LATOUR HENRI (1836-1904) - TRISTAN ET ISEULT, ACTE II : SIGNAL DANS LA NUIT

TRISTAN ET ISEULT, ACTE II : SIGNAL DANS LA NUIT

FANTIN LATOUR HENRI (1836-1904)

From the suite executed for: Richard Wagner his life and his works of Adolphe Julien (Hédiard 61 to 74). Perfect test with large margins...

FANTIN LATOUR HENRI (1836-1904) - VERITE

VERITE

FANTIN LATOUR HENRI (1836-1904)

Print for the review of : L'Art Ancien et Moderne1900Hediard: 156..

FANTIN LATOUR HENRI (1836-1904) - LE CRÉPUSCULE DES DIEUX

LE CRÉPUSCULE DES DIEUX

FANTIN LATOUR HENRI (1836-1904)

From the suite performed for: Richard Wagner his life and his works of Adolphe Julien...

FANTIN LATOUR HENRI (1836-1904) - ARIANE

ARIANE

FANTIN LATOUR HENRI (1836-1904)

Lithography for the publication : Gazette des Beaux Arts. 1901Hediard : 154..

FANTIN LATOUR HENRI (1836-1904) - RÉVEIL

RÉVEIL

FANTIN LATOUR HENRI (1836-1904)

From the suite executed for: Richard Wagner his life and his works of Adolphe Julien (Hédiard 61 to 74)...

FANTIN LATOUR HENRI (1836-1904) - VISION

VISION

FANTIN LATOUR HENRI (1836-1904)

Lithography of a print run of 125 prints, with white margins and before the publication for the: Gazette des Beaux Arts. Before 1895 Hediard: 122..

MAILLOL ARISTIDE (1861-1944)  - LES GEORGIQUES

LES GEORGIQUES

MAILLOL ARISTIDE (1861-1944)

One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..

MAILLOL ARISTIDE (1861-1944)  - LES GEORGIQUES

LES GEORGIQUES

MAILLOL ARISTIDE (1861-1944)

One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..

MAILLOL ARISTIDE (1861-1944)  - LES GEORGIQUES

LES GEORGIQUES

MAILLOL ARISTIDE (1861-1944)

One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..

MAILLOL ARISTIDE (1861-1944)  - LES GEORGIQUES

LES GEORGIQUES

MAILLOL ARISTIDE (1861-1944)

One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..

BUHOT FELIX (1847-1898) - MATINÉE D'HIVER AU QUAI DE L'HOTEL DIEU

MATINÉE D'HIVER AU QUAI DE L'HOTEL DIEU

BUHOT FELIX (1847-1898)

Bourcard and Goodfriend: 123 State IV / XV before additions and different jobs and before deleting the number and the signature. Beautiful impression on China applied, tiny foxing essentially marginal...

BUHOT FELIX (1847-1898) - AIGUIERE EN CRISTAL DE ROCHE

AIGUIERE EN CRISTAL DE ROCHE

BUHOT FELIX (1847-1898)

State III/IV, published in la Gazette des Beaux-Arts.Fold in the lower right corner.Bourcard-Goodfriend : 21..

BUHOT FELIX (1847-1898) - L'ANE ET LA VIEILLE

L'ANE ET LA VIEILLE

BUHOT FELIX (1847-1898)

Beautiful proof with large margins, slight folds in the sheet at the bottom border. Bourcard and Goodfriend: 59..

BUHOT FELIX (1847-1898) - LES ÂNES DU MIDI LUCHON

LES ÂNES DU MIDI LUCHON

BUHOT FELIX (1847-1898)

Nice proof big margins, light foxing on the edges of the sheet.State I/II..

BUHOT FELIX (1847-1898) - L'ENTREE DE LANDEMER ( LA HAGUE )

L'ENTREE DE LANDEMER ( LA HAGUE )

BUHOT FELIX (1847-1898)

Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 57..

BUHOT FELIX (1847-1898) - LA CACOLETIERE ASSISE

LA CACOLETIERE ASSISE

BUHOT FELIX (1847-1898)

Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 58..

BUHOT FELIX (1847-1898) - LES ANES DE SAINT MEDARD

LES ANES DE SAINT MEDARD

BUHOT FELIX (1847-1898)

Nice print at all margins, light dusting in the borders Bourcard and Goodfriend: 38 bis..

BUHOT FELIX (1847-1898) - GRAND VASE DECORATIF EN METAL MARTELE

GRAND VASE DECORATIF EN METAL MARTELE

BUHOT FELIX (1847-1898)

State V / V, published in the Gazette des Beaux-Arts. Bourcard-Goodfriend: 23 Dustiness in the outer borders, small halo in the right margin...

MC NEILL WHISTLER JAMES ABBOTT  ( 1834 -  1903 ) - ALDERNEY STREET OU UNE RUE À LONDRES

ALDERNEY STREET OU UNE RUE À LONDRES

MC NEILL WHISTLER JAMES ABBOTT ( 1834 - 1903 )

Print edition of the Gazette des Beaux Arts, soft folds of manipulation in the bottom margin...

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 ) - DISPARATE CLARO

DISPARATE CLARO

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )

Print No. 15 from the set : Disparates (Foolishness or extravagance)..

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 ) - BOBABILICON

BOBABILICON

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )

Print No. 4 from the set : Disparates (Foolishness or extravagance)..

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 ) - TAUROMACHIE

TAUROMACHIE

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )

Plate n ° 12 from: Bullfighting or:The populace cutting the hocks of a bull with spears, half-moons, banderillas and other weapons.V / V state after beveling.4th Loizelet print from 1876?(before printing on laid paper with MBM watermark)Proof with nice margins, rust tips in the left border...

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 ) - TROIS MAJOS ET TROIS MAJAS DANSANT

TROIS MAJOS ET TROIS MAJAS DANSANT

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )

Print No.12 from the set : Disparates (Foolishness or extravagance)..

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 ) - ASTA SU ABUELO

ASTA SU ABUELO

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )

Plate n ° 39 of the suite: Los Caprichos (Delteil 38 to 117) Draw on vellum after beveling copper probably around 1856 Very nice and clean proof,little pinhole in the lower margin Reference: Delteil # 76 and Harris # 74..

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 ) - LOS ENSACADOS

LOS ENSACADOS

GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )

Print n ° 8 from the set : Disparates (Foolishness or extravagance)..

FORAIN JEAN-LOUIS  (1852-1931) - CROQUIS LITHOGRAPHIQUE
DAUMIER HONORÉ (1808-1879) - PAUVRE JEUNE HOMME

PAUVRE JEUNE HOMME

DAUMIER HONORÉ (1808-1879)

From the following: Sentiments (sic) and passions. Lithograph on white. Tiny tears and slight yellowing on the outer edges. Delteil: 799..

1 to 246 of 246 (1 Pages)