LES CHEVAUX DE BOIS, ROBE D'APRES-MIDI ET ROBE D'ENFANT, DE JEANNE LANVIN
LEPAPE GEORGES (1887-1971)Proof for : La Gazette du Bon Ton1924Fold in the upper left corner..
SAR MADAME MARIE D ORLEANS, DUCHESSE ALEXANDRE DE WURTEMBERG
GREVEDON HENRI (1776-1860)Lithograph on China applied, printed by Lemercier after Winterhalter..
LES COULOIRS DE L'OPERA
BRISSAUD PIERRE (1885-1964)Very nice proof signed twice, annotated: "Etat-Pierre Brissaud 06" with a dedication from the artist.Handling creases in the margins.1903..
LE PATRE DES COCHONS
COLIN PAUL EMILE (1867-1949)Proof signed, titled and numbered 17 out of a total edition of 35 copies.Fine print, slight uniform yellowing and oxidation visible when opening an old passe-partout, some foxing and soiling in the upper margin...
PORTSMOUTH
BORREL FRANÇOIS-MARIUS (1866-1937)Very beautiful etching, large spots in large margins, signed and numbered 17/30Bears the stamp of Charles Hessèle (1856-1931), dealer in paintings and prints, publisher, Paris. (Lugt: 554)..
FEMME NUE COUCHEE
ROUART ERNEST (1874 - 1942)Very nice proof at all margins, signed and numbered 17 on a total print run of 25 proofsSome points of freckles.French painter, watercolorist, pastelist, engraver, and collector, Ernest Rouart is one of the four sons of Henri Rouart, and the husband of Julie Manet, the daughter of Berthe Morisot and Eugène Manet.He was above all a student of Degas and exhibited at the National Society of Fine Arts, at the Salon du Champ-de-Mars, and at the Indépendants...
FEMME NUE AU CHIEN
ROUART ERNEST (1874 - 1942)Proof with all untrimmed margins, signed and numbered 25/50.Small brown stain, two tiny black ink stains in the right margin.French painter, watercolorist, pastelist, engraver, and collector, Ernest Rouart is one of the four sons of Henri Rouart, and the husband of Julie Manet, the daughter of Berthe Morisot and Eugène Manet.He was above all a student of Degas and exhibited at the National Society of Fine Arts, at the Salon du Champ-de-Mars, and at the Indépendants...
FEMME METTANT SA CHEMISE
ROUART ERNEST (1874 - 1942)Perfect proof at all margins, signed and numbered 41 on a total edition of 50 proofsFrench painter, watercolorist, pastelist, engraver, and collector, Ernest Rouart is one of the four sons of Henri Rouart, and the husband of Julie Manet, the daughter of Berthe Morisot and Eugène Manet.He was above all a student of Degas and exhibited at the National Society of Fine Arts, at the Salon du Champ-de-Mars, and at the Indépendants...
ARIANE
ROUART ERNEST (1874 - 1942)Proof with all margins not trimmed, signed and numbered 17/20.Small broken fold in the lower left corner, light scattered foxing.French painter, watercolorist, pastelist, engraver, and collector, Ernest Rouart is one of the four sons of Henri Rouart, and the husband of Julie Manet, the daughter of Berthe Morisot and Eugène Manet.He was above all a student of Degas and exhibited at the National Society of Fine Arts, at the Salon du Champ-de-Mars, and at the Indépendants...
TRAJES MEXICANOS
CASTRO, CAMPILLO, AUDA et RODRIGUEZ ( COLLECTIF)Mexico y sus Alrededores Vistas, Trajes y Monumentos, lithograph from a suite of 37 plates of views, costumes and monuments, executed by Decaen settlements between 1855-1856..
LE DUCOUEDIC
SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)velBeautiful print, wide margins from the setTr to the East Coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..
LE DUCOUEDIC ARRIVANT AU MOUILLAGE A BRAOUA
SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)Beautiful lithography with large margins from the set Travel on the eastern coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..
LES MOULINS A VENT SUR LE CANAL EN HOLLANDE
GUILLAUMIN ARMAND (1841-1927)Beautiful etching on vellum, light foxing scattered..
COQ ( DE BARRIERE )
DORE GUSTAVE (1832-1883)Wolves or Ball of the Opera From the: Menagerie parisienne Henri Béraldi: 67Tiny foxing at right..
CERFS INDOCHINOIS
HECHT JOSEPH (1891-1951)One of four prints on china paper.Print signed and numbered 1/4.Several print folds visible mainly in the outer borders, small lack in the lower left corner, some tiny foxing in the margins and at the copper limit.Tonneau-Ryckelynck et Plumart : 370..
L'EUROPE
HECHT JOSEPH (1891-1951)Print for Atlas, poem by André Suarès. 1928. Perfect proof numbered 57 and signed at all margins of a 120-proof print..
LA SAISON DES PRUNES MIRABELLES, ROBE D'APRES-MIDI DE REDFERN
BARBIER GEORGES ( 1882-1932 )Stencil for: La Gazette du Bon Ton 1914Slight yellowing of the lower border, tiny marginal depression in the paper...
ETUDE DE TIGRE
BARYE ANTOINE-LOUIS ( 1796-1875 )State I / III with the letter and the address of Delaunois Proof from : l' Artiste, 1832Delteil : 2Old reinforced tear in the upper right margin, remains of old montages on the back...
LE IV EME ARRONDISSEMENT : LA RUE BRISE-MICHE
BEJOT EUGENE ( 1867-1931 )From the following : The districts of Paris, 1903..
DEPART POUR GREENWICH
LEPERE LOUIS-AUGUSTE (1849-1918)Proof countersigned.1892Lotz-Brissonneau : 30Wide margins, light sunstroke and soft handling crease at the right edge of the sheet...
LE BAIN DES NYMPHES
LEPERE LOUIS-AUGUSTE (1849-1918)Wood initially executed to illustrate one of the poems of: Trophées de Heredia but which was not published and appeared in two magazines.1896Lotz-Brissonneau : 253..
JEUNE FILLE DE PROFIL
CHADWICK FRANCIS BROOKS (1850-1942)Proof bearing the artist's red stamp, signed and annotated "1st proof".Fine print, proof with all untrimmed margins, scattered foxing...
PORTRAIT PRESUME DE SON EPOUSE L'ARTISTE EMMA CHADWICK-LOWSTADT
CHADWICK FRANCIS BROOKS (1850-1942)Proof dated in the plate 1907, countersigned.Wetness in the lower left corner...
GOELANDS SUR LES BRISE-LAMES
CHADWICK FRANCIS BROOKS (1850-1942)Beautiful print, signed by the artist.Mainly marginal foxing, soft folds due to printing...
VENGE-NOUS : CARTE VOEUX ANNEE 1916
BERTON ARMAND ( 1854-1927 )Greeting card signed and annotated by the artist. Edges untrimmed small freckle in the lower margin...
LES PIGEONS
COLLIGNON EUGENE ( ACTIF DEBUT XXE )Print, in the style of Japanese woodblock prints, signed and numbered 3/22. Ca.1930 The Inventory of the French Fund (p.119) quotes an E. Collignon author of a series of nine woodcuts. A few wavy folds in the left margin, two remains of paper glued in the upper corners...
VÖLLEREI OU LA GOURMANDISE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..
TRAGHEIT OU LA PARESSE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861Proof with some weaknesses in the borders...
WOLLUST OU LA LUXURE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..
HEID OU L'ENVIE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..
LES JOUEURS DE POLO
JEANNIOT PIERRE-GEORGES ( 1848-1934 )Good proof with large margins, countersigned.Slight yellowing of the outer edges...
LE GRAND CANAL, VENISE
WAROQUIER HENRY DE (1881-1970)Wide-margined proof, small loss in the lower right corner.Signed proof, numbered 25/60, with a handwritten inscription from the artist to the editor René Wittmann: "For Mr. René Wittmann, with all sympathy, H.W. 16/3/55"..
LE BILLET DOUX
ABLETT WILLIAM ( 1877-1936 )Beautiful and large print signed and annotated artist proof Etching with drypoint on wove paper..
JEUX D'ENFANTS AU JARDIN DU LUXEMBOURG
TRUCHET ABEL (1857-1918 )Large and beautiful lithograph edited by Verneau ca.1895, slight fold in the corner of the lower right margin..
EGLISE DE LA MADELEINE
BENOIST PHILIPPE ( 1813- 1905 ?)LA MADELEINE CHURCH, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..
PALAIS DE L'INSTITUT
BENOIST PHILIPPE ( 1813- 1905 ?)Notre Dame de Paris, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861Some marginal soiling in the upper border...
PALAIS DU CORPS LEGISLATIF ( CHAMBRE DES DEPUTES )
BENOIST PHILIPPE ( 1813- 1905 ?)From the suite: PARIS DANS SA SPLENDEUR Executed under the direction of Henri Charpentier, with the most famous lithographs of the time celebrating the new Paris of Baron Haussmann, 1861Nice colors, some light foxing in the sky, three short tears and dusting in the outer borders...
MA GRAND' TANTE
ROPS FELICIEN ( 1833-1898 )Framed proof .Exteens : 1100Picture : 140 x 90Sight margins : 170 x 230Frame : 330 x 270..
LA PETITE PLAGE ( YPORT )
JOYAU AMEDEE ( 1872-1913 )Beautiful wood color print bearing the artist's monogram in the plate.The print initially planned at 50 only counts, as was often the case with this artist, only 40 prints in total.Nice impression, uniform yellowing in the margins.State II/IIAtherton-Curtis: 42..
LA BREBIS, LE TANDEM, PROGRAMME DU THEATRE DE L'OEUVRE
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )1895-1896Usual middle fold, small gaps in the lower corners and at the fold...
PRINCIPES
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )From the set : Obscure advice or forty years of experience1925..
LA LEÇON
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )From the set : Obscure advice or forty years of experience1925..
SANS TITRE
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )Woodcut bearing the artist's red stamp.Large margins proof with some foxing...
PROFILS D'ESPAGNOLS
SOMM HENRY ( SOMMIER HENRI-CLEMENT DIT ) (1844-1907)Etching and drypoint at all margins, the edges slightly wavy...
LES DEUX SOEURS ET LE NOURRISSON
CHADWICK-LOWSTADT EMMA ( 1855-1932 )Nice proof.Presumed portraits of the artist's two daughters...
LA LECTURE
CHADWICK-LOWSTADT EMMA ( 1855-1932 )Nice proof, small crease in the upper left corner...
LES MOUTONS
CHADWICK-LOWSTADT EMMA ( 1855-1932 )Beautiful proof countersigned with all margins not trimmed.Tiny scattered foxing...
PAYSAGE
BARON BALTHAZAR JEAN (1788-1869)Proof on applied Chinese paper.Freckles in the large margins...
LES CAVALIERS
BARON BALTHAZAR JEAN (1788-1869)Etching on applied china.1854Proof with large margins, slight dusting in the outer borders, two short creases in the corners on the left...
CARTE ADRESSE DE MAURICE LE GARREC OU LES PLOMARC'H
BEAUFRERE ADOLPHE ( 1876-1960 )Nice proofMorane : 19.02..
LE REFUGE DANS LA TEMPETE
BELOT GABRIEL ( 1882-1962 )Very nice woodcut countersigned and numbered 23/40..
PORTRAIT DE BALZAC
BELOT GABRIEL ( 1882-1962 )Beautiful engraved wood signed with the portrait of Balzac in state proof with a dispatch, executed for : Le Curé de Tours edited by LE LIVRE, Paris, 1923. Proof with all untrimmed margins, some flexible handling folds..
LE BENEDICITE
BELOT GABRIEL ( 1882-1962 )Beautiful engraved wood signed in state proof with a sending, Proof with all margins not deburred...
LA FUITE EN EGYPTE
BERGERET PIERRE-NOLASQUE ( 1782-1863 )Good proof with large marginsLe Blanc: 2..
LA MORT ET LE BUCHERON
BORREL MARIUS ( FRANCOIS-MARIE DIT ) (1866-1937)Beautiful proof with all untrimmed margins, countersigned and numbered 11/30.1904Copy bearing the collection stamp of Léopold Charles Robert Hessèle (1856-1931), merchant and collector of prints and paintings from the end of the 19th century.Lugt : 554..
HAUT BUISSON
BORREL MARIUS ( FRANCOIS-MARIE DIT ) (1866-1937)Countersigned and numbered proof 8/301904Stamp from the LEOPOLD CHARLES ROBERT HESSÈLE collection (Dresden1856-Avignon 1931), prints and paintings merchant, publisher, Paris. (Lugt: 554)..
AU CLAIR DE LUNE
BOUTET HENRI (1851-1919)Trial proof printed in sanguine .Full-margined proof, slight dusting of the outer edges.Ca.1885..
DARLING
BOUTET HENRI (1851-1919)Proof with wide margins, soft crease in the upper right corner.Proof published in L'Art Moderne.1882..
OEUF DE PAQUES
BOUTET HENRI (1851-1919)Slight yellowing, soft traces of manipulation in the large margins, a small foxing in the upper border...
PARISIENNE
BOUTET HENRI (1851-1919)Proof with full margins, slight dusting of the outer borders.Ca.1882I.F.F: 1..
ETANG DE QUIMERC'H ( FINISTERE )
BERNIER CAMILLE ( 1823-1902 )Proof published in la Gazette des Beaux-Arts..
NOUVEAU-NE AU BONNET
CARRIERE EUGENE ( 1849-1906 )China print applied.Freckles in the big margins.Delteil: 9..
PORTRAIT DE M.CORNELY
CHAHINE EDGAR ( 1874-1947 )Proof signed and bearing a legendTrace at the opening of an old master key, long oblique flexible fold.Tabanelli: 60..
PORTRAIT DE CHARLES KEENE ( GRAVANT )
BRACQUEMOND FELIX ( 1833-1914 )Proof from : l'Artiste, 1891Beraldi : 66..
LE BOIS DE BOULOGNE
BRACQUEMOND FELIX ( 1833-1914 )State V/V1857China print applied.Small trace near the letter.Bouillon : 20..
CONSTRUCTION DU NOUVEAU MUSEE DE SOUTH KENSINGTON
BRANGWYN FRANK ( 1867-1956 )Some scattered rednesses...
SANS TITRE
BRANGWYN FRANK ( 1867-1956 )Nice proof on Japanese paper with very wide margins.A few very short pinched creases on the outer edges...
LES PENITENTES OU PROCESSION EN VALAIS
BILLE EDMOND ( 1878-1959 )Proof at all margins of the Swiss painter and stained glass artist...
LA FEMME DU TISSERAND SAINT JEAN DE MONT
BELTRAND TONY ( 1847-1904 )Nice proof on Japan paper.Minor soiling, slight fold in the upper right corner."Among the French engravers who pioneered water-based color wood engraving was Lepère's friend and collaborator, Tony Beltrand. In 1896, he founded with Lepère the magazine L'Image, the aim of which was to defend xylography. In 1897, he exhibited in Paris a series of ten studies of women in regional costumes. They are extremely rare and the print runs had to be limited to a few copies, printed by hand, in water. Several have the particularity of including relief effects by embossing, highlighting for example the foam of a wave or indicating the texture of a fabric (fig. 3). This very precious process was inspired by Beltrand by the surimono, prints which enjoyed particular prestige among Western collectors, and of which he himself owned fine copies."in : Le rapprochement franco-japonais dans l’entre-deux-guerresConférences de la Maison franco-japonaiseUne leçon japonaise : la gravure sur bois en couleurs en France, 1889-1939Philippe Le Stum, 2014https://doi.org/10.4000/ebisu.1484..
LE TURBAN A L'AIGRETTE
BESNARD ALBERT ( 1845-1934 )Proof with all marginsProof III/III for : Revue de l'Art ancien et moderne1910Delteil: 167..
FEMME BLONDE A SA TOILETTE
BESNARD ALBERT ( 1845-1934 )Proof with all untrimmed marginsDelteil: 166..
L'APOTHEOSE
BESNARD ALBERT ( 1845-1934 )De la suite : La femme, plate XII.Proof signed and annotated: drawn at 100Delteil: 58..
MUSEE CALVET A AVIGNON
BEURDELEY JACQUES ( 1874-1954 )Print signed and numbered from a total print run of 50 copies...
JEUNE FILLE
BLANCHE JACQUES-EMILE ( 1861-1942 )Plate published in the review l'Epreuve.Numbered print on back of composter: 151Fold in the lower right corner.IFF: 8..
LES GRANDS LAPINS
LABOUREUR JEAN-EMILE (1877-1943)Superb proof with all the margins of the unique state, slight crease in the lower left corner.Copy countersigned in blue pencil and numbered 3 in the lower left corner.1900Only around twenty proofs in total were printed, only 6 of which were on yellow paper.S. Laboureur: 604..
LA MARCHANDE DE FLEURS DE PICCADILLY
LABOUREUR JEAN-EMILE (1877-1943)Proof countersigned and numbered 22/47 from the 1929 print, with a copy to Paul Valery.State III / III with the monogram at the bottom left.Very nice proof with large margins, some flexible folds in the bottom margin.Sylvain Laboureur : 345..
DEUX CHATS DORMANT SUR UN COUSSIN
STEINLEN THÉOPHILE ALEXANDRE (1859-1923)Very nice proof at all margins on laid watermarked shores..
CROQUIS
CREBASSA PAUL-EDOUARD ( CA.1870-1912 )Print published in the review: l'EpreuveNumbered print with composter on the back.1895Light uniform dusting, a few flexible folds for handling...
L'AIGLE
COLLOT ANDRÉ (1897-1976)Nice proof signed lower right.Short margins, cut to the copper limit in the bottom margin..
FANTAISIE
GOENEUTTE NORBERT (1854-1894 )Very nice proof with large margins printed by Cadart.Beraldi: 55I.F.F: 25..
SOIREE D'ETE, LES BAIGNEUSES
HUET PAUL ( 1804-1869 )Proof published in the review of : L'Art Ancien et Moderne1867..
ROCHERS SUR LA ROUTE DE NICE
HUET PAUL ( 1804-1869 )Beraldi: 76China print applied with its large margins...
LE JEU DU CRICKET
NICHOLSON WILLIAM ( 1872 -1949 )From : The Twelve Sports Almanac1898Proof published by the French Society of Art Editions, on the back, the month of July...
LE BARBIER
COUSSENS ARMAND (1881-1935)Proof signed and numbered out of a total edition of 100 copies.Trace at the opening of an old master key, short broken folds...
MIROIR
MAURIN CHARLES (1856-1914 )Large margin proof countersigned and numbered 18.Stamp from the LEOPOLD CHARLES ROBERT HESSÈLE collection (Dresden1856-Avignon 1931), merchant of prints and paintings, publisher, established in Paris. Modern prints. Charles Hessèle, first established at 13 rue Laffitte, then at 52 on the same street, and finally 16 rue Balzac, specialized in modern prints by the most recent masters. (Lugt: 554)..
INTERIEUR DE FERME : FEMME EXAMINANT UN POTIRON
HERVIER ADOLPHE ( 1821-1879 )Proof at all margins slight uniform yellowing.Beraldi: 11..
PORTRAIT
HERAIN FRANCOIS DE ( 1877-1962 )Proof signed and numbered 10/250 bearing the red stamp of the A.P.G.1939Good margins on the upper left edge, slightly yellowed and cropped...
MYRRHA, FILLE DU ROI DE CHYPRE CINYRAS ET MERE D'ADONIS
ROCHE PIERRE (1855-1922)Nice Proof"Pierre Roche is an active and pioneering figure in the revival of graphic arts at the end of the 19th century. Protean artist, sculptor, painter, ceramist, medalist and engraver, he experiments in the field of printmaking original processes which bring all together These functions. Decompartmentalizing the decorative arts, he perfected new techniques such as stamped watercolor, gypsography and gypsotype, or eglomized papers.""In 1892, Pierre Roche, fascinated by the qualities of Japanese paper, began by drawing his prints in relief on hollow plaster; then he colored with a brush each proof. He gave these monotypes the name of stamped watercolors. He then grew. the process a little further and then uses the plaster matrix in the manner of a wood: the plaster is engraved like a light bas-relief and at the same time inked. The moistened paper, compressed by hand, comes to look for on the reliefs of the plaster at the same time the ink and the modeled. We thus obtain an embossed print of a great softness in its grain and its colors. The colored iridescence evokes the ceramic. Obviously the fragility of the plaster prohibits important prints. To remedy to this, the artist replaces the plaster with copper or steel, giving birth to gypsotypies, all marked with the artist's monogram. " in: "Pierre Roche (1855-1922): the third dimension of prints" by Monique Moulène, Department of Prints and Photography...
NESSOS ET DEJANIRE
ROCHE PIERRE (1855-1922)Beautiful gypsography of the inventor of the process. Marginal nets, old scotch tape in the top margin not reaching the subject, manipulation fold in the upper right corner..
NOT
KOLLWITZ KATHE ( 1867-1945 )From the set : Ein Weber Aufstand( An uprising of weavers )1893–97Some small gaps in the left border.Knesebeck: 33 / A / III / C..
LA MORT ET LE BUCHERON
LEGROS ALPHONSE (1837-1911)Proof edited in : L'ArtSome freckles in the big margins..
LE PRINTEMS (SIC )
BOILLY LOUIS-LÉOPOLD ( 1761-1845 )Lithography edited by Aubert, in beautiful colors of the time..
ROUTE DE CASTELLAMARE
NITTIS GIUSEPPE DE ( 1846-1884 )Proof published in : La gazette des Beaux-Arts..
LA BALANCOIRE
RANFT RICHARD (1862-1931 )Good print with large margins, slight dusting in the bottom margin..
PORTRAIT D'HOMME
RANFT RICHARD (1862-1931 )Countersigned and annotated artist's proof. On the back is the stamp of the HENRI MARIE PETIET collection (1894-1980), publisher, bookseller and merchant of prints and drawings, Paris. (Lugt: 5031)1901Tiny scattered foxing...
LE DEPART POUR LA CHASSE
TAQUOY MAURICE ( 1878-1952 )Countersigned proof dated 1904.Slight yellowing at the opening of an old matboard, small soiling in the right margin...
ETUDE DE FEMME
STREMEL MAX ARTHUR (1859-1928)Countersigned lithograph dated 1888 by this painter draftsman and engraver who belonged to the secessionist movement in Berlin.Scattered freckles, several folds of manipulation...
THE LAWN-TENNIS OU LA PARTIE DE VOLANT
LUNOIS JOSEPH-ALEXANDRE ( 1863 - 1916 )Very nice trial proof with all margins on thin yellow wove paper, before erasing the size crosses, a red stone in place of the final pink stone. IFF: 68 Johnson: 74..
LE BOIS, L'HIVER
RIVIERE HENRI (1864-1951)Beautiful and large lithograph from the suite: Les Aspects de la nature (n ° 8). Proof on glossy vellum with good margins, bearing in the plate the red stamps of the artist and green of the publisher Eugène Verneau, as well as his dry stamp in the bottom margin, and countersigned in red pencil. 1898Trace of handling folds in the top margin, four short tears in the margins, one of which reaches 3 mm from the border line at the top right. Fields: p.76 n ° 9 Sueur Hermel: p.138, n ° 118..
LE VIEUX MOULIN A LOGUIVY
RIVIERE HENRI (1864-1951)From the set: Le beau pays de Bretagne, Plate n° 13Lithograph on vellum, countersigned and numbered 83 in blue pencilVery nice proofFields : 79..
LOGUIVY LE SOIR
RIVIERE HENRI (1864-1951)Superb proof at all margins of the series: Le Beau Pays de Bretagne (plate n ° 7) Proof bearing the red stamp of the artist signed in the stone and countersigned and numbered in blue by the artist. 1904 References: Toudouze p.64; Fossier No. 57; Gamet p.28-29..
LAVOIR A TREBOUL
RIVIERE HENRI (1864-1951)From the set: Le beau pays de Bretagne, Plate n° 12Lithograph on vellum, countersigned and numbered 19 in blue pencilVery nice proofFields : 97..
ARRIVEE DE BATEAUX A TREBOUL
RIVIERE HENRI (1864-1951)From the set: Le beau pays de BretagneLithograph on vellum, countersigned and numbered 39 in red pencilVery nice proofFields : 79Planche n° 9..
LE PALAIS DE L'INSTITUT ET NOTRE DAME
RIVIERE HENRI (1864-1951)From the set : Paysages parisiens, printed by Eugene Verneau, 1900. Color printing. Very beautiful and fresh proof on glossy vellum. Fields p. 77, n° 3..
AVRIL
ROBBE MANUEL (1872-1936)Nice proof with all margins signed on laid paper. Some folds of ripples in the outer borders at the top and bottom...
LA LECTURE MEDITEE
ROBBE MANUEL (1872-1936)Perfect and very clean print with all margins signed and numbered 1 out of a total print run of 40 copies...
EGLISE D'HEBUTERNE
VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 )Proof countersigned with a dedication of the artist 1932 Ginestet and Pouillon: 363...
YVONNE BON ET MADELEINE DUCHAMP
VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 )Yvonne Bon, known as La Grande Yvonne was the sister of artist Jacques Bon and the wife of his brother Raymond Duchamp-Villon. She was one of her husband's favorite models but also posed for him as well as for Marcel Duchamp. Address card Sagot, Paris 1904 Ginestet and Pouillon: 112...
MEVISTO
IBELS HENRI GABRIEL ( 1867-1936 )Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
PAN
SATTLER JOSEF KASPAR (1867-1931)Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
SOBORG
FISCHER PAUL (1860-1934)Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
TOPICUV SALON
OLIVA VIKTOR (1861-1928)Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
LE PETIT PONT
MERYON CHARLES (1821-1868)Plate published in the issue of December 5, 1858 from "L'Artist" with the title at the bottom center and the printer at the bottom right From the Quai de la Tournelle, the small bridge, then the buildings of the Quai du Marché-Neuf, topped by the towers of Notre-Dame.Schneiderman 20 Delteil-Wright 24..
JEUNE MODISTE
MALO-RENAULT ( RENAULT DIT ) EMILE AUGUSTE (1870-1938)Very beautiful color print with large margins, signed, bearing the dry stamp of the Circle of the Bookstore and the Print..
DIABLERIES 2
LE POITEVIN EUGENE ( 1806-1870 )"Quite different is Eugène Le Poitevin, the marine painter, who popularized a very different genre but whose impact was no less great. Proceeding directly from the Mephistopheles of Faust and the bizarre tendencies of the romantic school, the devils of this artist came to throw a picturesque note (...). The Devils, Little Devils, Devilish Oddities, More Devils; It was under these titles that the brown-covered albums of Le Poitevin spread everywhere that Bayalos soon imitated with his Devils and Michel Delaporte with his Diabolical-phantasmagorical Recreations. White devils and black devils followed by red devils and green devils. The devil slipped everywhere, committing a thousand incongruities (...) always having at his service an incalculable number of small imps running erroneously and through the leaves."Scattered redness, spots, tiny and short tear in the lower margin..
LE PETIT NEMROD
TISSOT JAMES ( JACQUES-JOSEPH DIT ) (1836-1902)Superb test in the black way on China applied, large margins, soft folds of manipulation in the left margin..
LES JOCKEYS
BIAIS MAURICE (1872-1926)Beautiful proof on vellum edited by Sagot, Paris. Ca.1910 Middle fold, registration marks, hole punches in the upper margin, folds lower margins..
PORTRAIT DE FELIX BRACQUEMOND
RAJON PAUL (1842/43-1888)Proof published in: L'ArtBeraldi: 147Large margins proof three tiny tears at the edge..
PORTRAIT DE LOUIS GALLAIT
BAUGNIET CHARLES ( 1814-1886 )Louis Gallait was born in 1810 in Tournai and died in1887 in Schaerbeek Strongly influenced by Pierre Paul Rubens, José de Ribera, Bartolomé Esteban Murillo, Gallait created a school of historical painting, which was particularly attached to the truth of the local color and to the dramatic interest of the scenes, thus establishing his fame as a painter of history, portraits and genre not only in Belgium but also throughout Europe.ca.1838..
PORTRAIT DE J.BEAUME
BAUGNIET CHARLES ( 1814-1886 )Joseph Beaume, was born in Marseille in 1796 and died in Paris in 1885. He trained at the school of Gros, and started at the Salon of 1819. He established his notoriety in genre painting and history, sometimes performing scenes familiar to individuals, sometimes battles for the state as well as religious subjects for churches. 1839..
LE PRINTEMPS OU ALLEGORIE DU PRINTEMPS
RODIN AUGUSTE (1840-1917)Original drypoint on laid paper. Proof printed for the Gazette des Beaux-Arts for the article by Roger Marx:"Les pointes-sèches de M.Rodin", March 1902Delteil : 4Thorson : 4Nice proof with good margins, slight yellowing in the upper right corner...
LES AMES DU PURGATOIRE
RODIN AUGUSTE (1840-1917)State 2/2 with the signature engraved in the copperplate, published in the second series of "La Vie artistique"1893Nice impression with wide margins.Delteil : 11Roger Marx : 10..
FAUST ET MEPHISTOPHELES DANS LES MONTAGNES DU HARTZ
DELACROIX EUGÈNE (1798-1863)Large margins lithography, uniform foxing From the following: "Faust" by Goethe 1828 Delteil: 71, State IV / VII..
JEUNE TIGRE JOUANT AVEC SA MERE
DELACROIX EUGÈNE (1798-1863)State I/VI of the print on vellum paper for the ArtistProof cut 2mm beyond the subject and mounted on an old vellum album sheet.Delteil, Strauber: 911831..
MULETIERS DE TETUAN
DELACROIX EUGÈNE (1798-1863)Pen lithography.Posthumous print made for the Gazette des Beaux-Arts, at the address of Bertauts.State III / IVDelteil, Strauber 96Usual middle fold on the tab, small fold in the upper right corner...
CHEVAL SAUVAGE
DELACROIX EUGÈNE (1798-1863)Also called Frightened Horse coming out of the water.State II / II edited by L' Artiste, with the letter and at Bertauts address.Beautiful proof on applied chine, a pinhole in the sky, a few handling creases and scattered foxing.Delteil : 78..
PASTILLES PONCELET
CHERET JULES (1836-1932)Imprimerie Chaix, pretty poster with full margins1896Unlined, two oblique folds and some manipulation folds in the borders.Short tear of one centimeter in the left border...
HOW VAIN ARE ALL YOUR TRIUMPHS PAST
ROWLANDSON THOMAS ( 1756-1827 )The dance of death: the death blow. 1816.Rowlandson's "The English dance of death" was a cooperative venture. Apart from himself, who produced the drawings between 1814 and 1816, William Combe and Rudolph Ackermann were important participants in this production. William Combe wrote two volumes of verses which were intended to facilitate the understanding of the images. Nevertheless, the two lines of text that appear below the images are thought to have been composed by Rowlandson himself. Rudolph Ackermann, who had a print shop in the Strand, promoted and published the prints after Rowlandson's designs. Halo in the sky, a few points of foxing, cut at the edge of the copper, traces of an old adhesive in the top margin...
LA CITÉ LOINTAINE
BRESDIN RODOLPHE (1822-1885)Large margin test on China applied slightly yellowed..
LA CHATELAINE
DOUDELET CHARLES ( 1861-1938 )Proof for : L'Estampe Moderne, bearing the dry stamp of the publication.1897Two short tears, in the top and bottom margin...
MESANGES HUPPEES
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 29/100 lower left. Print framed. Ca.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 300 x 460With frame : 490 x 650..
LES DEUX COQS ET LES DEUX POULES
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 60/100 lower left. Print framed. Ca.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 300 x 460With frame : 490 x 650..
COQ ET POULES, NOIRE ET BLANCHE
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 27/100 lower left. Framed proof, small losses in the cornersCa.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 465 x 295With frame : : 495 x 325..
CHEVAL DE MECKLEMBOURG
GERICAULT THEODORE (1791–1824)Lithography of the suite: Study of lithographed horses (Delteil: 46 to 57) State II / IV with the letter but before the number and the erasure of the name Engelmann. 1822 Delteil: 47..
CHEVAUX D'AUVERGNE
GERICAULT THEODORE (1791–1824)From the following: Study of lithographed horses. Rare proof in perfect condition with the letter and before the stone break on the left. Delteil: 48..
CHEVEAUX (SIC ) DE FERME
GERICAULT THEODORE (1791–1824)Lithograph of the suite: Five lithographs, four various subjects (Delteil: 73 to 77) State II / IV, rare, with the address of Mme Hulin but before the name of Engelmann was erased. 1823 Delteil: 73..
MAZEPPA
GERICAULT THEODORE (1791–1824)In collaboration with Lami. Lithograph from a set of six plates for the works of Byron, four of which are by Gericault and Lami. State II / III with the capital C. Delteil: 94 Proof on chine appliqué, scattered rednesses, short tear in the bottom margin, an oblique fold in the upper right margin and two oblique folds in the lower right corner...
DEUX CHEVAUX GRIS POMMELE QUE L'ON PROMENE
GERICAULT THEODORE (1791–1824)Beautiful and large lithograph executed with two hands by Gericault and Cogniet.Variation of another piece by Gericault (cf. Delteil: 35).State II/II after removal of Villain's address at the bottom right.1822Delteil: 83Some scattered marginal foxing, two tiny tears in the upper border...
CHEVAL CAUCHOIS
GERICAULT THEODORE (1791–1824)Light dusting, tiny tear in the top margin, fold in the lower right corner..
SUITE DE SIX POINTES SECHES
LOEVY LADISLAS ( ACTIF ENTRE 1889 ET 1921 )Complete suite of six plates in its original folder, plus the title page. Yellowed shirt, one corner missing, small tear at the bottom. Among the six engravings, one takes up the title page, proofs at all margins, yellowing on the borders. Shirt 325 x 225 Copper from 175 to 235 x 125 to 180 Sheets: 300 x 220..
RETOUR DE SYRIE
VERNET HORACE ( 1789-1863 )Proof printed by Delpech 1823 Some scattered brown spots, large margins...
STUDIE ZUM PROMETHEUS
KLINGER MAX (1857-1920)Rotogravure after a drawing by Klinger, executed for the magazine : Pan1896..
ROSES D'ANTAN
PISSARRO LUCIEN ( 1863-1944 )Proof without the text accompanying the edition print that appeared in: L'Image 1896 Proof with all margins, small gaps in the upper corners, two brown spots in the large margins (remains of old adhesive? )..
DEUX ELEVES DE MADAME S
LEGRAND LOUIS (1863-1951)From the set: The small class edited by Pellet in 1908.Proof with large margins on wove paper, signed and numbered out of a total print of 100...
A L OMBRE
LEGRAND LOUIS (1863-1951)Proof with all margins not deburred bearing the red stamp of the artist and numbered 45/50..
MADAME X ET LES FILLES
LEGRAND LOUIS (1863-1951)Slight yellowing at the opening of an old pass everywhere.Proof bearing the red stamp of the publisher.Watermark Pellet and Legrand...
PETITE MARCHEUSE
LEGRAND LOUIS (1863-1951)Very beautiful and fresh proof countersigned and numbered 82/100, three short tears in large margins..
3 EME ACTE SCENE 8
LEGRAND LOUIS (1863-1951)Or : 4e Tableau de je ne sais quoi. From the set : Les Petites du Ballet. G. Pellet éd., Paris. 1893Very nice proof signed with large margin on wove paper...
MATERNITE
COSWAY MARIA ( 1759/60-1838 )After Richard CoswayCa.1800Shorter margins on three sides, a point of freckle in the top margin, yellow ink line on the back slightly visible.Maria Cosway, born June 11, 1760 in Florence and died January 5, 1838 in Lodi, is an Italian-British painter and printmaker. She exhibited at the Royal Academy in London. In 1781, Maria Hadfield married Richard Cosway, a known miniaturist. Together, they work and bring together a famous art collection, La collezione Maria e Richard Cosway. In 1812, Maria Cosway founded a college for English girls in Florence; in 1830 it became the Istituto delle Dame inglesi. She then set up her institution in northern Italy, in Lodi...
LA JEUNE LOCRIENNE, CHAPEAU DE CAMILLE ROGER
HUGO VALENTINE ( 1887-1968 )Proof for : La Gazette du Bon Ton1922Minimal dirt and light dusting of the outer edges...
LE RETOUR
DE FEURE GEORGES (1868 - 1943 )Original lithograph, executed by Georges de Feure for L'Estampe Moderne, series number 2 published in May 1897.Printing press Champenois for CH. Masson & H. Piazza.One of 50 deluxe proofs printed on Chine with large margins, artist's signature on the plate, publisher's stamp lower right.Slight trace in the left border mainly along the mark of the lithographic stone...
LE GALANT
NINON MAX ( ACCORNERO DE TESTA VITTORIO DIT ) (1896-1982)Art deco stencil with silver highlights on the border.Large margin proof...
VUE GENERALE DES RUINES DU CHATEAU ET DU VILLAGE DE SAINT NECTAIRE
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 37..
RUINES DU CHATEAU DE BOUZOLS PRES DU PUY EN VELAY
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis..
CROQUIS PAR DIVERS ARTISTES
ISABEY EUGÈNE (1804-1886)Nice test, tiny point of rust essentially in the margins. From a series of: Sketches by various Artists..
LA MORT ET LE BUCHERON
HEDOUIN EDMOND ( 1820-1889 )After MilletProof for : la Gazette des Beaux-arts1860..
NYMPHES AU BAIN
ROUSSEL KER-XAVIER ( ROUSSEL FRANCOIS XAVIER DIT ) (1867-1944)Red chalk print with wide margins.Proof signed in copper...
VERITE
FANTIN LATOUR HENRI (1836-1904)Print for the review of : L'Art Ancien et Moderne1900Hediard: 156..
TRISTAN ET ISEULT, ACTE II : SIGNAL DANS LA NUIT
FANTIN LATOUR HENRI (1836-1904)From the suite executed for: Richard Wagner his life and his works of Adolphe Julien (Hédiard 61 to 74). Perfect test with large margins...
ARIANE
FANTIN LATOUR HENRI (1836-1904)Lithography for the publication : Gazette des Beaux Arts. 1901Hediard : 154..
LE CRÉPUSCULE DES DIEUX
FANTIN LATOUR HENRI (1836-1904)From the suite performed for: Richard Wagner his life and his works of Adolphe Julien...
VISION
FANTIN LATOUR HENRI (1836-1904)Lithography of a print run of 125 prints, with white margins and before the publication for the: Gazette des Beaux Arts. Before 1895 Hediard: 122..
RÉVEIL
FANTIN LATOUR HENRI (1836-1904)From the suite executed for: Richard Wagner his life and his works of Adolphe Julien (Hédiard 61 to 74)...
LE COQ
ISAAC PROSPER ALPHONSE ( 1858-1924 )Very fine proof printed in colors in the Japanese style, cut to the framing line.Covered with the artist's red stamp (Lugt: 4990) and the levogyre or senestrogyre svatiska . "This mark, which he borrows from Hokusaï and Totoya Hokkeï (1780-1850), accentuates the link with Japanese art and seems to mean "engraved and printed according to Japanese processes". the two Japanese artists produced"."The animals, presented on large prints, are an opportunity for Isaac to put into practice the lessons of Hokusai's Manga, and especially Masayoshi's Method of Drawing Animals and Birds (1764-1824), Japanese artist, master of Hokusaï, particularly appreciated by Isaac. He presented them in close-up and thus produced "portraits of birds", in particular the rooster, a great source of inspiration."(in Émilie Vabre, "Prosper-Alphonse Isaac (1858-1924)", Nouvelles de l'estampe, 237 | 2011)Ca.1910Inventaire du Fonds Français : 19..
JOUETS ET SABLIER
ISAAC PROSPER ALPHONSE ( 1858-1924 )One of his first and rare brush-colored woodcuts.To be compared to the Yosokukangu.Proof bearing the artist's red stamp.Some scattered foxing, slight oxidation when opening an old master key.Before 1906I.F.F: 19"The first known engravings by Isaac, drypoint and aquatint in black and color, date back to 1900(...).The introduction of color, essential for Isaac since it was already a central issue for his dyed fabrics, confirms his total immersion in Japanese art(...).The art that Alphonse Isaac practiced “with the most constancy and passion” was Japanese-style wood engraving. He practiced it for around twenty years, from around 1905 until his death in 1924. The assimilation of the Japanese technique was the fruit of a long process, many years of study and experimentation. After the two alabaster engravings, he made six wood engravings of which only the blacks were printed, the colors still being applied with a brush. These undated engravings were undoubtedly made before 1906, two years before the lessons of a professional Japanese engraver and some time before the first dinner invitation from the Friends of Japanese Art. They represent Japanese toys accompanied by floral motifs. Deciphering these prints with unusual compositions is quite difficult because they remain unique in his work, even if they already include the main characteristics of Isaac's style, notably the taste for Japanese objects, the ornamental floral motif, the thick black line , the colors, used in solid color, finally the signature and sometimes the use of a small black swastika. This mark, which he borrows from Hokusaï and Totoya Hokkeï (1780-1850), accentuates the link with Japanese art and seems to mean “engraved and printed using Japanese processes”. "Émilie Vabre: News from printmaking, Prosper-Alphonse Isaac (1858-1924)Japanese-style wood engraver, 2011..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
COUPLE
MAILLOL ARISTIDE (1861-1944)Proof with full margins on Maillol-Gonin watermarked paper.Slight yellowing in the outer borders, some creases in the right outer border, tiny ink stains...
GEWITTERSTIMMUNG
FISCHER OTTO ( 1870-1947 )Stormy weatherProof for: Revue Pan1896All margins not trimmed, scattered marginal foxing...
LE ROUET
MARIE GUSTAVE ( ACTIF CA.1900 )Nice proof countersigned and numbered 2/29.Fold in the upper left corner and restored corner...
LA LECON DE DESSIN OU BERTHE MORISOT ET SA FILLE JULIE MANET
MORISOT BERTHE ( 1841-1895 )A fine impression from the final state of the pierced copperplate print from 1904-1905.Wide-margined impression; on the verso, remnants of an old mount and scuffs in the lower corners.Bailly-Herzberg: 8..
MATINÉE D'HIVER AU QUAI DE L'HOTEL DIEU
BUHOT FELIX (1847-1898)Bourcard and Goodfriend: 123 State IV / XV before additions and different jobs and before deleting the number and the signature. Beautiful impression on China applied, tiny foxing essentially marginal...
L'ANE ET LA VIEILLE
BUHOT FELIX (1847-1898)Beautiful proof with large margins, slight folds in the sheet at the bottom border. Bourcard and Goodfriend: 59..
AIGUIERE EN CRISTAL DE ROCHE
BUHOT FELIX (1847-1898)State III/IV, published in la Gazette des Beaux-Arts.Fold in the lower right corner.Bourcard-Goodfriend : 21..
L'ENTREE DE LANDEMER ( LA HAGUE )
BUHOT FELIX (1847-1898)Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 57..
LA CACOLETIERE ASSISE
BUHOT FELIX (1847-1898)Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 58..
LES ÂNES DU MIDI LUCHON
BUHOT FELIX (1847-1898)Nice proof big margins, light foxing on the edges of the sheet.State I/II..
GRAND VASE DECORATIF EN METAL MARTELE
BUHOT FELIX (1847-1898)State V / V, published in the Gazette des Beaux-Arts. Bourcard-Goodfriend: 23 Dustiness in the outer borders, small halo in the right margin...
LES ANES DE SAINT MEDARD
BUHOT FELIX (1847-1898)Nice print at all margins, light dusting in the borders Bourcard and Goodfriend: 38 bis..
AU MOULIN DABIN
LE MEILLEUR GEORGES ( 1861-1945 )At the Dabin mill in Fonte-Laye 1922Proof countersigned in penciland numbered 1 /154 copiesPublished for the Imagier de la Engraving sur Originale (3rd year) and bearing the blind stamp of the publisher (Lugt 1140a).Nice test..
LE PORT D'AUTEUIL, LA TOUR EIFFEL
ZEISING ERNST WALTER ( 1876 - 1933 )Good proof, the upper border slightly yellowed, small halo in the upper right corner.1907..
TROIS MAJOS ET TROIS MAJAS DANSANT
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print No.12 from the set : Disparates (Foolishness or extravagance)..
LOS ENSACADOS
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print n ° 8 from the set : Disparates (Foolishness or extravagance)..
ASTA SU ABUELO
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Plate n ° 39 of the suite: Los Caprichos (Delteil 38 to 117) Draw on vellum after beveling copper probably around 1856 Very nice and clean proof,little pinhole in the lower margin Reference: Delteil # 76 and Harris # 74..
DISPARATE CLARO
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print No. 15 from the set : Disparates (Foolishness or extravagance)..
TAUROMACHIE
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Plate n ° 12 from: Bullfighting or:The populace cutting the hocks of a bull with spears, half-moons, banderillas and other weapons.V / V state after beveling.4th Loizelet print from 1876?(before printing on laid paper with MBM watermark)Proof with nice margins, rust tips in the left border...
BOBABILICON
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print No. 4 from the set : Disparates (Foolishness or extravagance)..
BREVET DE BATON
GANGEL CHARLES ( ACTIF CA.1852 - 1858 )Lithograph enhanced in colors and gold.Ca.1852-1858Beautiful and fresh proof on vellum paper, printed by Gangel in MetzIn 1835, in Metz, Adrien Dembour established himself as a printer-lithographer, succeeding Hanké and Rosch. He also bought the woodcuts from the Lacour house, in Nancy, and those from the Ardant house, in Limoges. He then joined forces, from 1840 to 1852, with Nicolas Gengel.In 1852, Gangel took over the typographer and lithographer patents from his partner and continued the production of images including a number of dance, cane, boxing and pointe patents, testimonies of the training of French soldiers...
L'ECLAIR
COURTRY CHARLES ( 1846-1897 )Etching after Victor Hugo (1848).Published in the collection: Sonnets and etchings for the poem of Paul Meurice, edited by Burty at Lemerre.1869Beautiful print, a consolidated tear in the right margin extending 5mm into the subject...
LE GOUT
DROIT JEAN ( 1884-1961 )Art deco stencil in fresh colors, foxing in the bottom outer border and on the right...
PAUVRE JEUNE HOMME
DAUMIER HONORÉ (1808-1879)From the following: Sentiments (sic) and passions. Lithograph on white. Tiny tears and slight yellowing on the outer edges. Delteil: 799..
LA LOGE
MARTIN CHARLES (1884-1934)Very nice and fresh proof with large margins on pearly japan, numbered 965/1100.Ca.1914..