LE PORT D'OLERON, VU EN FACE DE L'ENTREE
Engraved by Yves Le Gouaz (1742-1816 ) Plate from the set : les Ports de France "Réduit de la Collection des Ports de France dessinés pour le Roi en 1776 , Par le Seigneur Ozanne Ingénieur de la Marine Pensionnaire de Sa Majesté .A Paris chez Le Gouaz Graveur rue St Hyacinthe la 1ère Porte cochère à gauche par la Place Michel"...
SEPTIÈME PLAN DE LA VILLE DE PARIS
DE LA MARE NICOLAS (1639-1723)In 1667, Lamoignon, first president of the Parliament of Paris, suggested to Nicolas de La Mare to write a work methodically exposing the police methods applicable in a big city. La Reynie opened all the archives he needed to write it, and Étienne Baluze gave him access to Colbert's rich library. The first volume of the Police Treaty appeared in 17073, Volume 2 in 1710, Volume 3 in 17194. In 1722 the second volume was expanded by an appendix5 on meat (pigs, lambs, kids, suckling pigs) . Aging, he received the help of Lecler du Brillet, King's Attorney at the Admiralty, to write the fourth and final volume, posthumously published in 1738..
VUE ET PERSPECTIVE DE L'ARC DE TRIOMPHE DU FAUXBOURG ST.ANTOINE A PARIS
AVELINE FRANCOIS-ANTOINE (1718-178?)Halo in the margin at the bottom left, slight scattered foxing..
Vue et perspective du Val de Grace, Convent de Religieuses, bâti a Paris par anne d'Autriche Reyne de France
AVELINE FRANCOIS-ANTOINE (1718-178?)Some creases, mostly in the bottom margin, slight marginal tears..
LE COUVENT DES FEUILLANS
MARIETTE JEAN (1660-1742)Proof published in Paris by Mariette rue St. Jacques à la Victoire, printed with two coppers, one for the view and the second for the border. Some marginal spots...
LE GRAND PORTAIL ET EGLISE DE SORBONNE
MARIETTE JEAN (1660-1742)Proof published in Paris by Mariette rue St. Jacques à la Victoire, printed with two coppers, one for the view and the second for the border. Some marginal spots...
L'EGLISE ET COUVENT DES FILLES SAINCTE ELIZABETH
MARIETTE JEAN (1660-1742)Proof published in Paris by Mariette rue St. Jacques à la Victoire, printed with two coppers, one for the view and the second for the border. Some marginal spots...
PORTSMOUTH
BORREL FRANÇOIS-MARIUS (1866-1937)Very beautiful etching, large spots in large margins, signed and numbered 17/30Bears the stamp of Charles Hessèle (1856-1931), dealer in paintings and prints, publisher, Paris. (Lugt: 554)..
TRAJES MEXICANOS
CASTRO, CAMPILLO, AUDA et RODRIGUEZ ( COLLECTIF)Mexico y sus Alrededores Vistas, Trajes y Monumentos, lithograph from a suite of 37 plates of views, costumes and monuments, executed by Decaen settlements between 1855-1856..
LE DUCOUEDIC ARRIVANT AU MOUILLAGE A BRAOUA
SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)Beautiful lithography with large margins from the set Travel on the eastern coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..
LE DUCOUEDIC
SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)velBeautiful print, wide margins from the setTr to the East Coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..
LE IV EME ARRONDISSEMENT : LA RUE BRISE-MICHE
BEJOT EUGENE ( 1867-1931 )From the following : The districts of Paris, 1903..
LE PORT ST.GEORGES DANS L'ISLE DE LA GRENADE, VUE DU COTE DE L'EST
OZANNE NICOLAS ( D'APRES ) (1728-1811)Engraved by Jeanne-Françoise OZANNE (1734 - 1795) From the set La collection des vues des rades de France et des Ports des ColoniesReference : Auffret pp. 79-82, Vichot, chapter Considérations sur la collection des gravures des ports de France.Beautiful print cut slightly inside the copper...
VUE DU PORTAIL DE SAINT EUSTACHE
GUYOT LAURENT (1756 - 1808)Print after the drawings by Testard ( Francois Martin ), edited A Paris : chez les Campion freres, [entre 1787 et 1792]from the set Vues pittoresques des principaux édifices de Paris.Beautiful print cut at the copper , tiny scattered foxing...
VUE DU PORTAIL DE SAINT GERVAIS
GUYOT LAURENT (1756 - 1808)Print after the drawings by Testard ( Francois Martin ), edited A Paris : chez les Campion freres, [entre 1787 et 1792]from the set Vues pittoresques des principaux édifices de Paris.Beautiful print cut at the copper , tiny scattered foxing...
VUE A VOL D OISEAU DE LA VILLE DE VALENCIENNES
BLAEU JOHANNES (1596–1673)From the Atlas: Novum Ac Magnum Theatrum Urbium Belgicae. Amsterdam, 1649 Etching in old colors on laid paper. Descriptive text on the back in Latin. Print with large margins, usual median fold, uniform rednesses, two brown spots in the left margin not affecting the subject, short tear in the top margin at the level of the tab...
A VIEW OF ST EUSTATHIUS 'S CHURCH AND THE RIVO ALTI BUILDINGS IN VENICE
ANONYME XVIIIèOptical View End of the 18th century: Venice, The Grand Canal And the Church of San Stae or Sant Eustachio Very beautiful optical view in period colors with a stencil. Nice margins...
PALAIS DE L'INSTITUT
BENOIST PHILIPPE ( 1813- 1905 ?)Notre Dame de Paris, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861Some marginal soiling in the upper border...
HOTEL DE VILLE, EGLISE ST GERVAIS ET PONT D'ARCOLE
BENOIST PHILIPPE ( 1813- 1905 ?)Notre Dame de Paris, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861Some scattered foxing...
PORTAIL OCCIDENTAL DE LA CATHEDRALE NOTRE-DAME
BENOIST PHILIPPE ( 1813- 1905 ?)Representation before the construction of the arrow of Viollet le Duc. Proof edited by Lemercier from the continuation of: Moyen-Age Monumental et Archeologioque Dry stamp of publisher Hauser 1859 Nice Proof..
EGLISE DE LA MADELEINE
BENOIST PHILIPPE ( 1813- 1905 ?)LA MADELEINE CHURCH, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..
LA SAINTE CHAPELLE
BENOIST PHILIPPE ( 1813- 1905 ?)From the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..
PLACE DES VICTOIRES A PARIS
MERIAN MATTHAUS(1593-1650)From the "Theatrum Europaeum"1691 Good proof, good margins, usual median fold...
COUPLE DE MOLUQUOIS
GRASSET DE SAINT SAUVEUR JACQUES (1757-1810)Two plates in old colors from the set : Civil costumes of all known peoples (with Sylvain Maréchal), 1784.Slight soft folds on the moluquoise board...
FONTAINE DE LA PORTE ST.DENIS. FONTAINE DE LA CHARITE. FONTAINE DES PETITS PERES NOIRS.
PERELLE GABRIEL (1604-1677 )From the suite engraved in collaboration with his two sons Nicolas (1625-1692) and Adam (1640-1695): "Views of the most beautiful Houses of France - The Squares, doors, fountains; churches and houses of Paris. - Views of the beautiful Houses of the surroundings of Paris. - Views of the most beautiful places of Versailles. - Views of the most beautiful Houses of France. - Various views of Chantilly. - Views of Rome and the surroundings "1670..
LE JET D'EAU, CHANTILLY
PERELLE GABRIEL (1604-1677 )Double printing, one for the view the second for the cartridge.Nice print with large margins, brown spot in the lower left corner...
LA PERSPECTIVE DANS LA MAISON DE MR LE MARQUIS DE DANGEAU
PERELLE GABRIEL (1604-1677 )The Lafont hotel (also known as the Breteuil hotel, the Dangeau hotel, the Missan hotel or the Sainson hotel) is a private mansion located at 12 place des Vosges. It is located on the east side of the square, between the Châtillon and Ribault hotels. From the following: Views of the most beautiful places in France and Italy. Beautiful print, two points of rust in the lower margin, halo in the upper margin not reaching the subject...
ARC DE TRIOMPHE HORS LE FAUXBOURG SAINT ANTOINE
PERELLE GABRIEL (1604-1677 )From the suite engraved in collaboration with his two sons Nicolas (1625-1692) and Adam (1640-1695): "Views of the most beautiful Houses of France - The Squares, doors, fountains; churches and houses of Paris. - Views of the beautiful Houses of the surroundings of Paris. - Views of the most beautiful places of Versailles. - Views of the most beautiful Houses of France. - Various views of Chantilly. - Views of Rome and the surroundings "1670..
LE MONASTERE ROYAL DE VAL DE GRACE
PERELLE GABRIEL (1604-1677 )From the suite engraved in collaboration with his two sons Nicolas (1625-1692) and Adam (1640-1695): "Views of the most beautiful Houses of France - The Squares, doors, fountains; churches and houses of Paris. - Views of the beautiful Houses of the surroundings of Paris. - Views of the most beautiful places of Versailles. - Views of the most beautiful Houses of France. - Various views of Chantilly. - Views of Rome and the surroundings "1670..
CHYLI CHASTEAU (SIC)
CHASTILLON CLAUDE ( 1559/1560-1616 )Chilly castle.Proof with good margins slightly yellowed, brown marks in the upper margin...
VUE DE LA PORTE SAINT ANTOINE
JANINET JEAN-FRANCOIS (1752-1814)Print after the drawings by Durand, Jean-Nicolas-Louis ( 1760 -1834 ), edited byEsnauts et Rapilly from the set Vues pittoresques des principaux édifices de Paris. (IFF 183)..
VEDUTA DEL PALAZZO STOPANI
PIRANESI GIOVANNI-BATTISTA (1720-1778)Today Palazzo Vidoni-Caffarelli1776Vedute di RomaEngraved between 1748 and 1778.State I/III before the numbers1st Parisian Edition1800-1807Hind: 128Focillon: 842..
CONSTRUCTION DU NOUVEAU MUSEE DE SOUTH KENSINGTON
BRANGWYN FRANK ( 1867-1956 )Some scattered rednesses...
MUSEE CALVET A AVIGNON
BEURDELEY JACQUES ( 1874-1954 )Print signed and numbered from a total print run of 50 copies...
CHIAOU BACHI
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747.P.Jean-Richard : 889..
SPAHIS
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747...
LE CHEF DES EUNUQUES NOIRS
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747.P.Jean-Richard : 884..
CAPIGI BACHI
DUFLOS LE JEUNE CLAUDE (1700-1786 )After Boucher.From the set : Moeurs et usages des Turcs, 1747.P.Jean-Richard : 890..
VEDUTA DI PIAZZA DI PIETRA
MONTAGU DOMENICO ( ACTIF CA. 1750 )After Jean BARBAULT (1718 - 1762)Scattered freckles..
VEDUTA DEGL'AQUDOTTI DELL'ACQUA CLAUDIA, E DI S.STEFANO ROTONDO
MONTAGU DOMENICO ( ACTIF CA. 1750 )After Jean BARBAULT (1718 - 1762)Scattered freckles..
VESTIGES DES AQUEDUCS DE NERON ET TEMPLE DE FAUNE AUJOURD'HUI ST.ETIENNE LE ROND
MONTAGU DOMENICO ( ACTIF CA. 1750 )After Jean BARBAULT (1718 - 1762)Scattered freckles..
VEDUTA DELLA PORTA S.GIOVANNI
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DEL TEMPIO DI FAUSTINA
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DEL TEMPIO DI VESTA
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779.Small marginal tear..
VEDUTA DELL' ARCO DI COSTANTINO MAGNO
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779.Small stain in the upper margin...
VEDUTA DELLA FACCIATA DEL PALAZZO BORGHESE
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DELLA PIAZZA DI MONTE CITORIO
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
VEDUTA DELLA PIAZZA DI COLONNA TRAJANA
CASSINI GIOVANNI MARIA (1745-CA.1824)From the set : Nuova raccolta delle megliori vedute antiche, e moderne di Roma, disegnate ed incise da Giovanni Cassini. Rome Venanzio Monaldini.1779...
FEMME DU LEVANT
RAVENET SIMON FRANCOIS (1706-1774 )After to Boucher.P.J. Richard: 1528Small scattered foxing, short margins...
EGLISE SAINTE GENEVIEVE
AUBRUN ( ACTIF CA. 1857 )Trace of old adhesive in the top and bottom margins, some scattered foxing...
TOUR SAINT JACQUES
HAUTECOEUR EDOUARD (1847-1904)Editeur et photographe. - A la mort de leur père Eugène (1822-1870), Edouard et son frère Albert (1849-19..) reprirent la maison d'édition familiale, située au 12 boulevard des Capucines, à Paris. - En 1878, il créa sa propre maison au 35 avenue de l'Opéra, à Paris...
LOGUIVY LE SOIR
RIVIERE HENRI (1864-1951)Superb proof at all margins of the series: Le Beau Pays de Bretagne (plate n ° 7) Proof bearing the red stamp of the artist signed in the stone and countersigned and numbered in blue by the artist. 1904 References: Toudouze p.64; Fossier No. 57; Gamet p.28-29..
LE PALAIS DE L'INSTITUT ET NOTRE DAME
RIVIERE HENRI (1864-1951)From the set : Paysages parisiens, printed by Eugene Verneau, 1900. Color printing. Very beautiful and fresh proof on glossy vellum. Fields p. 77, n° 3..
LE PETIT PONT
MERYON CHARLES (1821-1868)Plate published in the issue of December 5, 1858 from "L'Artist" with the title at the bottom center and the printer at the bottom right From the Quai de la Tournelle, the small bridge, then the buildings of the Quai du Marché-Neuf, topped by the towers of Notre-Dame.Schneiderman 20 Delteil-Wright 24..
SAINT SYMPHORIEN
WISME OLIVIER BARON DE ( 1814-1887 )Proof on chine applied, annotated: 2nd state drawn 8. All the board reworked and plucked. 1862...
BLANMONT
BRAUN GEORG (1541-1622)-HOGENBERG FRANS (1535-1590)Cavalier view of the city of Blanmont, a Belgian city that has been part of the Chastre entity since the mergers of municipalities, located at the confluence of the Nile and the OrneText on the back of G. Braun. Ca.1575Full-margins proof in old color, usual median fold, short tear of a few millimeters in the upper left margin, two small spots in the borders, tiny hole in the right margin...
VUE D'OPTIQUE DE LA RADE ET DU PORT DE SAINT MALO
MONDHARE LOUIS-JOSEPH (1734 - 1799)Optical view edited in Paris by Mondhard rue St Jacques ca 1770 Light uniform dusting, handling folds, bears the old translation into Dutch in brown ink of the title...
VEUE DE LA GRANDE FASADE DU LOUVRE (SIC)
FER NICOLAS DE ( 1646-1720 )Beautiful print edited by Nicolas de Fer. 1705. Some mostly marginal rednesses...
FEMME DE PECHEUR POLETAIS
ALOPHE ALEXANDRE (1812-1883)Published in Paris: Aubert & Cie, circa 1842-1848.Colas I, 1163..
PECHEUR POLETAIS
ALOPHE ALEXANDRE (1812-1883)Published in Paris: Aubert & Cie, circa 1842-1848.Colas I, 1163..
FEMME DE FALAISE
ALOPHE ALEXANDRE (1812-1883)Published in Paris: Aubert & Cie, circa 1842-1848.Colas I, 1163..
VEDUTA DELLA BASILICA DI S.CROCE
FREICENET ( ACTIF A ROME CA.1760 )Proof of the Bouchard et Gravier print, 1763 From the following: Collection of various ancient monuments scattered in several parts of Italy drawn by the late Monsieur Barbault ... Inventory of the French collection, 18th century engravers / National Library, Department of prints . Tome IX, Ferrand (François) -Gaucher (CE) / by Edmond Pognon, ... and Yves Bruand, ... - Bibliothèque nationale (Paris), 1962, article FREICENET, n. 22-24 Famous series made from drawings by Jean Barbault (1718-1762)..
MULETIERS DE TETUAN
DELACROIX EUGÈNE (1798-1863)Pen lithography.Posthumous print made for the Gazette des Beaux-Arts, at the address of Bertauts.State III / IVDelteil, Strauber 96Usual middle fold on the tab, small fold in the upper right corner...
VUE DE LA VILLE DE WISSEMBOURG
MUNSTER SEBASTIAN ( 1488-1552 )View of Wissembourg; bird's eye, from the south; illustration to the Latin edition of Sebastian Münster, 'Cosmographia', Basle: Heinrich Petri, 1552. Print made by: Conrad Morandt Printed by: Heinrich Petri Block cut by: Monogrammist CS for Christoph SchweickerUsual median fold, Latin text on the back...
VUE DE LA VILLE DE SELESTAT
MUNSTER SEBASTIAN ( 1488-1552 )View of Selestat; bird's eye, from the south; illustration to the Latin edition of Sebastian Münster, 'Cosmographia', Basle: Heinrich Petri, 1552. Print made by: Conrad Morandt Printed by: Heinrich Petri Usual median fold, Latin text on the back...
GALLIAE VETERIS TYPUS ( GAULE ROMAINE )
JANSSONIUS JOHANNES (1588-1664)Map of Roman Gaul, based on Ortelius.Ca.1640..
CARTE DU DIOCESE D'ALBY
TAVERNIER MELCHIOR (1594-1665)Detailed and rare map in old colors of Midi-Pyrénées in France, centered on Alby and its area.Beautiful inset upper right with a panoramic view of Alby.By Melchior Tavernier and Pierre Pronostel. 1642Usual median fold..
VUE DE LA GRANDE FACADE DU TEMPLE DE LA GLOIRE
CHAPUY NICOLAS MARIE JOSEPH ( 1790-1858 )Beautiful and fresh impression on the marking, cut to the limit of the copper in the upper margin.On December 2, 1806 from Posen, Napoleon signed the decree which ordered the construction of a temple of Glory, in honor of the soldiers of the Grande Armée, on the site of the Madeleine.This project was ultimately to be abandoned in favor of the construction of the current Church of the Madeleine...
ELEPHANTS ET CHAMEAUX
SOLVYNS FRANS BALTHAZAR ( 1760-1824 )From the continuation: The Hindus Illustrating the texts of Georg Bernhard Depping, Frans Balthazar Solvyns 1808-1812 Usual median fold, proof at all margins..
CARTE DU PAIS DE RETELOIS
JUBRIEN JEAN (1569-1641)Publisher: J. Janssonium (1588-1664) 1624 Map with all margins with text on the back, in colors. Usual median fold, brown spot mainly visible on the back...
FRANCKENLANDT. FRANCIA ORIENTALIS
MERCATOR GERARDUS ( 1512-1594 )Map showing Franconia with the region of Heidelberg, Eichstätt, Cham and Schmalkalden. circa 1627 Copper engraving in old color. On the back, description in Latin, usual reinforced median pleat, three short tears in the right margins. Mercator, writer, astronomer and mathematician is considered the inventor of the cartographic projection which bears his name and his atlases established his fame. Mercator's sons and grandsons, all cartographers, continued his work and made various contributions to his atlas. The brass cards were bought in 1604 by Jodocus Hondius who, along with his sons, Jodocus II and Henricus, published expanded editions which dominated the card market for the next two decades...
A PERSPECTIVE VIEW OF THE CITY OF VENICE - VUE PERSPECTIVE DE LA VILLE DE VENISE
DAUMONT CUNY-FRANCOIS DIT JEAN-FRANCOIS ( 1717-1768 )Very nice optical view in period colors with a stencil. Proof published in Paris by Daumont. Between 1757 and 1768Short tear in the bottom margin. Cuny François Daumont (1717-1768) arrived in Paris around 1737, settled around 1746 rue de la Ferronnerie. Daumont then published all kinds of prints, but mainly geographical maps and some popular images. He is also known as an editor of optical views and wallpaper dealer, he even co-publishes some musical scores, notably by Jean-Philippe Rameau. In 1757, he left rue de la Ferronnerie to move to rue Saint-Martin...
ARC DE TITUS
LAFRERI ANTONIO OU LAFRERY ANTOINE ( CA.1512-1577 )Senatus Populus que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto Proof with a watermark: Orb surmounted by a star The date and address of Lafreri lower right. 1548 Fine proof cut at the limit, or a few millimeters beyond, of the copper, three slight folds mainly visible on the back..
VEUE DU CHASTEAU DE VERSAILLES DU COSTE DE L'ORANGERIE ( SIC )
BAUDUINS ANTOINE-FRANCOIS (1640 1700)After Frans van der Meulen 1664 Beautiful and large proof in all margins, usual median fold, slight yellowing on the outer edges. Le Blanc : 20Adam Frans Van der Meulen (Brussels 1632 - Paris 1690) was a pupil in Brussels of Peeter Snayers. Mastering the art of representing horses and landscapes, he was called to Paris by Charles Le Brun, first painter to King Louis XIV and director of the Manufacture des Gobelins. Specializing in battle and hunting painting, he came to reinforce in 1665, the group of artists responsible for immortalizing the image of the king and was retired from 1667. He accompanied Louis XIV on all his travels, his residences and the even followed on the battlefield. He brought to Paris, the engraver Adriaen Frans Boudewyns who became one of his favorite interpreters. This one work forming one of the plates known as the : “King's Cabinet”...
L'ISLE ROYALLE ( SIC ) ( VERSAILLES )
RIGAUD JACQUES ( 1680-1754 )Edited by Rigaud From the continuation: Selected collection of the most beautiful views of the Palaces, castles and Royal Houses of Paris and the surroundings (between 1729-1752) Very good proof, slightly cropped margins, some very short tears and flexible handling folds, a few scattered rednesses...
VUE DU PARTERRE DU CHATEAU DE RAMBOUILLET
RIGAUD JACQUES ( 1680-1754 )Edited by Rigaud From the continuation: Selected collection of the most beautiful views of the Palaces, castles and Royal Houses of Paris and the surroundings (between 1729-1752) Very good proof with all untrimmed margins, some very light scattered mostly marginal foxing...
VUE DU CANAL DU CHATEAU DE RAMBOUILLET PRISE DU BALCON DU ROY
RIGAUD JACQUES ( 1680-1754 )Edited by Rigaud From the continuation: Selected collection of the most beautiful views of the Palaces, castles and Royal Houses of Paris and the surroundings (between 1729-1752) Very good proof with all untrimmed margins, some very light scattered mostly marginal foxing...
DONJON DE POLIGNAC
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 41..
VUE GENERALE DES RUINES DU CHATEAU ET DU VILLAGE DE SAINT NECTAIRE
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 37..
RUINES DU CHATEAU DE BOUZOLS PRES DU PUY EN VELAY
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis..
VUE DE LA FONTAINE DES INNOCENS (SIC)
LE CAMPION FILS JOSEPH-ALEXANDRE ( 17..-18.. )Print after the drawings by Sergent, edited A Paris : chez les Campion freres, [entre 1787 et 1792]from the set Vues pittoresques des principaux édifices de Paris.Beautiful print cut at the copper...
LES ÂNES DU MIDI LUCHON
BUHOT FELIX (1847-1898)Nice proof big margins, light foxing on the edges of the sheet.State I/II..
LES ANES DE SAINT MEDARD
BUHOT FELIX (1847-1898)Nice print at all margins, light dusting in the borders Bourcard and Goodfriend: 38 bis..
L'ENTREE DE LANDEMER ( LA HAGUE )
BUHOT FELIX (1847-1898)Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 57..
DAS THOR IM OTTONWALDER GRUNDE
RICHTER JOHANN CARL AUGUST ( 1785-1853 )Etching entirely taken up in watercolor and rubbed with gum arabic.Slight yellowing due to varnish.Johann Carl August Richter, a descendant of an artistic family, was a student from 1793 at the Dresden Academy of Fine Arts under Adrian Zingg.Often confused with Carl August Richter, he is the very expression of the Romantic movement and distinguished himself above all as a landscape and architectural painter, etcher, copper engraver and lithographer...
DIE NEUE VERBINDUNGS BRUCKE VON ALT UND NEU RATHEN
RICHTER JOHANN CARL AUGUST ( 1785-1853 )Etching entirely taken up in watercolor and rubbed with gum arabic.Slight yellowing due to varnish.Johann Carl August Richter, a descendant of an artistic family, was a student from 1793 at the Dresden Academy of Fine Arts under Adrian Zingg.Often confused with Carl August Richter, he is the very expression of the Romantic movement and distinguished himself above all as a landscape and architectural painter, etcher, copper engraver and lithographer...
AU MOULIN DABIN
LE MEILLEUR GEORGES ( 1861-1945 )At the Dabin mill in Fonte-Laye 1922Proof countersigned in penciland numbered 1 /154 copiesPublished for the Imagier de la Engraving sur Originale (3rd year) and bearing the blind stamp of the publisher (Lugt 1140a).Nice test..
LE PORT NEUF DE CHERBOURG
LE GOUAZ YVES-MARIE (1742-1816)At all margins not trimmed, dusting, dirt and skin on the right in the bottom margin..
LE PORT DU HAVRE, VU DE LA CITADELLE SUR LE BASTION DU ROI
LE GOUAZ YVES-MARIE (1742-1816)Nice test with large margins not deburred from the following: Reduced from the Collection of Ports de France designed for the King in 1776 by Sr. Ozanne..
LE PORT LOUIS, VUE DE LA POINTE DU GAVRE
LE GOUAZ YVES-MARIE (1742-1816)Good proof, some rare scattered foxing from the following:Reduced from the Collection of Ports of France designed for the King in 1776 by Sr Ozanne.Early 19th century print...