TANGER OU LES CHARMES DE L'EXIL, ROBE D'APRES-MIDI ET CAPE DE PAUL POIRET
LEPAPE GEORGES (1887-1971)Proof for : La Gazette du Bon Ton1920Two light halos in the upper right corner...
L'EVENTAIL D'OR
LEPAPE GEORGES (1887-1971)Proof for : La Gazette du Bon Ton1920Fold in the upper left corner, slight dusting of the outer borders.Beautiful stencil with gold highlights on the fan, the hairstyle and the jewelry...
LES CHEVAUX DE BOIS, ROBE D'APRES-MIDI ET ROBE D'ENFANT, DE JEANNE LANVIN
LEPAPE GEORGES (1887-1971)Proof for : La Gazette du Bon Ton1924Fold in the upper left corner..
ANTINEA, MANTEAU DU SOIR, DE PAUL POIRET
LEPAPE GEORGES (1887-1971)Proof for : La Gazette du Bon Ton1920Beautiful stencil with silver highlights on the coat and hairstyle.Slight yellowing of the outer edges and the upper right corner. Paper weakened in the outer corners (corresponding to an old assembly), defect essentially visible on the back...
SAR MADAME MARIE D ORLEANS, DUCHESSE ALEXANDRE DE WURTEMBERG
GREVEDON HENRI (1776-1860)Lithograph on China applied, printed by Lemercier after Winterhalter..
LES COULOIRS DE L'OPERA
BRISSAUD PIERRE (1885-1964)Very nice proof signed twice, annotated: "Etat-Pierre Brissaud 06" with a dedication from the artist.Handling creases in the margins.1903..
PORTSMOUTH
BORREL FRANÇOIS-MARIUS (1866-1937)Very beautiful etching, large spots in large margins, signed and numbered 17/30Bears the stamp of Charles Hessèle (1856-1931), dealer in paintings and prints, publisher, Paris. (Lugt: 554)..
FEMME NUE COUCHEE
ROUART ERNEST (1874 - 1942)Very nice proof at all margins, signed and numbered 17 on a total print run of 25 proofsSome points of freckles...
FEMME NUE AU CHIEN
ROUART ERNEST (1874 - 1942)Proof with all untrimmed margins, signed and numbered 25/50.Small brown stain, two tiny black ink stains in the right margin...
TRAJES MEXICANOS
CASTRO, CAMPILLO, AUDA et RODRIGUEZ ( COLLECTIF)Mexico y sus Alrededores Vistas, Trajes y Monumentos, lithograph from a suite of 37 plates of views, costumes and monuments, executed by Decaen settlements between 1855-1856..
LE DUCOUEDIC
SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)velBeautiful print, wide margins from the setTr to the East Coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..
LE DUCOUEDIC ARRIVANT AU MOUILLAGE A BRAOUA
SABATIER LEON JEAN-BAPTISTE (CA.1827-1887)Beautiful lithography with large margins from the set Travel on the eastern coast of Africa, executed during the years 1846, 1847 and 1848 by the brig Ducouëdic, under the command of Mr. Guillain..
LES MOULINS A VENT SUR LE CANAL EN HOLLANDE
GUILLAUMIN ARMAND (1841-1927)Beautiful etching on vellum, light foxing scattered..
COQ ( DE BARRIERE )
DORE GUSTAVE (1832-1883)Wolves or Ball of the Opera From the: Menagerie parisienne Henri Béraldi: 67Tiny foxing at right..
LOUPS
DORE GUSTAVE (1832-1883)Wolves or Ball of the Opera From the: Menagerie parisienne Henri Béraldi: 67Tiny foxing in the outer edges at the bottom..
CERFS INDOCHINOIS
HECHT JOSEPH (1891-1951)One of four prints on china paper.Print signed and numbered 1/4.Several print folds visible mainly in the outer borders, small lack in the lower left corner, some tiny foxing in the margins and at the copper limit.Tonneau-Ryckelynck et Plumart : 370..
L'EUROPE
HECHT JOSEPH (1891-1951)Print for Atlas, poem by André Suarès. 1928. Perfect proof numbered 57 and signed at all margins of a 120-proof print..
ARAIGNEE DU SOIR... ESPOIR, ROBE DU SOIR DE WORTH
BARBIER GEORGES ( 1882-1932 )Stencil for: La Gazette du Bon Ton 1922 Very nice stencil with silver highlights on the dress..
LA SAISON DES PRUNES MIRABELLES, ROBE D'APRES-MIDI DE REDFERN
BARBIER GEORGES ( 1882-1932 )Stencil for: La Gazette du Bon Ton 1914Slight yellowing of the lower border, tiny marginal depression in the paper...
LE IV EME ARRONDISSEMENT : LA RUE BRISE-MICHE
BEJOT EUGENE ( 1867-1931 )From the following : The districts of Paris, 1903..
LE BAIN DES NYMPHES
LEPERE LOUIS-AUGUSTE (1849-1918)Wood initially executed to illustrate one of the poems of: Trophées de Heredia but which was not published and appeared in two magazines.1896Lotz-Brissonneau : 253..
JEUNE FILLE DE PROFIL
CHADWICK FRANCIS BROOKS (1850-1942)Proof bearing the artist's red stamp, signed and annotated "1st proof".Fine print, proof with all untrimmed margins, scattered foxing...
PORTRAIT PRESUME DE SON EPOUSE L'ARTISTE EMMA CHADWICK-LOWSTADT
CHADWICK FRANCIS BROOKS (1850-1942)Proof dated in the plate 1907, countersigned.Wetness in the lower left corner...
VENGE-NOUS : CARTE VOEUX ANNEE 1916
BERTON ARMAND ( 1854-1927 )Greeting card signed and annotated by the artist. Edges untrimmed small freckle in the lower margin...
LES PIGEONS
COLLIGNON EUGENE ( ACTIF DEBUT XXE )Print, in the style of Japanese woodblock prints, signed and numbered 3/22. Ca.1930 The Inventory of the French Fund (p.119) quotes an E. Collignon author of a series of nine woodcuts. A few wavy folds in the left margin, two remains of paper glued in the upper corners...
VÖLLEREI OU LA GOURMANDISE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..
HEID OU L'ENVIE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..
WOLLUST OU LA LUXURE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861..
TRAGHEIT OU LA PARESSE
ILLE EDUARD (1823-1900)Woodcut by Allgaier and Siegle after Eduard Ille and his set : Sieben Todsünden ( Seven Capital Sins ) 1861Proof with some weaknesses in the borders...
LES JOUEURS DE POLO
JEANNIOT PIERRE-GEORGES ( 1848-1934 )Good proof with large margins, countersigned...
LE BILLET DOUX
ABLETT WILLIAM ( 1877-1936 )Beautiful and large print signed and annotated artist proof Etching with drypoint on wove paper..
JEUX D'ENFANTS AU JARDIN DU LUXEMBOURG
TRUCHET ABEL (1857-1918 )Large and beautiful lithograph edited by Verneau ca.1895, slight fold in the corner of the lower right margin..
HOTEL DE VILLE, EGLISE ST GERVAIS ET PONT D'ARCOLE
BENOIST PHILIPPE ( 1813- 1905 ?)Notre Dame de Paris, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861Some scattered foxing...
PALAIS DE L'INSTITUT
BENOIST PHILIPPE ( 1813- 1905 ?)Notre Dame de Paris, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861Some marginal soiling in the upper border...
EGLISE DE LA MADELEINE
BENOIST PHILIPPE ( 1813- 1905 ?)LA MADELEINE CHURCH, Western facade of the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..
LA SAINTE CHAPELLE
BENOIST PHILIPPE ( 1813- 1905 ?)From the suite: PARIS DANS SA SPLENDEUR produced under the direction of Henri CHARPENTIER, with the most famous lithographs of the time celebrating the new Paris of Baron HAUSSMANN, 1861..
LA JEUNE FILLE ET LA MORT
GAUCHEREL LEON ( 1816-1886 )Engraving executed for L'Art after Sarah Bernhardt ca. 1880...
MA GRAND' TANTE
ROPS FELICIEN ( 1833-1898 )Framed proof .Exteens : 1100Picture : 140 x 90Sight margins : 170 x 230Frame : 330 x 270..
LA PETITE PLAGE ( YPORT )
JOYAU AMEDEE ( 1872-1913 )Beautiful wood color print bearing the artist's monogram in the plate.The print initially planned at 50 only counts, as was often the case with this artist, only 40 prints in total.Nice impression, uniform yellowing in the margins.State II/IIAtherton-Curtis: 42..
LA BREBIS, LE TANDEM, PROGRAMME DU THEATRE DE L'OEUVRE
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )1895-1896Usual middle fold, small gaps in the lower corners and at the fold...
SANS TITRE
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )Woodcut bearing the artist's red stamp.Large margins proof with some foxing...
LA LEÇON
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )From the set : Obscure advice or forty years of experience1925..
PRINCIPES
HERMANN-PAUL ( HERMANN RENE-GEORGES DIT ) ( 1864-1940 )From the set : Obscure advice or forty years of experience1925..
PROFILS D'ESPAGNOLS
SOMM HENRY ( SOMMIER HENRI-CLEMENT DIT ) (1844-1907)Etching and drypoint at all margins, the edges slightly wavy...
LES CAVALIERS
BARON BALTHAZAR JEAN (1788-1869)Etching on applied china.1854Proof with large margins, slight dusting in the outer borders, two short creases in the corners on the left...
PAYSAGE
BARON BALTHAZAR JEAN (1788-1869)Proof on applied Chinese paper.Freckles in the large margins...
CARTE ADRESSE DE MAURICE LE GARREC OU LES PLOMARC'H
BEAUFRERE ADOLPHE ( 1876-1960 )Nice proofMorane : 19.02..
PORTRAIT DE BALZAC
BELOT GABRIEL ( 1882-1962 )Beautiful engraved wood signed with the portrait of Balzac in state proof with a dispatch, executed for : Le Curé de Tours edited by LE LIVRE, Paris, 1923. Proof with all untrimmed margins, some flexible handling folds..
LE REFUGE DANS LA TEMPETE
BELOT GABRIEL ( 1882-1962 )Very nice woodcut countersigned and numbered 23/40..
LE BENEDICITE
BELOT GABRIEL ( 1882-1962 )Beautiful engraved wood signed in state proof with a sending, Proof with all margins not deburred...
LA FUITE EN EGYPTE
BERGERET PIERRE-NOLASQUE ( 1782-1863 )Good proof with large marginsLe Blanc: 2..
LA COMPLAINTE DE M.BENOIT
BONNARD PIERRE ( 1867-1947 )Print for the cover for the: Repertoire des Pantins. 1898.Roger-Marx 49 -Bouvet 46 -Aitken 111..
HAUT BUISSON
BORREL MARIUS ( FRANCOIS-MARIE DIT ) (1866-1937)Countersigned and numbered proof 8/301904Stamp from the LEOPOLD CHARLES ROBERT HESSÈLE collection (Dresden1856-Avignon 1931), prints and paintings merchant, publisher, Paris. (Lugt: 554)..
LA MORT ET LE BUCHERON
BORREL MARIUS ( FRANCOIS-MARIE DIT ) (1866-1937)Beautiful proof with all untrimmed margins, countersigned and numbered 11/30.1904Copy bearing the collection stamp of Léopold Charles Robert Hessèle (1856-1931), merchant and collector of prints and paintings from the end of the 19th century.Lugt : 554..
AU CLAIR DE LUNE
BOUTET HENRI (1851-1919)Trial proof printed in sanguine .Full-margined proof, slight dusting of the outer edges.Ca.1885..
JENNY
BOUTET HENRI (1851-1919)Proof with full margins, slight dusting of the outer borders, tiny soiling in the upper margin and the tablet, lower right corner bent on printing.Ca.1883..
ETANG DE QUIMERC'H ( FINISTERE )
BERNIER CAMILLE ( 1823-1902 )Proof published in la Gazette des Beaux-Arts..
NOUVEAU-NE AU BONNET
CARRIERE EUGENE ( 1849-1906 )China print applied.Freckles in the big margins.Delteil: 9..
PORTRAIT DE M.CORNELY
CHAHINE EDGAR ( 1874-1947 )Proof signed and bearing a legendTrace at the opening of an old master key, long oblique flexible fold.Tabanelli: 60..
PORTRAIT DE CHARLES KEENE ( GRAVANT )
BRACQUEMOND FELIX ( 1833-1914 )Proof from : l'Artiste, 1891Beraldi : 66..
LE BOIS DE BOULOGNE
BRACQUEMOND FELIX ( 1833-1914 )State V/V1857China print applied.Small trace near the letter.Bouillon : 20..
SANS TITRE
BRANGWYN FRANK ( 1867-1956 )Nice proof on Japanese paper with very wide margins.A few very short pinched creases on the outer edges...
CONSTRUCTION DU NOUVEAU MUSEE DE SOUTH KENSINGTON
BRANGWYN FRANK ( 1867-1956 )Some scattered rednesses...
LES PENITENTES OU PROCESSION EN VALAIS
BILLE EDMOND ( 1878-1959 )Proof at all margins of the Swiss painter and stained glass artist...
LA FEMME DU TISSERAND SAINT JEAN DE MONT
BELTRAND TONY ( 1847-1904 )Nice proof on Japan paper.Minor soiling, slight fold in the upper right corner...
LE TURBAN A L'AIGRETTE
BESNARD ALBERT ( 1845-1934 )Proof with all marginsProof III/III for : Revue de l'Art ancien et moderne1910Delteil: 167..
L'APOTHEOSE
BESNARD ALBERT ( 1845-1934 )De la suite : La femme, plate XII.Proof signed and annotated: drawn at 100Delteil: 58..
FEMME BLONDE A SA TOILETTE
BESNARD ALBERT ( 1845-1934 )Proof with all untrimmed marginsDelteil: 166..
MUSEE CALVET A AVIGNON
BEURDELEY JACQUES ( 1874-1954 )Print signed and numbered from a total print run of 50 copies...
JEUNE FILLE
BLANCHE JACQUES-EMILE ( 1861-1942 )Plate published in the review l'Epreuve.Numbered print on back of composter: 151Fold in the lower right corner.IFF: 8..
LA MARCHANDE DE FLEURS DE PICCADILLY
LABOUREUR JEAN-EMILE (1877-1943)Proof countersigned and numbered 22/47 from the 1929 print, with a copy to Paul Valery.State III / III with the monogram at the bottom left.Very nice proof with large margins, some flexible folds in the bottom margin.Sylvain Laboureur : 345..
DEUX CHATS DORMANT SUR UN COUSSIN
STEINLEN THÉOPHILE ALEXANDRE (1859-1923)Very nice proof at all margins on laid watermarked shores..
PETIT CHAT
STEINLEN THÉOPHILE ALEXANDRE (1859-1923)Crauzat: 27 state not described. Very nice signed impression, tiny lack in the bottom margin...
CROQUIS
CREBASSA PAUL-EDOUARD ( CA.1870-1912 )Print published in the review: l'EpreuveNumbered print with composter on the back.1895Light uniform dusting, a few flexible folds for handling...
LA PANTHERE NOIRE
COLLOT ANDRÉ (1897-1976)Beautiful proof with good margins, small halo in the lower left corner, slight median fold visible on the back.ca.1940..
L'AIGLE
COLLOT ANDRÉ (1897-1976)Nice proof signed lower right.Short margins, cut to the copper limit in the bottom margin..
FANTAISIE
GOENEUTTE NORBERT (1854-1894 )Very nice proof with large margins printed by Cadart.Beraldi: 55I.F.F: 25..
SOIREE D'ETE, LES BAIGNEUSES
HUET PAUL ( 1804-1869 )Proof published in the review of : L'Art Ancien et Moderne1867..
ROCHERS SUR LA ROUTE DE NICE
HUET PAUL ( 1804-1869 )Beraldi: 76China print applied with its large margins...
LE JEU DU CRICKET
NICHOLSON WILLIAM ( 1872 -1949 )From : The Twelve Sports Almanac1898Proof published by the French Society of Art Editions, on the back, the month of July...
LE BARBIER
COUSSENS ARMAND (1881-1935)Proof signed and numbered out of a total edition of 100 copies.Trace at the opening of an old master key, short broken folds...
CHAUMIERES BOURGUIGNONNES
JACQUE CHARLES EMILE ( 1813-1894 )Proof with large margins on applied china. 1866Guiffrey: 212..
LE MATIN DU PREMIER JOUR DE L'AN
JACQUE CHARLES EMILE ( 1813-1894 )Proof with large margins.Guiffrey : 202..
MIROIR
MAURIN CHARLES (1856-1914 )Large margin proof countersigned and numbered 18.Stamp from the LEOPOLD CHARLES ROBERT HESSÈLE collection (Dresden1856-Avignon 1931), merchant of prints and paintings, publisher, established in Paris. Modern prints. Charles Hessèle, first established at 13 rue Laffitte, then at 52 on the same street, and finally 16 rue Balzac, specialized in modern prints by the most recent masters. (Lugt: 554)..
INTERIEUR DE FERME : FEMME EXAMINANT UN POTIRON
HERVIER ADOLPHE ( 1821-1879 )Proof at all margins slight uniform yellowing.Beraldi: 11..
PORTRAIT
HERAIN FRANCOIS DE ( 1877-1962 )Proof signed and numbered 10/250 bearing the red stamp of the A.P.G.1939Good margins on the upper left edge, slightly yellowed and cropped...
NESSOS ET DEJANIRE
ROCHE PIERRE (1855-1922)Beautiful gypsography of the inventor of the process. Marginal nets, old scotch tape in the top margin not reaching the subject, manipulation fold in the upper right corner..
MYRRHA, FILLE DU ROI DE CHYPRE CINYRAS ET MERE D'ADONIS
ROCHE PIERRE (1855-1922)Nice Proof"Pierre Roche is an active and pioneering figure in the revival of graphic arts at the end of the 19th century. Protean artist, sculptor, painter, ceramist, medalist and engraver, he experiments in the field of printmaking original processes which bring all together These functions. Decompartmentalizing the decorative arts, he perfected new techniques such as stamped watercolor, gypsography and gypsotype, or eglomized papers.""In 1892, Pierre Roche, fascinated by the qualities of Japanese paper, began by drawing his prints in relief on hollow plaster; then he colored with a brush each proof. He gave these monotypes the name of stamped watercolors. He then grew. the process a little further and then uses the plaster matrix in the manner of a wood: the plaster is engraved like a light bas-relief and at the same time inked. The moistened paper, compressed by hand, comes to look for on the reliefs of the plaster at the same time the ink and the modeled. We thus obtain an embossed print of a great softness in its grain and its colors. The colored iridescence evokes the ceramic. Obviously the fragility of the plaster prohibits important prints. To remedy to this, the artist replaces the plaster with copper or steel, giving birth to gypsotypies, all marked with the artist's monogram. " in: "Pierre Roche (1855-1922): the third dimension of prints" by Monique Moulène, Department of Prints and Photography...
NOT
KOLLWITZ KATHE ( 1867-1945 )From the set : Ein Weber Aufstand( An uprising of weavers )1893–97Some small gaps in the left border.Knesebeck: 33 / A / III / C..
BATEAU DANS LE PORT DE MARSEILLE
MARQUET ALBERT ( 1875-1947 )From a series of prints for: Eloge de Albert Marquet by Leon Werth.1948..
LA MORT ET LE BUCHERON
LEGROS ALPHONSE (1837-1911)Proof edited in : L'ArtSome freckles in the big margins..
LE PRINTEMS (SIC )
BOILLY LOUIS-LÉOPOLD ( 1761-1845 )Lithography edited by Aubert, in beautiful colors of the time..
ROUTE DE CASTELLAMARE
NITTIS GIUSEPPE DE ( 1846-1884 )Proof published in : La gazette des Beaux-Arts..
LA BALANCOIRE
RANFT RICHARD (1862-1931 )Good print with large margins, slight dusting in the bottom margin..
PORTRAIT D'HOMME
RANFT RICHARD (1862-1931 )Countersigned and annotated artist's proof. On the back is the stamp of the HENRI MARIE PETIET collection (1894-1980), publisher, bookseller and merchant of prints and drawings, Paris. (Lugt: 5031)1901Tiny scattered foxing...
LE DEPART POUR LA CHASSE
TAQUOY MAURICE ( 1878-1952 )Countersigned proof dated 1904.Slight yellowing at the opening of an old matboard, small soiling in the right margin...
ETUDE DE FEMME
STREMEL MAX ARTHUR (1859-1928)Countersigned lithograph dated 1888 by this painter draftsman and engraver who belonged to the secessionist movement in Berlin.Scattered freckles, several folds of manipulation...
LE VIEUX MOULIN A LOGUIVY
RIVIERE HENRI (1864-1951)From the set: Le beau pays de Bretagne, Plate n° 13Lithograph on vellum, countersigned and numbered 83 in blue pencilVery nice proofFields : 79..
LE BOIS, L'HIVER
RIVIERE HENRI (1864-1951)Beautiful and large lithograph from the suite: Les Aspects de la nature (n ° 8). Proof on glossy vellum with good margins, bearing in the plate the red stamps of the artist and green of the publisher Eugène Verneau, as well as his dry stamp in the bottom margin, and countersigned in red pencil. 1898Trace of handling folds in the top margin, four short tears in the margins, one of which reaches 3 mm from the border line at the top right. Fields: p.76 n ° 9 Sueur Hermel: p.138, n ° 118..
LOGUIVY LE SOIR
RIVIERE HENRI (1864-1951)Superb proof at all margins of the series: Le Beau Pays de Bretagne (plate n ° 7) Proof bearing the red stamp of the artist signed in the stone and countersigned and numbered in blue by the artist. 1904 References: Toudouze p.64; Fossier No. 57; Gamet p.28-29..
LE HAMEAU
RIVIERE HENRI (1864-1951)Pl. 15 of Aspects of Nature. 1899. Fields p. 76. Nice proof with good margins on ivory glossy wove paper. Small lack in the bottom margin, short tear and small brown spot in the right margin...
ARRIVEE DE BATEAUX A TREBOUL
RIVIERE HENRI (1864-1951)From the set: Le beau pays de BretagneLithograph on vellum, countersigned and numbered 39 in red pencilVery nice proofFields : 79Planche n° 9..
LE PALAIS DE L'INSTITUT ET NOTRE DAME
RIVIERE HENRI (1864-1951)From the set : Paysages parisiens, printed by Eugene Verneau, 1900. Color printing. Very beautiful and fresh proof on glossy vellum. Fields p. 77, n° 3..
LAVOIR A TREBOUL
RIVIERE HENRI (1864-1951)From the set: Le beau pays de Bretagne, Plate n° 12Lithograph on vellum, countersigned and numbered 19 in blue pencilVery nice proofFields : 97..
LA LECTURE MEDITEE
ROBBE MANUEL (1872-1936)Perfect and very clean print with all margins signed and numbered 1 out of a total print run of 40 copies...
AVRIL
ROBBE MANUEL (1872-1936)Nice proof with all margins signed on laid paper. Some folds of ripples in the outer borders at the top and bottom...
EGLISE D'HEBUTERNE
VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 )Proof countersigned with a dedication of the artist 1932 Ginestet and Pouillon: 363...
YVONNE BON ET MADELEINE DUCHAMP
VILLON JACQUES ( DUCHAMP GASTON EMILE DIT ) ( 1875-1963 )Yvonne Bon, known as La Grande Yvonne was the sister of artist Jacques Bon and the wife of his brother Raymond Duchamp-Villon. She was one of her husband's favorite models but also posed for him as well as for Marcel Duchamp. Address card Sagot, Paris 1904 Ginestet and Pouillon: 112...
MEVISTO
IBELS HENRI GABRIEL ( 1867-1936 )Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
PAN
SATTLER JOSEF KASPAR (1867-1931)Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
SOBORG
FISCHER PAUL (1860-1934)Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
TOPICUV SALON
OLIVA VIKTOR (1861-1928)Lithograph edited by Les Maîtres de l'Affiche in the Imprimerie Chaix, part of this eponymous portfolio which represented reproductions of the most beautiful illustrated posters of the great artists of the time. 1897..
LE PETIT PONT
MERYON CHARLES (1821-1868)Plate published in the issue of December 5, 1858 from "L'Artist" with the title at the bottom center and the printer at the bottom right From the Quai de la Tournelle, the small bridge, then the buildings of the Quai du Marché-Neuf, topped by the towers of Notre-Dame.Schneiderman 20 Delteil-Wright 24..
SAINT SYMPHORIEN
WISME OLIVIER BARON DE ( 1814-1887 )Proof on chine applied, annotated: 2nd state drawn 8. All the board reworked and plucked. 1862...
JEUNE MODISTE
MALO-RENAULT ( RENAULT DIT ) EMILE AUGUSTE (1870-1938)Very beautiful color print with large margins, signed, bearing the dry stamp of the Circle of the Bookstore and the Print..
EGHAM LOCK OU L'ECLUSE D'EGHAM
SEYMOUR HADEN FRANCIS ( 1818-1910 )Proof for : la Gazette des Beaux-Arts.1864Schneiderman : 21..
DIABLERIES 2
LE POITEVIN EUGENE ( 1806-1870 )"Quite different is Eugène Le Poitevin, the marine painter, who popularized a very different genre but whose impact was no less great. Proceeding directly from the Mephistopheles of Faust and the bizarre tendencies of the romantic school, the devils of this artist came to throw a picturesque note (...). The Devils, Little Devils, Devilish Oddities, More Devils; It was under these titles that the brown-covered albums of Le Poitevin spread everywhere that Bayalos soon imitated with his Devils and Michel Delaporte with his Diabolical-phantasmagorical Recreations. White devils and black devils followed by red devils and green devils. The devil slipped everywhere, committing a thousand incongruities (...) always having at his service an incalculable number of small imps running erroneously and through the leaves."Scattered redness, spots, tiny and short tear in the lower margin..
LE PETIT NEMROD
TISSOT JAMES ( JACQUES-JOSEPH DIT ) (1836-1902)Superb test in the black way on China applied, large margins, soft folds of manipulation in the left margin..
LES JOCKEYS
BIAIS MAURICE (1872-1926)Beautiful proof on vellum edited by Sagot, Paris. Ca.1910 Middle fold, registration marks, hole punches in the upper margin, folds lower margins..
PORTRAIT DE FELIX BRACQUEMOND
RAJON PAUL (1842/43-1888)Proof published in: L'ArtBeraldi: 147Large margins proof three tiny tears at the edge..
PORTRAIT DE LOUIS GALLAIT
BAUGNIET CHARLES ( 1814-1886 )Louis Gallait was born in 1810 in Tournai and died in1887 in Schaerbeek Strongly influenced by Pierre Paul Rubens, José de Ribera, Bartolomé Esteban Murillo, Gallait created a school of historical painting, which was particularly attached to the truth of the local color and to the dramatic interest of the scenes, thus establishing his fame as a painter of history, portraits and genre not only in Belgium but also throughout Europe.ca.1838..
PORTRAIT DE J.BEAUME
BAUGNIET CHARLES ( 1814-1886 )Joseph Beaume, was born in Marseille in 1796 and died in Paris in 1885. He trained at the school of Gros, and started at the Salon of 1819. He established his notoriety in genre painting and history, sometimes performing scenes familiar to individuals, sometimes battles for the state as well as religious subjects for churches. 1839..
FEUILLE DE DOUZE MEDAILLES ANTIQUES
DELACROIX EUGÈNE (1798-1863)State IV/IV after deletion of the date 1825.Nice proof, slight dusting of the outer edges.Delteil : 47..
FEUILLE DE MEDAILLES ANTIQUES
DELACROIX EUGÈNE (1798-1863)Proof on chine applied from the print for: the ArtistState III/IVGood margins, foxing, mostly marginal, some soft creases from handling in the outer edges.Delteil: 441825..
MULETIERS DE TETUAN
DELACROIX EUGÈNE (1798-1863)Pen lithography.Posthumous print made for the Gazette des Beaux-Arts, at the address of Bertauts.State III / IVDelteil, Strauber 96Usual middle fold on the tab, small fold in the upper right corner...
FAUST ET MEPHISTOPHELES DANS LES MONTAGNES DU HARTZ
DELACROIX EUGÈNE (1798-1863)Large margins lithography, uniform foxing From the following: "Faust" by Goethe 1828 Delteil: 71, State IV / VII..
PASTILLES PONCELET
CHERET JULES (1836-1932)Imprimerie Chaix, pretty poster at all marginsUnlined some folds...
HOW VAIN ARE ALL YOUR TRIUMPHS PAST
ROWLANDSON THOMAS ( 1756-1827 )The dance of death: the death blow. 1816.Rowlandson's "The English dance of death" was a cooperative venture. Apart from himself, who produced the drawings between 1814 and 1816, William Combe and Rudolph Ackermann were important participants in this production. William Combe wrote two volumes of verses which were intended to facilitate the understanding of the images. Nevertheless, the two lines of text that appear below the images are thought to have been composed by Rowlandson himself. Rudolph Ackermann, who had a print shop in the Strand, promoted and published the prints after Rowlandson's designs. Halo in the sky, a few points of foxing, cut at the edge of the copper, traces of an old adhesive in the top margin...
LA CITÉ LOINTAINE
BRESDIN RODOLPHE (1822-1885)Large margin test on China applied slightly yellowed..
LA CHATELAINE
DOUDELET CHARLES ( 1861-1938 )Proof for : L'Estampe Moderne, bearing the dry stamp of the publication.1897Two short tears, in the top and bottom margin...
CHEVAL DE MECKLEMBOURG
GERICAULT THEODORE (1791–1824)Lithography of the suite: Study of lithographed horses (Delteil: 46 to 57) State II / IV with the letter but before the number and the erasure of the name Engelmann. 1822 Delteil: 47..
CHEVAUX D'AUVERGNE
GERICAULT THEODORE (1791–1824)From the following: Study of lithographed horses. Rare proof in perfect condition with the letter and before the stone break on the left. Delteil: 48..
DEUX CHEVAUX GRIS POMMELE QUE L'ON PROMENE
GERICAULT THEODORE (1791–1824)Beautiful and large lithograph executed with two hands by Gericault and Cogniet.Variation of another piece by Gericault (cf. Delteil: 35).State II/II after removal of Villain's address at the bottom right.1822Delteil: 83Some scattered marginal foxing, two tiny tears in the upper border...
CHEVEAUX (SIC ) DE FERME
GERICAULT THEODORE (1791–1824)Lithograph of the suite: Five lithographs, four various subjects (Delteil: 73 to 77) State II / IV, rare, with the address of Mme Hulin but before the name of Engelmann was erased. 1823 Delteil: 73..
CHEVAL CAUCHOIS
GERICAULT THEODORE (1791–1824)Light dusting, tiny tear in the top margin, fold in the lower right corner..
MAZEPPA
GERICAULT THEODORE (1791–1824)In collaboration with Lami. Lithograph from a set of six plates for the works of Byron, four of which are by Gericault and Lami. State II / III with the capital C. Delteil: 94 Proof on chine appliqué, scattered rednesses, short tear in the bottom margin, an oblique fold in the upper right margin and two oblique folds in the lower right corner...
SUITE DE SIX POINTES SECHES
LOEVY LADISLAS ( ACTIF ENTRE 1889 ET 1921 )Complete suite of six plates in its original folder, plus the title page. Yellowed shirt, one corner missing, small tear at the bottom. Among the six engravings, one takes up the title page, proofs at all margins, yellowing on the borders. Shirt 325 x 225 Copper from 175 to 235 x 125 to 180 Sheets: 300 x 220..
RETOUR DE SYRIE
VERNET HORACE ( 1789-1863 )Proof printed by Delpech 1823 Some scattered brown spots, large margins...
STUDIE ZUM PROMETHEUS
KLINGER MAX (1857-1920)Rotogravure after a drawing by Klinger, executed for the magazine : Pan1896..
ROSES D'ANTAN
PISSARRO LUCIEN ( 1863-1944 )Proof without the text accompanying the edition print that appeared in: L'Image 1896 Proof with all margins, small gaps in the upper corners, two brown spots in the large margins (remains of old adhesive? )..
MADAME X ET LES FILLES
LEGRAND LOUIS (1863-1951)Slight yellowing at the opening of an old pass everywhere.Proof bearing the red stamp of the publisher.Watermark Pellet and Legrand...
A L OMBRE
LEGRAND LOUIS (1863-1951)Proof with all margins not deburred bearing the red stamp of the artist and numbered 45/50..
3 EME ACTE SCENE 8
LEGRAND LOUIS (1863-1951)Or : 4e Tableau de je ne sais quoi. From the set : Les Petites du Ballet. G. Pellet éd., Paris. 1893Very nice proof signed with large margin on wove paper...
PETITE MARCHEUSE
LEGRAND LOUIS (1863-1951)Very beautiful and fresh proof countersigned and numbered 82/100, three short tears in large margins..
DEUX ELEVES DE MADAME S
LEGRAND LOUIS (1863-1951)From the set: The small class edited by Pellet in 1908.Proof with large margins on wove paper, signed and numbered out of a total print of 100...
MATERNITE
COSWAY MARIA ( 1759/60-1838 )After Richard CoswayCa.1800Shorter margins on three sides, a point of freckle in the top margin, yellow ink line on the back slightly visible.Maria Cosway, born June 11, 1760 in Florence and died January 5, 1838 in Lodi, is an Italian-British painter and printmaker. She exhibited at the Royal Academy in London. In 1781, Maria Hadfield married Richard Cosway, a known miniaturist. Together, they work and bring together a famous art collection, La collezione Maria e Richard Cosway. In 1812, Maria Cosway founded a college for English girls in Florence; in 1830 it became the Istituto delle Dame inglesi. She then set up her institution in northern Italy, in Lodi...
LA JEUNE LOCRIENNE, CHAPEAU DE CAMILLE ROGER
HUGO VALENTINE ( 1887-1968 )Proof for : La Gazette du Bon Ton1922Minimal dirt and light dusting of the outer edges...
LE RETOUR
DE FEURE GEORGES (1868 - 1943 )Original lithograph, executed by Georges de Feure for L'Estampe Moderne, series number 2 published in May 1897.Printing press Champenois for CH. Masson & H. Piazza.One of 50 deluxe proofs printed on Chine with large margins, artist's signature on the plate, publisher's stamp lower right.Slight trace in the left border mainly along the mark of the lithographic stone...
LE GALANT
NINON MAX ( ACCORNERO DE TESTA VITTORIO DIT ) (1896-1982)Art deco stencil with silver highlights on the border.Large margin proof...
VUE GENERALE DES RUINES DU CHATEAU ET DU VILLAGE DE SAINT NECTAIRE
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 37..
RUINES DU CHATEAU DE BOUZOLS PRES DU PUY EN VELAY
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis..
CROQUIS PAR DIVERS ARTISTES
ISABEY EUGÈNE (1804-1886)Nice test, tiny point of rust essentially in the margins. From a series of: Sketches by various Artists..
DONJON DE POLIGNAC
ISABEY EUGÈNE (1804-1886)Next: Picturesque and romantic journeys in ancient France: Auvergne du Baron Taylor, Paris, 1829-33.Proof with large margins, mainly marginal foxing.Atherton Curtis: 41..
LA MORT ET LE BUCHERON
HEDOUIN EDMOND ( 1820-1889 )After MilletProof for : la Gazette des Beaux-arts1860..
NYMPHES AU BAIN
ROUSSEL KER-XAVIER ( ROUSSEL FRANCOIS XAVIER DIT ) (1867-1944)Red chalk print with wide margins.Proof signed in copper...
DEUX SOURIS
GAUTIER MARIE (1867-1960)Etching and aquatint, signed and numbered from a small edition of 10 proofs and bearing the artist's red stamp.Marie Gautier, daughter of the painter Amand Gautier, follows the painting classes open to women led by Alfred Stevens. Admitted to the Beaux-arts de Paris, she attended the class of Puvis de Chavannes. Towards the end of the 1880s, she was a devotee of Japanese Art, the shop of merchant Siegfried Bing. His interest in Japonism becomes manifest through the production of drawings and color etchings...
VERITE
FANTIN LATOUR HENRI (1836-1904)Print for the review of : L'Art Ancien et Moderne1900Hediard: 156..
TRISTAN ET ISEULT, ACTE II : SIGNAL DANS LA NUIT
FANTIN LATOUR HENRI (1836-1904)From the suite executed for: Richard Wagner his life and his works of Adolphe Julien (Hédiard 61 to 74). Perfect test with large margins...
ARIANE
FANTIN LATOUR HENRI (1836-1904)Lithography for the publication : Gazette des Beaux Arts. 1901Hediard : 154..
LE CRÉPUSCULE DES DIEUX
FANTIN LATOUR HENRI (1836-1904)From the suite performed for: Richard Wagner his life and his works of Adolphe Julien...
VISION
FANTIN LATOUR HENRI (1836-1904)Lithography of a print run of 125 prints, with white margins and before the publication for the: Gazette des Beaux Arts. Before 1895 Hediard: 122..
RÉVEIL
FANTIN LATOUR HENRI (1836-1904)From the suite executed for: Richard Wagner his life and his works of Adolphe Julien (Hédiard 61 to 74)...
LE COQ
ISAAC PROSPER ALPHONSE ( 1858-1924 )Very fine proof printed in colors in the Japanese style, cut to the framing line.Covered with the artist's red stamp (Lugt: 4990) and the levogyre or senestrogyre svatiska . "This mark, which he borrows from Hokusaï and Totoya Hokkeï (1780-1850), accentuates the link with Japanese art and seems to mean "engraved and printed according to Japanese processes". the two Japanese artists produced"."The animals, presented on large prints, are an opportunity for Isaac to put into practice the lessons of Hokusai's Manga, and especially Masayoshi's Method of Drawing Animals and Birds (1764-1824), Japanese artist, master of Hokusaï, particularly appreciated by Isaac. He presented them in close-up and thus produced "portraits of birds", in particular the rooster, a great source of inspiration."(in Émilie Vabre, "Prosper-Alphonse Isaac (1858-1924)", Nouvelles de l'estampe, 237 | 2011)Ca.1910Inventaire du Fonds Français : 19..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
COUPLE
MAILLOL ARISTIDE (1861-1944)Proof with full margins on Maillol-Gonin watermarked paper.Slight yellowing in the outer borders, some creases in the right outer border, tiny ink stains...
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
LES GEORGIQUES
MAILLOL ARISTIDE (1861-1944)One of Aristide Maillol's original woodblockcuts, produced by the artist between 1937 and 1943 for Les Géorgiques de VIRGILEPublished by Philippe Gonin, Paris1950..
GEWITTERSTIMMUNG
FISCHER OTTO ( 1870-1947 )Stormy weatherProof for: Revue Pan1896All margins not trimmed, scattered marginal foxing...
LE ROUET
MARIE GUSTAVE ( ACTIF CA.1900 )Nice proof countersigned and numbered 2/29.Fold in the upper left corner and restored corner...
GRAND VASE DECORATIF EN METAL MARTELE
BUHOT FELIX (1847-1898)State V / V, published in the Gazette des Beaux-Arts. Bourcard-Goodfriend: 23 Dustiness in the outer borders, small halo in the right margin...
MATINÉE D'HIVER AU QUAI DE L'HOTEL DIEU
BUHOT FELIX (1847-1898)Bourcard and Goodfriend: 123 State IV / XV before additions and different jobs and before deleting the number and the signature. Beautiful impression on China applied, tiny foxing essentially marginal...
L'ENTREE DE LANDEMER ( LA HAGUE )
BUHOT FELIX (1847-1898)Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 57..
LES ÂNES DU MIDI LUCHON
BUHOT FELIX (1847-1898)Nice proof big margins, light foxing on the edges of the sheet.State I/II..
LA CACOLETIERE ASSISE
BUHOT FELIX (1847-1898)Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 58..
LES ANES DE SAINT MEDARD
BUHOT FELIX (1847-1898)Nice print at all margins, light dusting in the borders Bourcard and Goodfriend: 38 bis..
AIGUIERE EN CRISTAL DE ROCHE
BUHOT FELIX (1847-1898)State III/IV, published in la Gazette des Beaux-Arts.Fold in the lower right corner.Bourcard-Goodfriend : 21..
L'ANE ET LA VIEILLE
BUHOT FELIX (1847-1898)Beautiful proof with large margins, slight folds in the sheet at the bottom border. Bourcard and Goodfriend: 59..
AU MOULIN DABIN
LE MEILLEUR GEORGES ( 1861-1945 )At the Dabin mill in Fonte-Laye 1922Proof countersigned in penciland numbered 1 /154 copiesPublished for the Imagier de la Engraving sur Originale (3rd year) and bearing the blind stamp of the publisher (Lugt 1140a).Nice test..
ALDERNEY STREET OU UNE RUE À LONDRES
MC NEILL WHISTLER JAMES ABBOTT ( 1834 - 1903 )Print edition of the Gazette des Beaux Arts, soft folds of manipulation in the bottom margin...
DISPARATE CLARO
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print No. 15 from the set : Disparates (Foolishness or extravagance)..
ASTA SU ABUELO
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Plate n ° 39 of the suite: Los Caprichos (Delteil 38 to 117) Draw on vellum after beveling copper probably around 1856 Very nice and clean proof,little pinhole in the lower margin Reference: Delteil # 76 and Harris # 74..
BOBABILICON
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print No. 4 from the set : Disparates (Foolishness or extravagance)..
TROIS MAJOS ET TROIS MAJAS DANSANT
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print No.12 from the set : Disparates (Foolishness or extravagance)..
TAUROMACHIE
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Plate n ° 12 from: Bullfighting or:The populace cutting the hocks of a bull with spears, half-moons, banderillas and other weapons.V / V state after beveling.4th Loizelet print from 1876?(before printing on laid paper with MBM watermark)Proof with nice margins, rust tips in the left border...
LOS ENSACADOS
GOYA Y LUCIENTES FRANCISCO JOSE DE ( 1746 - 1828 )Print n ° 8 from the set : Disparates (Foolishness or extravagance)..
PAUVRE JEUNE HOMME
DAUMIER HONORÉ (1808-1879)From the following: Sentiments (sic) and passions. Lithograph on white. Tiny tears and slight yellowing on the outer edges. Delteil: 799..