CERFS INDOCHINOIS
HECHT JOSEPH (1891-1951)One of four prints on china paper.Print signed and numbered 1/4.Several print folds visible mainly in the outer borders, small lack in the lower left corner, some tiny foxing in the margins and at the copper limit.Tonneau-Ryckelynck et Plumart : 370..
ETUDE DE TIGRE
BARYE ANTOINE-LOUIS ( 1796-1875 )State I / III with the letter and the address of Delaunois Proof from : l' Artiste, 1832Delteil : 2Old reinforced tear in the upper right margin, remains of old montages on the back...
LES PIGEONS
COLLIGNON EUGENE ( ACTIF DEBUT XXE )Print, in the style of Japanese woodblock prints, signed and numbered 3/22. Ca.1930 The Inventory of the French Fund (p.119) quotes an E. Collignon author of a series of nine woodcuts. A few wavy folds in the left margin, two remains of paper glued in the upper corners...
OISEAUX, PLANCHE III
LE ROY HENRY (1579-1651)Plate from a set of six at the adress of Herman Weyen ( 1643 et 1680 ) engraver and editor in Paris.these patterns are elements of an engraved set by par Nicolaes de Bruyn ( Volatilium Varii Generis)Good proof, some creases and stains mainly in large margins. Guilmard: p.38 and Berlin K.O.S : 4380..
OISEAU SUR UNE BRANCHE
ANONYME XIXèWatercolor with a handwritten numbering at the top left.XIXth...
OISEAU SUR UNE BRANCHE
ANONYME XIXèWatercolor with a handwritten numbering at the top left.XIXth.Two small traces at the bottom...
PLANCHE DE POISSONS
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold..
PLANCHE DE CORAUX
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold..
HERISSON ET AUTRUCHE
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold, some halos in the upper margin...
SERPENT
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Fold in the lower right corner..
SERPENTS
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold..
PLANCHE DE CORAUX
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold..
SERPENT
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné...
PLANCHE DE POISSONS
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold..
PLANCHE DE CORAUX
SEBA ALBERTUS (1665-1736)Plate from the work published between 1734-1765 : Locupletissimi rerum naturalium thesauri accurata descriptio et iconibus artificiosissimis expressis per universam physices historiam, opus ... ex toto terrarum orbe collegit, digessit, descripsit et depingendum curavit Albertus Seba ... Albertus Seba is a Dutch zoologist and pharmacist, famous for his cabinet of curiosities. The income from his pharmacy provided him with a solid fortune, which he devoted to natural history, buying specimens from the New World and from distant lands. He sold his first collection to Tsar Peter I the Great in 1717 (which formed the embryo of the future museum of Saint Petersburg). The Seba Thesaurus is a splendid publication, on the border between art and science. The animals are represented in artistic poses and the shells form decorative patterns. These prints represent a summit in the art of naturalistic illustration. They will often be used by other authors after him, notably Linné.Large print with good margins, usual middle fold..
ORNEMENT, FLEURS ET LIBELLULE
SADELER JOHANNES ( 1550-1600 )Plate from a series of ornaments of flowers, insects and various animals. Edited by Sadeler. Beautiful print, two small galleries of restored verses in the margins...
LES MOUTONS
CHADWICK-LOWSTADT EMMA ( 1855-1932 )Beautiful proof countersigned with all margins not trimmed.Tiny scattered foxing...
IIIME LIVRE D'ETUDE D'ANIMAUX
DEMARTEAU GILLES (1729?-1776)After J.B HuetScattered freckles, small tear in the left margin repaired...
LES GRANDS LAPINS
LABOUREUR JEAN-EMILE (1877-1943)Superb proof with all the margins of the unique state, slight crease in the lower left corner.Copy countersigned in blue pencil and numbered 3 in the lower left corner.1900Only around twenty proofs in total were printed, only 6 of which were on yellow paper.S. Laboureur: 604..
L'AIGLE
COLLOT ANDRÉ (1897-1976)Nice proof signed lower right.Short margins, cut to the copper limit in the bottom margin..
JOSEPHI BOS ET RHINOCEROS
FÜSSLI JOHANN MELCHIOR (1677-1736)Print from: PHYSICA SACRASacred Physics, or Natural History of the Bibleby: Johann Andreas Pfeffel (1674-1748), Johann Jacob Scheuchzer (1672-1733)Published in Augsburg and Ulm 1731-1735This impressive work is a scientific and theological work where the admirable attempt to reconcile the biblical writings with the new sciences. The prints by J.M. Fussli with borders by J.D.Preissler, illustrate biblical scenes accompanied by baroque borders thus mixing natural history and scientific subjects, astronomical discoveries, architectural illustrations, true or fantasy compilation of fauna and flora .....
LE RHINOCEROS
TRAVIES EDOUARD (1809-c.1869)From the set : 'Types du regne animal; Buffon en estampes'ca.1860Small lack in the upper left corner...
PAPILLONS
ERNST JEAN-JACQUES D'APRES ( ACTIF 2NDE MOITIE DU XVIIIE )Print from : Papillons d'Europe, peints d'après nature par Jacques-Louis-Florentin ENGRAMELLE, Jean-Jacques ERNST . Paris P. M. Delaguette, Basan & Poignant 1779-1792...
PAPILLONS
ERNST JEAN-JACQUES D'APRES ( ACTIF 2NDE MOITIE DU XVIIIE )Print from : Papillons d'Europe, peints d'après nature par Jacques-Louis-Florentin ENGRAMELLE, Jean-Jacques ERNST . Paris P. M. Delaguette, Basan & Poignant 1779-1792...
AEGIALOPHILUS CANTIANUS
GOULD JOHN ( 1804-1881 )De la suite: The birds of Europe 1837 Gould made the original sketches and asked many artists to produce the lithographs : Elizabeth Coxen Gould, Edward Lear, Joseph Wolf, William Hart and HC Richter. Three short marginal tears, slight yellowing...
CHEVAL SAUVAGE
DELACROIX EUGÈNE (1798-1863)Also called Frightened Horse coming out of the water.State II / II edited by L' Artiste, with the letter and at Bertauts address.Beautiful proof on applied chine, a pinhole in the sky, a few handling creases and scattered foxing.Delteil : 78..
JEUNE TIGRE JOUANT AVEC SA MERE
DELACROIX EUGÈNE (1798-1863)State I/VI of the print on vellum paper for the ArtistProof cut 2mm beyond the subject and mounted on an old vellum album sheet.Delteil, Strauber: 911831..
ELEPHANTS ET CHAMEAUX
SOLVYNS FRANS BALTHAZAR ( 1760-1824 )From the continuation: The Hindus Illustrating the texts of Georg Bernhard Depping, Frans Balthazar Solvyns 1808-1812 Usual median fold, proof at all margins..
LES DEUX COQS ET LES DEUX POULES
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 60/100 lower left. Print framed. Ca.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 300 x 460With frame : 490 x 650..
MESANGES HUPPEES
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 29/100 lower left. Print framed. Ca.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 300 x 460With frame : 490 x 650..
COQ ET POULES, NOIRE ET ROUSSE
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 96 lower left. Framed proof, small losses in the cornersCa.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 475 x 315With frame : : 500 x 340..
COQ ET POULES, NOIRE ET BLANCHE
MANZANA-PISSARRO GEORGES ( 1871-1961)Stencil in colors and in gilt bronze and silver ink. Very nice proof on beige textured vellum, signed and numbered 27/100 lower left. Framed proof, small losses in the cornersCa.1920 Georges is the third son of the painter Camille Pissarro who was his first teacher. Manzana-Pissarro is influenced by Japanese prints as much as the Tahitian and Martinican scenes of Gauguin and develops a penchant for Orientalism which results in the use of gold, silver and copper paint which he enhances his watercolors of fish and birds. Also interested in Applied Arts, he studied the English Arts movement in London.Print : 465 x 295With frame : : 495 x 325..
ETUDE DE CHATONS
RENOUARD PAUL ( 1845-1924 )Proof with wide margins, signed with the artist's monogram.Slight yellowing of the outer edges...
LE COQ
ISAAC PROSPER ALPHONSE ( 1858-1924 )Very fine proof printed in colors in the Japanese style, cut to the framing line.Covered with the artist's red stamp (Lugt: 4990) and the levogyre or senestrogyre svatiska . "This mark, which he borrows from Hokusaï and Totoya Hokkeï (1780-1850), accentuates the link with Japanese art and seems to mean "engraved and printed according to Japanese processes". the two Japanese artists produced"."The animals, presented on large prints, are an opportunity for Isaac to put into practice the lessons of Hokusai's Manga, and especially Masayoshi's Method of Drawing Animals and Birds (1764-1824), Japanese artist, master of Hokusaï, particularly appreciated by Isaac. He presented them in close-up and thus produced "portraits of birds", in particular the rooster, a great source of inspiration."(in Émilie Vabre, "Prosper-Alphonse Isaac (1858-1924)", Nouvelles de l'estampe, 237 | 2011)Ca.1910Inventaire du Fonds Français : 19..
L'ANE ET LA VIEILLE
BUHOT FELIX (1847-1898)Beautiful proof with large margins, slight folds in the sheet at the bottom border. Bourcard and Goodfriend: 59..
LA CACOLETIERE ASSISE
BUHOT FELIX (1847-1898)Beautiful proof with large margins.State II/IIBourcard and Goodfriend: 58..
LES ÂNES DU MIDI LUCHON
BUHOT FELIX (1847-1898)Nice proof big margins, light foxing on the edges of the sheet.State I/II..
CHASSE A LA PANTHERE
COLLAERT JAN II ( 1561-1628 )From the set : Venationes Ferarum drawn by Jan van der Straet (1523 - 1605)Nice print with large margins, four brown marks in the corners.The success of the famous Huntings tapestry designed by Stradanus for Cosimo de Medici encouraged the Flemish artist to project a series of engravings inspired by the tapestries. After three series of six hunts published by Hieronymus Cock in 1570 then by his widow in 1574 and 1576, Stradanus began a long and fruitful collaboration with the publisher Philips Galle. He executed a large number of drawings for him which gave rise to the publication of two new series: the first, comprising a title page followed by forty-three slides, was published between 1578 and 1580; the second, published around 1596, added sixty-one hunts and a new frontispiece bearing the still famous title of Venationes Ferarum, Avium, Piscium.For exotic or fabulous hunts, which were only added to the initial repertoire of hunts during the editions of Philips Galle from 1578, the artist draws on Pliny's 'Natural History', in particular chapter VIII devoted to land animals. . Stradanus combines observation from nature and borrowing from other artists, particularly for species not visible in the menageries of Florence. (O. Savatier, 2013).Bibliography:F. Lugt, 'Inventaire Général des dessins des Ecoles du Nord, Supplément, Maîtres des Anciens Pays Bas nés avant 1550, Musée du Louvre, Cabinet des Dessins', Frits Lugt, Paris 1968, p. 121W. Bok van Kammen, 'Stradanus and the Hunt, M.A. thesis, John Hopkins University, 1977A. Baroni Vannucci, 'Jan van der Straet detto Giovanni Stradano flandrus pictor et inventor', Milan, Jandi Sapi editori, 1997, sous n°575, p.313 (avec bibliographie antérieure)O. Savatier in 'Un Allemand à la cour de Louis XIV. De Dürer à Van Dyck, la collection nordique d'Everhard Jabach', Paris, musée du Louvre, 2013, n° 27A. Baroni in 'Giovanni Stradano. Le più strane e belle invenzioni del mondo', cat. exp. Florence, Museo di Palazzo Vecchio, 17 novembre 2023 - 18 février 2024, Firenze, Leonardo Libri, 2023..
LA CHUTE PENDANT LA CHASSE
COLLAERT JAN II ( 1561-1628 )From the set : Venationes Ferarum drawn by Jan van der Straet (1523 - 1605)Nice print with large margins, slight uniform yellowing, median fold.The success of the famous Huntings tapestry designed by Stradanus for Cosimo de Medici encouraged the Flemish artist to project a series of engravings inspired by the tapestries. After three series of six hunts published by Hieronymus Cock in 1570 then by his widow in 1574 and 1576, Stradanus began a long and fruitful collaboration with the publisher Philips Galle. He executed a large number of drawings for him which gave rise to the publication of two new series: the first, comprising a title page followed by forty-three slides, was published between 1578 and 1580; the second, published around 1596, added sixty-one hunts and a new frontispiece bearing the still famous title of Venationes Ferarum, Avium, Piscium.For exotic or fabulous hunts, which were only added to the initial repertoire of hunts during the editions of Philips Galle from 1578, the artist draws on Pliny's 'Natural History', in particular chapter VIII devoted to land animals. . Stradanus combines observation from nature and borrowing from other artists, particularly for species not visible in the menageries of Florence. (O. Savatier, 2013).Bibliography:F. Lugt, 'Inventaire Général des dessins des Ecoles du Nord, Supplément, Maîtres des Anciens Pays Bas nés avant 1550, Musée du Louvre, Cabinet des Dessins', Frits Lugt, Paris 1968, p. 121W. Bok van Kammen, 'Stradanus and the Hunt, M.A. thesis, John Hopkins University, 1977A. Baroni Vannucci, 'Jan van der Straet detto Giovanni Stradano flandrus pictor et inventor', Milan, Jandi Sapi editori, 1997, sous n°575, p.313 (avec bibliographie antérieure)O. Savatier in 'Un Allemand à la cour de Louis XIV. De Dürer à Van Dyck, la collection nordique d'Everhard Jabach', Paris, musée du Louvre, 2013, n° 27A. Baroni in 'Giovanni Stradano. Le più strane e belle invenzioni del mondo', cat. exp. Florence, Museo di Palazzo Vecchio, 17 novembre 2023 - 18 février 2024, Firenze, Leonardo Libri, 2023..
LA PETITE CHOUETTE
BUFFET BERNARD ( 1928 - 1999 )Lithograph on Acropolis Vellum PaperSignature printed in the platePrinted in the Atelier Mourlot1967Mourlot: 110..
LES OISEAUX
BUFFET BERNARD ( 1928 - 1999 )Lithograph on Acropolis Vellum PaperSignature printed in the platePrinted in the Atelier Mourlot1967Mourlot: 104..
FAISAN
HOKKEI TOTOYA (1780–1850)Surimono from the series of thirty-six creatures (Sanjûrokkin Tsuzuki), Shikishiban, Nishiki-e ca.1890...
COUCOU TACHETE DE LA CHINE
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of BuffonSitwell p. 83, Nissen 158, Wood p. 262, Brunet p.1376, Ebert 313..
VANNEAU ARME, DE LA LOUISIANE
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of BuffonSitwell p. 83, Nissen 158, Wood p. 262, Brunet p.1376, Ebert 313Wetting in the right margin.Pinholes along the left border...
LA GELINOTTE FEMELLE
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of Buffon..
PROMEROPS
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of BuffonSitwell p. 83, Nissen 158, Wood p. 262, Brunet p.1376, Ebert 313..
CAILLES
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of BuffonSitwell p. 83, Nissen 158, Wood p. 262, Brunet p.1376, Ebert 313Wetting in the upper left corner..
BECASSE, DES SAVANES DE CAYENNE
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of BuffonSitwell p. 83, Nissen 158, Wood p. 262, Brunet p.1376, Ebert 313..
BEFFROI ET MUSICIEN DE CAYENNE
MARTINET FRANÇOIS-NICOLAS (1731-180.)Plate from the Natural History of Birds Georges-Louis Leclerc Count of BuffonSitwell p. 83, Nissen 158, Wood p. 262, Brunet p.1376, Ebert 313..